Indeed.

There's a light and delicate feel to these, John, nicely done.

Great all around, Lennybloke, the second version of #1 stands out though, dark and moody, as stated above.

Who knows? But I do like #3.

Great set, Lennybloke, I particularly like the dynamics of 1 through 4, and 9 (rendering the busy feeling of the city - of its inhabitants and tourists), balanced by the more peaceful and contemplative feeling of 5, 7, 8 and 10, with 6 acting as a transition between the two groups. Feels like being there (I've never been to Venezia, but I've lived in Firenze - same kind of quintessential italianità keeping its head up despite the unreal level of tourism).

Hello Bill, I'm catching up on viewing and commenting, haven't taken the time to do so these past few weeks... Beautiful set, once again. Some are on the 'classic' side (i.e. they'd certainly fare well in landscape photo contests) and are quite grand, but I'm more attracted (as usual) to the slightly (or not-so-slightly) off-kilter views. #3 has a peaceful monster lying beyond the foreground water movement, underneath which a monster friend, or foe, could be moving out after a close encounter. #6 might be the tracks of said monster, having beached for a rest and dry-out. The tongue of water in #7 gives life to the sea, with an interesting interaction between it and the land - same is true of #9, two takes on the same theme. The patterns in #13 must be from a different species of monster, strange movements indeed. And 15 is brilliant - you've made (or is it Nature - or a collaboration I guess) it look like a flow of ice coming in for the kill. I do like to tell myself a story or two on these types of images, so thanks for the inspiration. Ah, and the ICMs are, as usual, original, ghostly, intriguing, softly mysterious... Lovely!

Quite a lovely capture in #2 - the light is just where it needs to be, and the minimalist composition is flattering.

The last one I found most interesting, Steve. On the verge of leaving reality by the wayside, so to speak. I do like that balancing act.

I'll agree with most of the above: very nice work in 1 & 4. May I add (sorry if I'm wrong though), they seem to have been thought out a bit more than the rest (either at time of capture or in PP).

1 & 5 work best for me - 1 for the dark circular movement of the subject receding into the lighter green in the background; 5 for its simple geometric form, enhanced by (or enhancing) the clump of leaves. But great set overall.