All Forum Comments
Comment by johnriley posted on Pentax K7 Unsharpness at 29/06/2010 - 09:22
I use Centre Weighted metering all the time and have the exposure compensation set to the front e-dial. When I know the meter is being fooled I apply compensation.
That's straightforward if you practice and take note of what happens under what circumstances as you learn.
Spot metering has its uses, but 90% of the people I've seen face-to-face with metering problems have inadvertently set the camera to this type of metering. Then they have used the camera in a point-and-shoot fashion, with disastrous results.
Comment by johnriley posted on centre weighted metering / multi segment metering ? at 29/06/2010 - 09:16
I was more interested in how many members were actually active out of the thousands that have joined.
Comment by johnriley posted on Does Stefan have a day job? at 29/06/2010 - 08:38
Back to normal the week after.
Comment by johnriley posted on Comments for Weekly Competition #155 - Sunglasses! at 28/06/2010 - 23:36
People are entitled to disagree, so no need for closing threads, but if it just descends into abuse then it would be closed.
Just respect other points of view, even if you disagree.
Comment by johnriley posted on One picture at a time, please at 28/06/2010 - 18:32
If you want to think about ways to lift it to another level, then lets look at the subject. What is the subject? If the subject is part of a railing that's one thing, but if, as I suspect, it's of a house framed by a railing that's another.
Assuming the latter, when we look through the frame, which is an excellent compositional technique, we see the house obscured by a vertical metal pole that splits it in half. The frame itself also has a fancy bit at the top that pulls our eye away from the house. We need to decide to focus on one or the other, so focusing on the house means a crop to the top at least.
However, the problem of the pole remains. It looks as though there's no problem getting onto the bandstand, so how about using the railing at the other side to frame the house? Perhaps then we remove the pole and other distracting elements and use the framing to make an interesting image of the building.
Doing this may well reduce the impact of the railing itself, but we don't need two competing subjects in one image.
Hope these thoughts are helpful to you.
Comment by johnriley posted on From the band stand at 28/06/2010 - 16:08
Comment by johnriley posted on Clarinet in black and white major (only one image @ 800x800 pix) at 28/06/2010 - 14:54
Comment by johnriley posted on *ist model comparison !? at 28/06/2010 - 13:28
Comment by johnriley posted on Hi, just joining at 28/06/2010 - 13:04
I'd also experiment with Sepia or Selenium toning effects, maybe other colours, but certainly those two.
If this was a traditional darkroom print I'd be looking at Selenium toning personally.
Comment by johnriley posted on Clarinet in black and white major (only one image @ 800x800 pix) at 28/06/2010 - 12:56


Do "Other Makes" have similar focus ajustment features?
In the days of film there was an issue there as well. When film was left in the camera it would form a "kink" where it was left exiting the cassette or passing round the film guides. That meant the second and third shots taken could be way out of focus as the kink moved into the film gate. This was also a problem with TLR cameras, with their tortuous film path.
I suspect, but cannot prove, that we are more aware of defects these days simply because we view our images at enormous magnification on our monitors. Every little flaw can be seen in Photoshop....