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johnriley

Joined: 19th March 2002

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johnriley
So if the complaint is wasted space, are you guys not equally guilty now, if it be guilt at all? :

Comment by johnriley posted on Welcome messages - a suggestion at 29/11/2010 - 09:43

johnriley
The Pentax 50mm f1.4 is designed for high contrast reportage work, not for high rresolution.

The 50mm f1.7 probably has more of the required pictorial qualities and certainly much higher resolution.

Comment by johnriley posted on Shock Title fight result! at 29/11/2010 - 08:20

johnriley
-7C on the way back home last night, but a balmy and pleasant sunny -4.5C when we set off this morning....

Comment by johnriley posted on Cold innit? at 28/11/2010 - 15:05

johnriley
A computer has potentially more processing power than the camera. On the other hand, the camera can be programmed by the manufacturer to produce the optimum result. It's a moot point these days and as time goes by JPEG capture becomes better and better.

I suggest use what suits until there's some defect that doesn't live up to your requirements, but always keep investigating alternatives as things change very quickly.

Comment by johnriley posted on In camera raw processing at 27/11/2010 - 18:14

johnriley
The UV filter would work with film better than digital. In any event, modern lenses filter out UV very effectively anyway. Certainly AWB would not be a good idea as it will try to "correct" any shift in colour. I would use daylight setting.

A CPL will rarkem the blue sky potentially but not sure about the snow. It depends on the degree of polarisation of the light.

Comment by johnriley posted on First time in RAW at 27/11/2010 - 18:09

johnriley
Will do, and many thanks.

Comment by johnriley posted on FREE ROLL OF KODACHROME TO UK MEMBERS at 27/11/2010 - 17:43

johnriley
The sky is blue, so the white snow is reflecting blue. This happens with water as well.

If you have a version of Photoshop with "Photo Filter" as an option, use the 81 filter to "correct" the image, adjusting its strength to suit.

Alternatively, reset the white point in Levels. Click on the right hand eye-dropper symbol and then click in the image what you want to be white - perhaps the window frame. The rest of the image will reset to reflect the change. This option can be too strong, but it's worth a try.

Comment by johnriley posted on First time in RAW at 27/11/2010 - 15:55

johnriley
It looked fine to me, very bright and clear and the size I would expect.

Comment by johnriley posted on K5 viewfinder size at 27/11/2010 - 15:50

johnriley
Well I don't want to go round in circles for ever with this. I think you are misinterpreting what you think the K-5 is doing with these images.

Comment by johnriley posted on 18-135mm DA WR at 27/11/2010 - 15:25

johnriley
Sorry Stefan to disagree, but the uncorrected and corrected images are exactly the same file size.

Comment by johnriley posted on 18-135mm DA WR at 27/11/2010 - 15:12

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