hefty1

Joined: 28th June 2007

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hefty1
Hi and welcome to the forum - we thrive on questions

Comment by hefty1 posted on Hello from a Canadian in N. Yorkshire at 26/03/2009 - 14:46

hefty1
While I agree with George that it's doubtful it'll ever be an "official" import over here, the joy of the Internet means I can get a deposit down at a Japanese store just as easily as a UK one

Comment by hefty1 posted on A Beauty at 26/03/2009 - 12:53

hefty1
beachboy2 wrote:
Where do the ball bearings go?
As you move the aperture ring on a working lens you'll feel a series of "clicks" as you go from one position to the next. The underside of the ring itself (the bit you don't see when the lens is all together) has a short serrated section - where this section lines up with the inner barrel there will be a tiny hole in which is sat a very small spring and a ball bearing (usually 1mm). The spring pushes the ball bearing into the back of the aperture ring's serrated edge and that's what causes it to "click" into position.

Getting this lined up when you but the lens back together is one of the fiddliest parts of the job - I usually find several attempts and lots of swearing is required...

tigerita wrote:
Yes, thanks! Those photos are significantly less scary than the diagram!

So are those tangs that we see him re-attaching in the photos actually parts X27 and 28 from the diagram?
I've never taken one of these lenses apart and I've never had the luxury of a diagram on those I have, but from general experience once you take the back off a lens any piece that's loose / out of place is usually quite obvious. I'd be tempted to follow the pictures in the link Tony posted and not to worry too much about the exploded view.

Comment by hefty1 posted on a setting on an A50mm f/1.7 at 26/03/2009 - 10:09

hefty1
SRS do it for £189: Link

Comment by hefty1 posted on Tamron AF 70-300mm f/4.0-5.6 Di LD at 26/03/2009 - 09:54

hefty1
Not if it's the same finish you get on the silver Limiteds - mine seem to be pretty scratch-proof so far (touches wood)

Comment by hefty1 posted on A Beauty at 26/03/2009 - 00:20

hefty1
Rather than spend a few minutes on each photo I tend to leave the vast majority exactly as shot (in RAW) and just concentrate on the odd one, on which I may spend several hours. The ratio is quite large, probably somewhere in the region of one shot in several hundred actually has time lavished on it in Photoshop.

I never did any darkroom work of my own but I watched my Dad as a kid and I've been an avid Photoshop enthusiast since version 3.0 (that's 15 years now - where's the time gone? )

Sometimes I'll go back to an old RAW file and see what I can make of it; for example this was a scrap shot:

[IMG]http://i223.photobucket.com/albums/dd37/hefty1969/IMGP0566.jpg[/IMG]

which I revisited for a competition here to make this:

[IMG]http://i223.photobucket.com/albums/dd37/hefty1969/ferraris.jpg[/IMG]

Before the competition it had sat untouched for nearly a year and now the finished version is a print.

You need to just find a system that suits you.

Comment by hefty1 posted on processing yous photos? at 26/03/2009 - 00:13

hefty1
Gorgeous! Somebody wants me to spend some money!

Comment by hefty1 posted on A Beauty at 25/03/2009 - 23:38

hefty1
Excellent videos!

I'm sure these folk could build you something: Camera Bellows

Comment by hefty1 posted on Tilt & Shift at 25/03/2009 - 23:30

hefty1
It does look like a crack - they're not particularly well protected under the top plate so if it's been dropped at some point..?

Comment by hefty1 posted on A praise for the MX at 25/03/2009 - 23:20

hefty1
The prism's just a chunk of glass and glass can indeed crack! I've got a spare MX prism, perfect condition, already removed from a camera - PM me if you need it.

Comment by hefty1 posted on A praise for the MX at 25/03/2009 - 17:47

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