Anvh

Joined: 4th July 2008

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Anvh
The way colours are rendered can be positive to the image but I do that after wards at home, when I can sit and can take all the time for it.

One of the reasons why I shoot RAW, I just don't want to be bothered with those camera settings while shooting.

Also you can experiment all you want then and get it perfect.

Comment by Anvh posted on Using in camera image tone option at 10/11/2009 - 13:29

Anvh
how long does the lighting exist?
I mean if the trigger reacts it needs to activate the camera and there is a delay before the camera is actually making a photo, so does it really work?

Comment by Anvh posted on Lightning images at 10/11/2009 - 13:13

Anvh
it isn't that simple Aiki.
I think you need to throw away all language files of the program except English, he will use that then because of shortage of something else.

Comment by Anvh posted on Watermark at 10/11/2009 - 13:07

Anvh
Aiki, mine will be coming too late, I'm not home this week and hadn't had time to finish it this weekend.
Will still finish it and post it this weekend since you were interested.

Sorry Tim, one less to judge

Comment by Anvh posted on Fortnightly Competition #28 - Comments - Bonfire Night at 10/11/2009 - 13:04

Anvh
Daniel Bridge wrote:
On my K10D you just have to press the green button to return to Auto-ISO. No need to use the OK button. And you can change the dials to do anything you want really (within reason ), so in Av mode, my front dial controls ISO, in Tv the rear one does. Again, no need for the OK button.

Dan
Daniel you're making things complicated now.
It goes to auto ISO because you have iso under the front dial.


What is also not in the manual is that you can set the pop-up wireless flash to controller in the C-menu with version 1.3
When set to controller the pop-up flash is very low and should hardly contribute to the flash in the photo.

Comment by Anvh posted on HIDDEN FEATURES IN A K10? at 09/11/2009 - 19:04

Anvh
Andrew That's just the point of such f/1.2, you need to play with the out of focus blur to create an image so they become very dreamy. Sharpness or details hardly play a point.

#3 is quite a normal shot and would hardly raise any attention.

You probably can also not appreciate this men's art link

It's simply a taste so nothing is good or wrong in this matter.

Comment by Anvh posted on Ultra fast 50. at 09/11/2009 - 13:51

Anvh
The last one is from a photographer so I can forgive that his html skills aren't that good.
At least the tutorial pages them self work properly.

Comment by Anvh posted on Shooting with fog at 09/11/2009 - 13:45

Anvh
Sandy, I've found that site useful a lot of times and often it's also quite good written. At least it's good understandable when you don't have a lot of knowledge about photography.

This is another site that I like link

Comment by Anvh posted on Shooting with fog at 09/11/2009 - 12:43

Anvh
I don't think it's bad, but how good it is?

I would rather see a pro online store with very good support, certainly when the 645D arrives it could make a difference.

Comment by Anvh posted on Latest news at 09/11/2009 - 12:32

Anvh
Like Dan says it's quite common.
It's a reflection of the rainbow itself, if you look the colours are the other way around.

From wiki
Frequently, a dim secondary rainbow is seen outside the primary bow. Secondary rainbows are caused by a double reflection of sunlight inside the raindrops, and appear at an angle of 50°–53°. As a result of the second reflection, the colours of a secondary rainbow are inverted compared to the primary bow, with blue on the outside and red on the inside. The dark area of unlit sky lying between the primary and secondary bows is called Alexander's band, after Alexander of Aphrodisias who first described it.

A third, or tertiary, rainbow can be seen on rare occasions, and a few observers have reported seeing quadruple rainbows in which a dim outermost arc had a rippling and pulsating appearance. These rainbows would appear on the same side of the sky as the Sun, making them hard to spot. One type of tertiary rainbow carries with it the appearance of a secondary rainbow immediately outside the primary bow. The closely spaced outer bow has been observed to form dynamically at the same time that the outermost (tertiary) rainbow disappears. During this change, the two remaining rainbows have been observed to merge into a band of white light with a blue inner and red outer band. This particular form of doubled rainbow is not like the classic double rainbow due to both spacing of the two bows and that the two bows share identical normal colour positioning before merging. With both bows, the inner colour is blue and the outer colour is red.

Comment by Anvh posted on Rainbow - camera effect? at 09/11/2009 - 12:29

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