johnnyboy114

Joined: 7th August 2009

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johnnyboy114
Anvh wrote:
johnnyboy114 wrote:
Guys

I don't own an iPhone, but don't be so quick to knock it...

I know the lens and the sensor isn't the best, but I have seen some utterly STUNNING photography come from an iPhone. The best camera anyone has is the one they have with them.....
I think you got it wrong, we all know the photographer is the most important element so we can knock to iPhone or any other phone and praise the photographer into heaven
lol.....I didn't say not to knock the iPhone as a camera.... lol! Go for it....

Comment by johnnyboy114 posted on iPhone Photography at 14/04/2010 - 14:01

johnnyboy114
Guys

I don't own an iPhone, but don't be so quick to knock it...

I know the lens and the sensor isn't the best, but I have seen some utterly STUNNING photography come from an iPhone. The best camera anyone has is the one they have with them.....

Check out Chase Jarvis and his iPhone work for a start. Here is a trully world class photographer, with a massive and important portfolio behind him and he is utterly ADDICTED to his iPhone camera as he says...its the one he has with him the most. Its not necessarily the "quality" of the image that comes from the camera, but the "quality" of the eye and vision of the person who took the image. I couldn't agree more to be honest. Yep, there are better camera phones out there, by quite some margin. But if you don't know how to take a decent photo, it doesn't really matter does it...

Check him out....one of the leading and most famous iPhone photography exponents on the planet....and a ruddy good "normal" photographer in his own right...

http://www.chasejarvis.com/

Go to his PF and check his iPhone gallery....

Oh and for apps, there are myriad good Apps for iPhone....there is iPhone Photoshop, there is something called "Best Camera" that is supposed to be superb....search on as some are stunningly good.....

Comment by johnnyboy114 posted on iPhone Photography at 14/04/2010 - 13:08

johnnyboy114
Saw and commented on this on EPZ....lovely image.

Comment by johnnyboy114 posted on Clare Photoshoot 9th April 2010 at 12/04/2010 - 14:09

johnnyboy114
BEAUTIFUL car and well rendered in this. I like this shot. Really panders to my serious petrolheadedness...lol!

Comment by johnnyboy114 posted on something for the petrol heads at 12/04/2010 - 14:06

johnnyboy114
The mono ones work very well for me Andrew. I really like your central composition for a lot of these shots. You have squared them up perfectly instead of trying to stick to "rules" and making them look a bit generic. Its nice to see. Nice tones, lovely exposure and I would be happy with these in my porfolio. Excellent stuff

Comment by johnnyboy114 posted on Scenic Studio I (Interior Spaces) at 14/03/2010 - 08:24

johnnyboy114
Stunning Andrew, simply stunning. They knock you back with their poignancy and mood, the evocation of so many thoughts regarding what happened there. They all look almost apocalyptic, post war, that kind of thing. Really, really moving stuff and the technique you have applied just makes the shot even more. I think I am going to have to try this myself....but the images?.....wonderful stuff.....some of your very, very best....

Comment by johnnyboy114 posted on All That Remains at 10/03/2010 - 20:02

johnnyboy114
Thats a special, special image. Really quite poignant and evocative and sad and....oh I don't know. It conjures up so much in me....one of your very, very best Andrew....superb shot....

Comment by johnnyboy114 posted on Someone's Lost Memories at 10/03/2010 - 10:23

johnnyboy114
Like the second one the best....again, it must be a monochrome mood thing I guess...lol!

Comment by johnnyboy114 posted on Something Nice for a Change at 09/03/2010 - 11:20

johnnyboy114
Excellent images, ALL versions....

Comment by johnnyboy114 posted on Pylons at 08/03/2010 - 12:57

johnnyboy114
Oh and I think I prefer the colour ones....the mono do work, but prefer the colour for the drama....

Comment by johnnyboy114 posted on Downturn at 01/03/2010 - 10:33

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