All That Remains

bwlchmawr
Posted 10/03/2010 - 11:27 Link
People seemed to like (actually "like" is the wrong word) respond to the photograph I posted yesterday, so here are some others, part of the same series. All with the K100 (what else?) first two Hoya 24mm mf, second two with 18-55 mk1.

I Can't Make a Flower
[IMG]http://i927.photobucket.com/albums/ad116/ADC3440/Pictures057b.jpg[/IMG]

Afternoon Play
[IMG]http://i927.photobucket.com/albums/ad116/ADC3440/Pictures013a.jpg[/IMG]

Fairy Story

[IMG]http://i927.photobucket.com/albums/ad116/ADC3440/Scenic%20Studio/Pictures054.jpg[/IMG]

Loss of Innocence

[IMG]http://i927.photobucket.com/albums/ad116/ADC3440/Scenic%20Studio/Pictures049.jpg[/IMG]

Kind regards,
Andrew
Best wishes,

Andrew

"These places mean something and it's the job of a photographer to figure-out what the hell it is."
Robert Adams
"The camera doesn't make a bit of difference.  All of them can record what you are seeing.  But, you have to SEE."
Ernst Hass
My website: http://www.ephotozine.com/user/bwlchmawr-199050
http://s927.photobucket.com/home/ADC3440/index
https://www.flickr.com/photos/78898196@N05
CoDa
Posted 10/03/2010 - 12:11 Link
I find these and the previous set, very moving they show a history of a person who we will never know.

The are all great shots, what is the secret of the sharpening that you do.
("new" sharpening treatment first.

Regards
Colin

“Nobody made a greater mistake than he who did nothing because he could do only a little.”
Edmund Burke (1729 – 1797)


[IMG]http://i941.photobucket.com/albums/ad254/weldingblues/K-7userbar-red.jpg[/IMG]
bwlchmawr
Posted 10/03/2010 - 12:21 Link
Hi Colin,

Thanks for your kind remarks.

Gareth (of Cardiff fame) explained the "new" sharpening technique after various people remarked on my unsharp photos.

It's quite simple really. Do what you have to do as regards cropping, colour boost, levels etc. then make a copy of shot in layers. Go back to Filters - other - High Pass (I have a pre industrial revolution version of Photoshop) adjust it so that you can see some edges in the gloom (not too much, about 4 - 5, I reckon unless it's very soft). Then in Layers change the blend mode to either soft light, hard light or overlay, which ever looks best. You can further reduce the opacity if the effect's too strong. Then flatten the layers.

Let me knoe how you get on.

Regards,

Andrew
Best wishes,

Andrew

"These places mean something and it's the job of a photographer to figure-out what the hell it is."
Robert Adams
"The camera doesn't make a bit of difference.  All of them can record what you are seeing.  But, you have to SEE."
Ernst Hass
My website: http://www.ephotozine.com/user/bwlchmawr-199050
http://s927.photobucket.com/home/ADC3440/index
https://www.flickr.com/photos/78898196@N05
CoDa
Posted 10/03/2010 - 12:30 Link
Thanks Andrew,
Will try it out on some shots soon, and post the images on the forum.

Regards
Colin

“Nobody made a greater mistake than he who did nothing because he could do only a little.”
Edmund Burke (1729 – 1797)


[IMG]http://i941.photobucket.com/albums/ad254/weldingblues/K-7userbar-red.jpg[/IMG]
CoDa
Posted 10/03/2010 - 14:27 Link
Does that involve copious amounts of the amber nectar (well beer) as well :
Colin

“Nobody made a greater mistake than he who did nothing because he could do only a little.”
Edmund Burke (1729 – 1797)


[IMG]http://i941.photobucket.com/albums/ad254/weldingblues/K-7userbar-red.jpg[/IMG]
ems82
Posted 10/03/2010 - 15:07 Link
Lovely set yet again Andrew. First one my fav
Emma
"Photography is a way of feeling, of touching, of loving. What you have caught on film is captured forever... it remembers little things, long after you have forgotten everything." Aaron Siskind
Bodies K20D, LTL 3, K1000d
Lenses Pentax 50mm, Pentax 135mm, Tamron 70-300 macro
bwlchmawr
Posted 10/03/2010 - 16:59 Link
Thank you Emma.

Gareth and Colin will you please stop discussing alcohol abuse when there are serious and touching photographs around!

Regards,

Andrew
Best wishes,

Andrew

"These places mean something and it's the job of a photographer to figure-out what the hell it is."
Robert Adams
"The camera doesn't make a bit of difference.  All of them can record what you are seeing.  But, you have to SEE."
Ernst Hass
My website: http://www.ephotozine.com/user/bwlchmawr-199050
http://s927.photobucket.com/home/ADC3440/index
https://www.flickr.com/photos/78898196@N05
HowardJ
Posted 10/03/2010 - 17:33 Link
Very poignant and touching. The one of the headless doll looks like a victim of some violent war. (Aren't all wars violent??)

Well done.

Howard
Cymru Am Byth
bwlchmawr
Posted 10/03/2010 - 18:09 Link
HowardJ wrote:
The one of the headless doll looks like a victim of some violent war.

Howard
Thanks Howard. I actually considered not posting the last picture for this reason.

Best wishes,

Andrew
Best wishes,

Andrew

"These places mean something and it's the job of a photographer to figure-out what the hell it is."
Robert Adams
"The camera doesn't make a bit of difference.  All of them can record what you are seeing.  But, you have to SEE."
Ernst Hass
My website: http://www.ephotozine.com/user/bwlchmawr-199050
http://s927.photobucket.com/home/ADC3440/index
https://www.flickr.com/photos/78898196@N05
Anvh
Posted 10/03/2010 - 18:18 Link
Wonderful photos again Andrew.
I already see the first book lying in a field of flowers, now that would be a impressive shot, maybe it's time to learn more about photoshop

I've never used high pass sharpening, I actually use unsharpening at different values for each colour, there are twice as much green pixels then blue or red so you don't need to sharpen that much but blue has the gives the most noise so that even gets a bit blurred.
I had this method from Matt that explained it here on this forum, don't know if I'm the only one still using it
Stefan
Comment Image

K10D, K5
DA* 16-50, DA* 50-135, D-FA 100 Macro, DA 40 Ltd, DA 18-55
AF-540FGZ
bwlchmawr
Posted 10/03/2010 - 19:06 Link
Stefan,

Thank you for your kind words.

As regards your way of sharpening...it sounds perfectly logical: blue is a noisy channel (you've only got to look at a blue-heavy monochrome conversion. I wonder bwheree Matt got it from.

I'll have a go sometime and see if I can work it out!

Kind regards,

Andrew
Best wishes,

Andrew

"These places mean something and it's the job of a photographer to figure-out what the hell it is."
Robert Adams
"The camera doesn't make a bit of difference.  All of them can record what you are seeing.  But, you have to SEE."
Ernst Hass
My website: http://www.ephotozine.com/user/bwlchmawr-199050
http://s927.photobucket.com/home/ADC3440/index
https://www.flickr.com/photos/78898196@N05
Anvh
Posted 10/03/2010 - 19:23 Link
I did some searching, it's almost 5 years old link
Stefan
Comment Image

K10D, K5
DA* 16-50, DA* 50-135, D-FA 100 Macro, DA 40 Ltd, DA 18-55
AF-540FGZ
Posted 10/03/2010 - 20:02 Link
Stunning Andrew, simply stunning. They knock you back with their poignancy and mood, the evocation of so many thoughts regarding what happened there. They all look almost apocalyptic, post war, that kind of thing. Really, really moving stuff and the technique you have applied just makes the shot even more. I think I am going to have to try this myself....but the images?.....wonderful stuff.....some of your very, very best....
My Flickr page. Please feel free to view https://www.flickr.com/photos/23025412@N00
bwlchmawr
Posted 10/03/2010 - 20:31 Link
Thanks John,
PM sent.
A.
Best wishes,

Andrew

"These places mean something and it's the job of a photographer to figure-out what the hell it is."
Robert Adams
"The camera doesn't make a bit of difference.  All of them can record what you are seeing.  But, you have to SEE."
Ernst Hass
My website: http://www.ephotozine.com/user/bwlchmawr-199050
http://s927.photobucket.com/home/ADC3440/index
https://www.flickr.com/photos/78898196@N05
Pentaxophile
Posted 10/03/2010 - 22:50 Link
Liking these a LOT Andrew! Great bit of light in the first one here.

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