GivingTree

Joined: 1st May 2008

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GivingTree
paulyrichard wrote:
The child is blowin' a bubble, the pot and child are both relevant to the shot, surely.
This is a good shot Darlene, I would jus' like to see some more contrast in the tones, on the child.
Agreed.
Unfortunately, the background is a bit messy at top left, but it's not too bad.

I like the shot very much.

Comment by GivingTree posted on Our world in a bubble at 11/08/2009 - 14:56

GivingTree
What exactly is "split-toned"?

Asking because I see different tones on his forehead and cheeks, but don't know if my eyes are tricking me or not.

Comment by GivingTree posted on Another Face on the Street at 11/08/2009 - 14:43

GivingTree
Gwyn wrote:
Who says photos must remain photos - if we have all this computing power and ability to do other things with them then why not? Why is it any different to HDR, B/W conversion, colour popping, cloning out bits you don't like or changing the colour of something in a photo? Surely one of the joys of digital photography is that we can do things like this?

I can't see anything wrong in playing about and seeing what comes out.
I couldn't agree more. If it's fun, have at it. I enjoyed seeing it.

Comment by GivingTree posted on Playing with Elements at 09/08/2009 - 15:29

GivingTree
Well I like the different approach you've used.

To me, #1 has the most potential.

I would crop the right and the bottom, to put the butterfly off-center and give the graphic stems even more importance. That would also give that unattractive brown background less presence.
Then definitely PP to adjust exposure.

Comment by GivingTree posted on Butterfllies - Composition experiments at 07/08/2009 - 21:53

GivingTree
I really like it too, and think it's worth a little work.

First and foremost, it needs straightening, which timk did but maybe a little too much imo.

I played around with it, and this is my result:

Comment Image



I straightened it according to the center post on the bridge.
Then got rid of the column on the left and the dark shadow at the bottom, to align the picture to the "rule of thirds".
Then just a bit of adjustment in curves (gimp) to bring out the reflections.

Comment by GivingTree posted on as shot at 07/08/2009 - 21:31

GivingTree
A very intriguing subject.

Now how to shoot it that my non-American friends will understand....
Pretty sure I can't include a Wikipedia article on "The South".

Comment by GivingTree posted on Fortnightly Competition #22 discussion at 06/08/2009 - 16:36

GivingTree
I think you did right by using EV -1. The whites aren't blown, which would be easy to do with those zebra-wings of his.

Comment by GivingTree posted on Holiday Snaps - Don't all groan! at 06/08/2009 - 16:24

GivingTree
Aiki wrote:

you are master in catching the eyes.
Agreed.
And also in cropping the foreheads. You do it in a lot of your portraits and it works (whether in camera or in PP). It's something that is difficult to do right, IMO.

Comment by GivingTree posted on The Eyes have It at 06/08/2009 - 16:20

GivingTree
Good effort.

The first one, your focus is just a bit off. It's focused on his shoulders(?) and left his head OOF. But it looks like enough DOF to capture him well, if the focus was shifted a little to the right.

The second one the focus is better. Seems you've played with the contrast a bit too much tho.

Comment by GivingTree posted on First attempt at macro. Not quite right. at 06/08/2009 - 16:08

GivingTree
Thanks for all the comments.

After seeing the winner, it drove home the fact that art is subjective. The winner doesn't hold any appeal for me, but it does for the judge.

And that's ok.

gartmore wrote:
For me the first one is better in mono, it looks like something I might have done!
I'll have to try that!

Comment by GivingTree posted on My submissions to the Scott Kelby Photowalk at 06/08/2009 - 15:59

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