All Forum Comments
Comment by chris_jl posted on Amateur Photographer Poll at 27/01/2010 - 18:20
something to allow me to get wider and better quality shots than the 18-55mm WR kit lens really.
ideally the pentax 12-24mm f4 or the sigma 10-20mm, but open to all suggestions...
Chris
Comment by chris_jl posted on WANTED: ultra wide lens at 20/01/2010 - 18:19
=====
CameraKing UK has been cancelled
by the seller with the following reason: -
.
If you're still interested in this item, please search for it again on
Amazon.co.uk.
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I am still trying to figure out if '.' is the reason or it is some craptic clue I have to solve.
Ho, hum.
Chris
Comment by chris_jl posted on Wanted BG2 - grip for K20d at 05/01/2010 - 14:38
1. speak to the minister/priest/officiant and say that you will be taking photos during and where you will be standing - so they don't get annoyed and stop everything halfway through due to lack of info. I tend not to ask 'please can I shoot during' as it gives an opening for them saying 'no', stating that you intend to shoot during really only gets denied if it really grinds their gears; and it starts negotiations in your advantage.
2. get a written running order of locations and wants (we want bride & groom shots in the rose garden after the service but before the meal, we will release a load of doves at X point) off the couple so you aren't caught off guard by something happening you didn't anticipate or being in the wrong place at wrong time.
3. be assertive with the crowd - if group shots are needed/wanted then people tend to mill like bovines and need herding. One friend told me to take a tripod but never use it - it just shows who's to be listened to for photos.
HTH
Chris
Comment by chris_jl posted on Wedding photo tips! at 01/01/2010 - 17:26
Where does the Kodak 'Brownie' fit? That was my first camera.
It used 127 film, was certainly not compact, and did not have interchangeable lenses.
OK, I guess it was compact in its day.
I still have it, but unfortunately the 127 film available today has very thin backing paper and the red exposure number viewports fog it badly.
Chris
Comment by chris_jl posted on Your first camera at 01/01/2010 - 00:35
Hello everyone, I just bought the lens 24-70 mm F2.8 EX DG,
There is someone on this board who owns one, I can tell if you're happy with it?
That lens can be at your height in its range?
That's good and bad?
What is the opening where it offers the best quality?
In which situations do better?
Thanks and best regards.
The long and the short, is that you won't be disappointed.
Chris
Comment by chris_jl posted on Sigma 24-70 mm F2.8 EX DG at 30/12/2009 - 23:19
Faster cards do give an improvement in continuous shooting with the K10D and *ist DS. The delay while the buffer is written to the card can be more than halved when using a Sandisk III or white Toshiba compared to a more bog standard card.
Apparently the Panasonic "Class 10" cards don't work with video in the K-7, so they may not really be as fast as advertised.
CHDK wikia
From what I can see the class 10 equals or slightly beats the Sandisk Ultra2 - but and here is the dinger - it seems to have very poor performance on single 64K writes - 1/4 speed of other cards.
I wonder if the way the K7 writes video streams is hitting this overhead for small writes heavily?
Chris
Comment by chris_jl posted on Class 6 SDHC cards, at 29/12/2009 - 16:19
looks to only do RAW DNG for 16 or 17 shots before you get the pause/shoot setting in
Chris
Comment by chris_jl posted on Class 6 SDHC cards, at 29/12/2009 - 16:03
With continuous RAW shooting, is there a long wait on the K200 after the buffer has filled before the camera is ready to shoot again? If so, a faster card will reduce the wait.
It may also speed up the transfer of images from the card to your computer.
I consider class 4 very slow nowdays. Class 6 is the minimum I use, preferably one that is actually faster than class 6, like a Sandisk Extreme III.
Comment by chris_jl posted on Class 6 SDHC cards, at 29/12/2009 - 15:52
Tilt and shift is only available on large format view cameras. Tilt is not available on 35mm cameras, only shift.
Tilt is what it sounds like and shift is moving the lens to one side of the optical axis.
There are also a few russian tlit/shift lenses currently being made in a pentax mount, but I can't recall the names. Perhaps somebody else can.
Ebay is probably your best bet.
I think Mark may have been referring to Arsat or Arax brand Russian lenses.
Comment by chris_jl posted on tilt and shift lenses for architectural photography. at 27/12/2009 - 15:57


Interesting, maybe they have a larger Pentax user audience than we might have imagined
Also I see Angela Nicholson has the K-7 up against the 7D this week, should be interesting to see how close she thinks they are
Chris