All Forum Comments
Comment by stevejcoe posted on AP K-7 Review at 13/08/2009 - 13:58
So does anyone have clear sky's to take pictures of the Perseids tonight? It's looking really cloudy here.
Comment by stevejcoe posted on Fireworks tonight and tomorrow in Plymouth at 12/08/2009 - 20:54
Steve, funnily enough my Dad has just read a bit out of the paper about this and oddily enough the weather forecast is better here tonight I have to work tomorrow and so normally get up at 5.30am, might just manage to get up earlier and try again
Steve
Comment by stevejcoe posted on Fireworks tonight and tomorrow in Plymouth at 12/08/2009 - 09:06
RR Thanks for he info I am off work tomorrow so might stay up and see if I can see any. I don't now anything about meteors but if the 0800 -0900 is the time of particular interest, won't it be light by then? Sorry if I am being thick
Steve
Comment by stevejcoe posted on Fireworks tonight and tomorrow in Plymouth at 12/08/2009 - 08:51
Steve
Comment by stevejcoe posted on Leicestershire/East Midlands at 11/08/2009 - 08:04
Steve
Comment by stevejcoe posted on Warranty and Grey goods at 08/08/2009 - 13:29
http://tinyurl.com/kwyylz
Steve
Comment by stevejcoe posted on K7 Prices at 07/08/2009 - 20:38
I was thinking that the base of the lens would be replaced with an A version. A proper job in other words.
G
This is my understanding and I may be wrong here
Using a 50mm F1.4 'A' series lens as our example, lets say for our purposes to go from F1.4 to F22 requires the aperture arm to move 16 mm. From the 'A' series onwards Pentax lenses have linear aperture control, therefore if F5.6 is selected the aperture arm will need to move 8mm from its fully open position. For F11 it would be 12mm ect.
Now K or M series lenses were designed with non linear distances between F stops. The amount does seem to vary by lens, so in the above example we might find pretty close correlation at F5.6, but a widening gap from F11 upwards. The result is that as we move from F1.4 to F22 we go from over to underexposure.
Now when we fit the lens to the DSLR, the camera would recognise the modified lens as a 50mm F1.4 'A' series and when asked for F11 would move the aperture arm 12 mm, which in this case would be too much and would result in under exposure.
I hope this helps - regards Steve
Comment by stevejcoe posted on Are all mounts equal? at 06/08/2009 - 09:22
How about a service to put an A mount on an M or K lens? That would bring in a few punters.
G
I read an article on this, but cannot put my hands on it, but if I remember correctly aperture control in earlier lenses is non linear and this is the main reason for the exposure problems.
Link to a thread on Pentax Forums http://tinyurl.com/kv6w4g
I think there is merit in the original idea, just wish I had access to someone in Pentax marketing. It would be relatively easy to set up and provide some real differentiation for Pentax.
Steve
Comment by stevejcoe posted on Are all mounts equal? at 05/08/2009 - 19:52
Interesting idea, and it has been tried by retailers such as Jessops.
I wonder what they did with all the old cameras and lenses though - if they just destroyed them to remove their impact from the market, that would not be good.
Another benefit is a possible 'Green' angle. Why buying a Pentax is good for the environment
A nice up selling opportunity as well, you tried the kit lens, you tried the manual prime now be prepared to be blown away by the new DA Limiteds.
Regards - Steve
Comment by stevejcoe posted on Are all mounts equal? at 05/08/2009 - 17:06


As others have remarked it is a shame that the D300s takes centre stage in a big way on the front cover and that the K-7 is squeezed into the top 20mm.
PeteL wrote
I was surprised that Pentax offer the 18-55 zoom, As it does the Camera few favours when in comparison tests with top of the range Cameras. Far better to have a higher spec lens paired with it. After all i`m sure that a kit lens which costs only £20 more than the body only price is not going to impress anyone!
Steve