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Comment by Mongoose posted on backing up on to DVD at 17/04/2008 - 12:24
https://www.pentaxuser.com/forum/viewtopic.php?t=7487&highlight=photons
and I'm too lazy to type it out again hope it helps.
that discussion was about sensor size, but if you keep the physical size the same and increase the number of pixels the same effect applies. Smaller pixels = less light hitting each one = greater percentage error = more noise.
Comment by Mongoose posted on Megapixel theory at 21/04/2008 - 17:31
[The image out of todays 10MP compacts is better than the image out of a 4 or 5 year old 6MP camera
I just haven't seen a compact past 6MP I would be happy to buy on IQ grounds, and certainly not one I would consider an upgrade from my 5MP Panasonic.
Otherwise I agree with you, most base level DSLRs are just glorified P&S cameras bought by people who believe that throwing money at photography will make their holiday snaps into masterpieces.
Although, perhaps we should consider this: The Pentax ME, MV, MG and A3 all have no manual mode at all. They are as fully automatic as cameras of their time could be. The K100D by comparison is extremely pro-orientated.
Comment by Mongoose posted on Megapixel theory at 21/04/2008 - 16:27
AF and AE as we know them were introduced on consumer grade SLRs. At that time the general public didn't buy SLRs, it was the amateur photographers who drove the development and widespread adoption of that technology.
In a world where only photographers bought cameras, your argument would be totally valid, but in this world most of the money is made by selling in large volume to fools who'll buy anything as long as it has bragging rights.
Comment by Mongoose posted on Megapixel theory at 17/04/2008 - 22:49
And the final argument for larger pixel counts is this:
Many people thinking that if they buy a "Better" camera they can get images as good as the pro's. this results in development of better cameras being sold in larger numbers, and lower prices. When the marketing guys do thier thing, we all win.
However, the argument eventually breaks down. Because Joe Bloggs doesn't really know what a "Better" camera is, he chases Megapixels. To stay competitive, the manufacturer must squeeze more and more megapixels (and recently, higher and higher ISO ratings) out of their cameras. 12800 ISO and 20Megapixels will gain them more stupid customers than it looses intelegent ones, so these market forces end up making good cameras unsaleable.
Eventually you end up back where you started, the ~20MP DSLR (I'm talking in a few years time here) becomes a niche item valued only by the true photographers who value image quality above all else. The entry level models all have 45MP so they sell like hot cakes, but they take terrible photos.
Our only hope is that what happened in the P4 vs Athlon battle will happen in photography. At some point, the situation will change so that the top flight cameras no longer have more megapixels than the base models, and may even have less. If you look at the Canon lineup you can already see this starting to take hold. People will always want to have the same equipment as the pros, and when they realise that the K2D, Canon 1DS MkIV, Nikon D4 and whatever actually have rather fewer pixels than the compact in their pockets they will start to ask why. At that point, and not before, the megapixel race will be over for good.
Comment by Mongoose posted on Megapixel theory at 17/04/2008 - 17:04
Thanks for that John.
So why are so many people being drawn in to the 'must have more pixels' trap I wonder?
The MHz myth in computing lasted a very long time (although it stayed true longer than the MP myth too).
The problem is there are too many things which people want to use for them to understand them all. As a substitute for true understanding, people look for a single overriding performance measure. With computers it was the mighty Mhz clock speed until the AMD Athlon vs Intel P4 race finally demonstrated once and for all that clock speed alone is an invalid measure of performance.
With the digital camera the measure which has been latched onto is Megapixels. For a while back in the late 90s it was true that higher MP=better. Back then 2MP was pretty decent and even compact cameras sported lenses capable of out resolving their sensors with ease. As we here all know, MP are irrelavent unless you have the glass to back them up and the sensor technology to avoid excessive noise (see my response to the "not sharp" thread in this forum for a discussion of noise vs pixel size). For a while it was noticable that the good camera brands held the same view. Pentax, Nikon, Canon, Olympus and friends sat at about 4-6MP for ages in their compact cameras. Alas it seems market forces have now prevailed, the companies must give the consumer what he wants or go out of business, and what the consumer wants is megapixels.
With personal computers it took an undeniable demonstration (the Athlon was more than 50% faster than the P4 at the same clock speed), plus a concerted effort by a number of leading manufacturers to convince the populus that a 3GHz machine was not automatically "better" than a 2GHz machine. It will take the same with digi-cams, but no one seems very interested in trying at the moment.
Joe Bloggs on the street is still being sold cameras by John Smith the minimum wage lacky in a big electronics store, and John Smith doesn't have a clue. All he can go one is the numbers in front of him, and bigger looks better.
Comment by Mongoose posted on Megapixel theory at 16/04/2008 - 23:53
Thats a relief.
Comment by Mongoose posted on Big changes for copyright law??? at 17/04/2008 - 12:20
there are some very good counter points made here however
http://kynn.livejournal.com/799971.html
and so far I have been unable to find any evidence of anything like this in the EU
Comment by Mongoose posted on Big changes for copyright law??? at 16/04/2008 - 19:03
Benbo now only make one lightweight model.
Dad has one of the smaller Benbos for work and swears by it, he wont consider anything else.
Comment by Mongoose posted on what tripod? at 16/04/2008 - 14:18
Comment by Mongoose posted on End Results... at 16/04/2008 - 14:12


Also, keep optical backups in the dark, the dyes hate UV light.
Personally I'm seriously considering going to a double DVD backup where I burn each disk twice, to two different reputable brands of media.
I've had a lot of problems with disks of various brands fading over time.
OH and as Beaky said, never ever use RW media for long term storage. Frankly with USB sticks so cheap these days I think RW optical media are obsolete.