Daniel Bridge

Joined: 21st March 2006

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Daniel Bridge
gartmore wrote:
Best way to capture lightning is to use a very large metal tripod!
And hold a large golf umbrella high above your head.

Dan

Comment by Daniel Bridge posted on Weather and lenses? at 03/11/2008 - 20:07

Daniel Bridge
El Dingo wrote:
Is there a list of the different acronyms used on the lenses? I've searched for a glossary but couldn't find anything.
For once the Pentax U.K. website comes up trumps!

http://www.pentax.co.uk/en/Photo_Lenses_Glossary.html

Dan

Comment by Daniel Bridge posted on A newbie writes at 02/11/2008 - 19:49

Daniel Bridge
impotentspider wrote:
Cashback offers now advertised by SRS

Looks like it applies to lenses as well
Well, there's the banner ad which links to the Pentax U.K. website, on which I can find no mention of cashbacks.

Once again Pentax U.K. are on the ball with their website. Has anyone told them about the ring flash? The DA* 55mm? Oo, have a look in the 'Press Lounge' for the recent press releases... Er, results of a fishing competition in September, anyone?

Dan

Comment by Daniel Bridge posted on Cash Backs at 02/11/2008 - 19:46

Daniel Bridge
Just buy a vertical grip and always keep it in place. Joking aside, have you tried the K10D with a grip? You may be like me, and find that it's much more comfortable. Just a thought.

Dan

Comment by Daniel Bridge posted on K10D Replacement Rubber Cap for Baseplate at 02/11/2008 - 18:48

Daniel Bridge
Hi Chris,

Just tried it - works a treat.

Cheers for that, I've managed perfectly well without knowing about it, but I'm sure it will come in handy in the future.

Dan

Comment by Daniel Bridge posted on adobe photoshop - starting out at 02/11/2008 - 18:39

Daniel Bridge
terje-l wrote:
Not perfect, but better, imho.
Gone too far the other way, IMHO! I would choose to use the reflections of the reeds, or perhaps one of the verticals on the building on the left.

Dan

Comment by Daniel Bridge posted on Silky waters at Durham at 01/11/2008 - 23:43

Daniel Bridge
screwdriver wrote:
I forgot about that Dan, thinking about it(always difficult) you can do the second one too. If you open the Layers as before, above each Layer open an Adjustment Layer, by putting the cursor between the Layers and Ctrl + Left Click (could be Alt + Left Click) it joins the Layers together. Then you can use the Layer Mask on the Adjustment Layer.
Sorry, I don't follow you! You can link the layers, but using the mask on the adjustment layer has no effect on the linked layer. At least not on the version I'm using anyway (PSE4).

Dan

Comment by Daniel Bridge posted on adobe photoshop - starting out at 01/11/2008 - 23:15

Daniel Bridge
screwdriver wrote:
Useful things Layer Masks you can apply a Levels to get say the sky correct and by painting with black at 100% on the Layer Mask remove the effect from the foreground. You can do this all over the picture with any Adjustment Layer. If you make a mistake just paint with White will remove the mask and reveal the effect again.
You can do this with Elements, as long as you use an adjustment layer, rather than applying Levels (or whatever) from the menu.

screwdriver wrote:
You can open several close up or Macro pictures taken at different distances from the subject each in their own layer, then working two layers at a time hide the out of focus pixels in all the different frames, result a macro shot with a massive DOF.
If you mean you can paint on a mask to a layer so that you can't see certain pixels, then you can't do that with Elements (unless you add something as Matt suggests). You would simply have to delete the out of focus pixels in the seperate layers, but then obviously that's destructive.

Dan

Comment by Daniel Bridge posted on adobe photoshop - starting out at 01/11/2008 - 20:02

Daniel Bridge
I think the first give-away was that the when the wing breaks off you hear the 'crack' at the same time, at that distance it would take a second or to reach the camera. Definitely doesn't look right after it's landed either.

Dan

Comment by Daniel Bridge posted on flying with one wing at 31/10/2008 - 12:22

Daniel Bridge
How many mount colours are you going to offer? The reason I ask is that the page has only got so much room for mounts to drag about, so you're going to be limited as to how many you can choose from at once. Also, how will you identify the different colours? So if a customer likes a pale green one for instance, you need some way of ensuring that they can inform you of the correct mount. (Hope that makes sense).

I wonder if a better way would be to have three layers in a fixed position, the bottom layer showing the frame (with perhaps choices of light wood, dark wood, black, silver and gold), the layer above that would be the mount (with as many different choices as you want), and then the picture goes on top of that. Bear with me, I will explain further...

I realise that you're not offering frames too, but the colour of the frame has a big bearing on how the mount/print combo looks.

You could then have drop down boxes for wall colour (forgot that above, but you get my drift), frame colour and mount colour (with the names of the mount colour, so people would know what they'd picked). The picture could be picked from a display of thumbnails perhaps.

It would still need javascript, but it's a simple script, and would use CSS and the visibility property. I used it here to control the content of the right hand box, as this is just one page, with the links on the left hand side just controlling visibility of the sections.

Actually, thinking about it, the drop down boxes could just change the 'background-color' property of the different sections. That would be easier still. Wouldn't look as flash as your version, but it might just be easier for the customer?

Hope that makes sense, if not, I may get the chance to do an example over the weekend.

Dan

Comment by Daniel Bridge posted on Deciding on your picture mounts... at 31/10/2008 - 10:47

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