All Forum Comments
A great deal if anyone is looking at multiple rolls, especially of the TMax 400.
Comment by Benz3ne posted on Some good film prices at Camera World at 02/12/2020 - 10:02
Comment by Benz3ne posted on SMC Takumar 50mm 1.4 (7 element) - great condition, priced to sell at 30/11/2020 - 19:29
Comment by Benz3ne posted on Uni project - product shots at 30/11/2020 - 19:19
https://www.ebay.co.uk/itm/124455615866
Apparently is about the same as a Celestron 1250mm f/10 too, which seems to be seldom reviewed but revered. I'm 1/2 tempted but can't justify the spend!
Comment by Benz3ne posted on 1250mm f/10? at 26/11/2020 - 10:07
Comment by Benz3ne posted on a 'Loaned PENTAX 'PINO 35' at 25/11/2020 - 05:08
My Kershaw Raven (see a couple of pages back) has just come back from having new bellows fitted, the lenses cleaned and the shutter serviced. I loaded a roll of Ilford Delta 400 and will use the roll up tomorrow so I can send it off to be developed on Monday. At only eight frames per roll, it shouldn't be too difficult!
I’ve just received a quote for two MX’s to have full services. They’ve apparently been neglected, service-wise, so will be as full a service as they come but they’re internally great and aesthetically great, not been meddled with and will be great cameras when they return. The quote reads a little high but will definitely be worthwhile.
Work being carried out by Asahi Photo and should be returned shortly after 7-10 working days.
I’ll be keeping them both as infinitum, one for Colour rolls and one for B&W.
If the quote was a little cheaper I’d probably have gone for a film scanner or developing hardware alongside them but that can wait.
Comment by Benz3ne posted on What's your latest acquisition? at 21/11/2020 - 17:07
Thanks in advance!
Comment by Benz3ne posted on Wtb: Raynox DCR-250 at 21/11/2020 - 12:45
Comment by Benz3ne posted on Pentax LX plus FA-2 finder with A* 85mm f1.4 at 19/11/2020 - 19:51


Thanks again folks. Bill, if you have seen Thomas Heaton’s YouTube videos on woodland photography you will know he loves an isolated highlit tree, the trouble is now when I see one I cannot help but question whether it’s because of his influence or of my own volition! Consequently I have cut down on the YouTubes I watch as whilst they can be informative there is a danger one’s work becomes derivative.
As much as you may feel it's derivative, your eye is ultimately different to someone else's, as is your scene and choice of post-processing so the likelihood of it falling into dangerous territory is reasonably slim (in my opinion).
As for the OP, love the set. #5 sings out to me.