Pentax Full Frame
I think Pentax having a Full Frame is the better chance of inroads into a larger pro-Market. That would catalyse more amateur sales.
Interesting thread. I reckon Smeggypants got it right on the nose with that thought. If Pentax do eventually produce a camera with a FF sensor, it'll be targetted firmly at the PRO end of the market.
I reckon that Nikon and Canon well understand that the mass market will buy just about anything with their badge on it, largely because Joe Average Punter thinks that Nikon and Canon cameras are "what the PROs use". It doesn't matter that all they want is a cheapie point & shoot - they want one with an aspirational badge on it.
If Pentax are ever to become an aspirational brand again and start to gain market share across their product range, grabbing at least some sales in the PRO market with a FF camera might be an essential part of the process.
Andrew
Flickr photostream
No one would have believe you could fit 4TB of data into a 3.5" HDD a few years ago

Spot on, my hardrives got 4 terrordactyls



Cheers
Dave
I think Pentax having a Full Frame is the better chance of inroads into a larger pro-Market. That would catalyse more amateur sales.
Interesting thread. I reckon Smeggypants got it right on the nose with that thought. If Pentax do eventually produce a camera with a FF sensor, it'll be targetted firmly at the PRO end of the market.
I reckon that Nikon and Canon well understand that the mass market will buy just about anything with their badge on it, largely because Joe Average Punter thinks that Nikon and Canon cameras are "what the PROs use". It doesn't matter that all they want is a cheapie point & shoot - they want one with an aspirational badge on it.
If Pentax are ever to become an aspirational brand again and start to gain market share across their product range, grabbing at least some sales in the PRO market with a FF camera might be an essential part of the process.
Andrew
Indeed. Even if it's a 'loss leader'
[i]Bodies: 1x K-5IIs, 2x K-5, Sony TX-5, Nokia 808
Lenses: Pentax DA 10-17mm ED(IF) Fish Eye, Pentax DA 14mm f/2.8, Sigma 17-70mm f/2.8, Pentax-A 28mm f/2.8, Sigma 30mm F1.4 EX DC, Pentax-A 50mm f/1.2, Pentax-A 50mm f/1.4, Pentax-FA 50mm f/1.4, Pentax-A 50mm f/1.7, Pentax DA* 50-135mm f/2.8, Sigma 135-400mm APO DG, and more ..
Flash: AF-540FGZ, Vivitar 283
One day you'll find, 10yrs have got behind you.
I think Pentax having a Full Frame is the better chance of inroads into a larger pro-Market. That would catalyse more amateur sales.
[snip]
If Pentax are ever to become an aspirational brand again and start to gain market share across their product range, grabbing at least some sales in the PRO market with a FF camera might be an essential part of the process.
Andrew
An FF is not a one-off, I suspect, and is best seen as a process. There likely isn't just one camera which will satisfy all-comers once you get into FF and some fairly hefty money. For example, do you want lots of pixels and DR for landscape or fewer pixels but very good AF and burst rates for sports/action? Folks are really calling for lots of different FF cameras and it's hard to see how Pentax can satisfy them all with just one camera. Eventually, Pentax will need a range of them if they are going to get into FF seriously. Pinning hopes on one Pentax FF is asking too much, although, yes, it could well be important from the POV of upgrades and aspirations.
a Pentax that would work with this.....
http://www.dslrfilmnoob.com/2012/09/05/v-control-usb-focus-controller-video-revi...
Only £115 on Ebay...
http://www.ebay.co.uk/itm/Aputure-V-Control-USB-Focus-Controller-/190719432134
These work with Pentax..... Just ordered three

http://www.amazon.co.uk/Trudeau-Twist-Opener-Follow-Focus/dp/B0075429US
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Half Man... Half Pentax ... Half Cucumber
Pentax K-1 + K-5 and some other stuff
Algi
It would be a very long way down on my list of things to buy, so low down it wouldn't even be on the list!

Best regards, John
I think Pentax having a Full Frame is the better chance of inroads into a larger pro-Market. That would catalyse more amateur sales.
[snip]
If Pentax are ever to become an aspirational brand again and start to gain market share across their product range, grabbing at least some sales in the PRO market with a FF camera might be an essential part of the process.
Andrew
An FF is not a one-off, I suspect, and is best seen as a process. There likely isn't just one camera which will satisfy all-comers once you get into FF and some fairly hefty money. For example, do you want lots of pixels and DR for landscape or fewer pixels but very good AF and burst rates for sports/action? Folks are really calling for lots of different FF cameras and it's hard to see how Pentax can satisfy them all with just one camera. Eventually, Pentax will need a range of them if they are going to get into FF seriously. Pinning hopes on one Pentax FF is asking too much, although, yes, it could well be important from the POV of upgrades and aspirations.
It will be interesting to see which market their ff will be competing in, given past recent history I would hazard a guess at many megapixels possibly d800 spec for landscapes as opposed to an all out fast sports action model. I do think the all out fast sports model would be more satisfying for pro use and possibly be easier to market, but pentax don't do normal do they???
PPG Wedding photography Flickr
Concert photography
Currently on a Pentax hiatus until an FF Pentax is released

However I don't believe the Pentax could get a deep hold in the PRO market.
When the Spotmatic arrived, The M series Leicas where still reigning supreme until Nikon ousted it.
This days, the standard punter has not even heard of Pentax and many pro's don't go near it. Pentax, despite being a great innovator, always satisfied the amateur marked. The technical institutes used the Leica or Exacta with the hundreds of accessories at first and then again the Nikons. Very little Pentax was used.
Pentax made some fantastic cameras. my favourite being the Super-A. but still not used by professionals.
The above comments are of course just my own opinion. The Pro's which are using Pentax are just a bit smarter than the ones who don't.
Regards, Horst
Pentax produced some very special professional and scientific products, such as the Nocta night vision kit for surveillance and the UV Takumar lenses for scientific use, recording oscilloscopes for one.
Pentax Takumar lenses were also used widely in other mounts such as Alpa, who offered them as part of their own range.
Pentax also produced the first fish-eye lens that could be used without locking up the mirror. 1960s fashion photography lapped it up.
That's just a snippet of what went on, back to the FF rame discussion it will be interesting to see what Pentax do, if anything, but whatever it is could be quite unique. The Pentax design team are a canny lot, although they keep making things that appeal to me, which is very annoying to my bank balance....

Best regards, John
...a bit like some of us now

LennyBloke
Here's a question for those moist over a Pentax FF ....
How will a FF camera improve the standard of your photography over what you can get from a K-5 or K30?
Good question. I'm a little moist but only because I have been outside photographing in the drizzle.
My answer is it won't but I'm not bothered about that.
I'm more interested in making use of the different crop factors, I will then have an FA43mm and an FA64mm, two top quality prime lenses for the price of just one. For example. Etc.
You can see some of my photos here if you are so inclined
Of course that may well appeal to a lot of pro's too.
[link=https://500px.com/will_brealey/[/link]
Algernon
Member
Lancashire
The camera doesn't matter and normally a standard lens would be used.
The camera needs to support some minimal colour depth to yield an image like that. I have an older compact that couldn't do it. Also I believe he has done some post processing to achieve the smooth tonality gradients (that's not just soft lighting). I like this look and I see it more often in FF shots.
I would say it was mostly down to lighting. When this style
was popular in portraiture the idea was to use the
smallest amount of light you could get away with
using VPS120 film.
I've not read all of the PDF but on page 42 he does
state that there's "no excuse not to have technically
perfect output straight from camera."
"As important as the post processing is, it’s stll
imperatve to get the shot out of the camera
as perfect as possible as this makes any creatve
post work a breeze. When shootng in a fully
controlled, pre-planned environment there
really is no excuse not to have technically perfect
output straight from camera."
He also states that he's not really bothered what camera he uses
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Half Man... Half Pentax ... Half Cucumber
Pentax K-1 + K-5 and some other stuff
Algi