All Forum Comments
Comment by Tyr posted on Mac Owners are smart people. at 03/06/2007 - 09:14
I don't like the shape of older cameras and I prefer them to be black, same with lenses. Too many 'sharp' edges on older things.
Comment by Tyr posted on New Spotmatic?? at 01/06/2007 - 15:25
Right, I was using a manual lens so focusing was a bit of a problem.
I think I'd get annoyed at having to focus using a separate button most of the time. It seems to only happen with my A50 1.7, although I didn't use the others much because of the low light.
Oh and the camera was set to manual focus.
I think I'd get annoyed at having to focus using a separate button most of the time. It seems to only happen with my A50 1.7, although I didn't use the others much because of the low light.
Oh and the camera was set to manual focus.
Comment by Tyr posted on K10D refuses to fire in low light at 01/06/2007 - 15:21
I'm trying to get used to my K10, but in low light it sometimes refuses to fire the shutter. It is rather irritating as it does it on any mode, even manual which I use most of the time.
Comment by Tyr posted on K10D refuses to fire in low light at 01/06/2007 - 10:32
Quote:
Rodger Fooks wrote:
On the K10D the PEF uses lossless compressed where as the DNG does not. This means 9-12MB for PEF files and 18MB for DNG. Using Adobe's DNG converter you can compress the DNGs to 9-12MB in size matching PEF.Rodger Fooks wrote:
Quote:
DNG is a larger file than the PEF so you get less to a card.
I have *istD and PEF takes about 13 MB, and DNG less than half of it: 5-6MB. Use Adobe DNG Converter to spare my HDD.DNG is a larger file than the PEF so you get less to a card.
Comment by Tyr posted on PEF or DNG ? at 03/06/2007 - 20:25
It is a shame that there isn't anything faster than the DA 21 2.8 and nothing on the roadmap either. Still 2.8 isn't that bad, although for low light it makes a huge difference just being able to go to 1.8 or 1.7.
Next lens will probably be the FA50 1.4, although I still really want the * lenses so this could be problematic. Probably not though as the * lenses keep getting pushed back.
Next lens will probably be the FA50 1.4, although I still really want the * lenses so this could be problematic. Probably not though as the * lenses keep getting pushed back.
Pentax lens roadmap:
http://www.digital.pentax.co.jp/en/lens/roadmap.pdf
Under the DFA 55 for 645 there is the DA* 55 1.4.
I like the idea and I want.
If I could only have three good primes for my K10D I'd have:
20ish, so DA 21 2.8
50ish, 50-55 something like the FA 50 14.
200ish, an FA* 200 or similar
http://www.digital.pentax.co.jp/en/lens/roadmap.pdf
Under the DFA 55 for 645 there is the DA* 55 1.4.
I like the idea and I want.
If I could only have three good primes for my K10D I'd have:
20ish, so DA 21 2.8
50ish, 50-55 something like the FA 50 14.
200ish, an FA* 200 or similar
Quote:
Can't see why it would be bigger and heavier than the FA 50 f/1.4. Same focal length and same max aperture. If anything I might expect it to be smaller, since it would presumably be designed for the smaller image circle of the sensor like the other DA lenses.
Well, all the SDM lenses announced so far are 67mm or wider, the motor takes up a fair bit of space. As a line of high end lenses larger front elements mean more light and better performance. It is a 5mm longer focal length and same aperture, doesn't mean it can't be larger. Canon have a 50mm f1.2 with a 72mm front end, a lot of Canon and Nikon lenses have large front elements, especially those with supersonic/ultrasonic motors.Can't see why it would be bigger and heavier than the FA 50 f/1.4. Same focal length and same max aperture. If anything I might expect it to be smaller, since it would presumably be designed for the smaller image circle of the sensor like the other DA lenses.
Quote:
Please note that I'm not one to believe something must be good just because it cost a lot of money or because Photozone say it's good. I'm having doubts about the 16-45 I've just aquired. Will sell it if I think it's hardly any better than the 18-55 (which is what I'm finding so far).
From the photozone charts the 16-45 doesn't look mush better than the 18-55. The constant f4 aperture is a bonus, the extra light from the larger front element and the wise angle sharpness are really good if you need it. I'm waiting for the DA* 16-50 2.8, and hoping performace is similar or better. So I'm saving for that as I don't see much point in going for something pricey that I may never use.Please note that I'm not one to believe something must be good just because it cost a lot of money or because Photozone say it's good. I'm having doubts about the 16-45 I've just aquired. Will sell it if I think it's hardly any better than the 18-55 (which is what I'm finding so far).
I've not really used my 18-55 though, I find the FoV and DoF on the 50-200 is perfect for what I'm doing at the moment. I really need to isolate subjects from the background which isn't really possible with the 18-55. There isn't anything large and interesting that I've seen. I keep putting the 18-55 on the camera hoping to use it only to take it off a few minutes later.
Also just saw that there is a DA* 55 1.4 on its way which looks to be rather good: SDM, weather sealed, large front element (a guess). But that would be much bigger and heavier than the FA 50.
I really just want a fast AF lens at the moment as the A lens is good but can be annoying.


But, that article is the first I've seen that has been very positive.
Maybe mac owners are smarter that I'd previously thought.