It's an amazing location and great action shooting! It never looks like one of the UK's top sun spots, so higher ISOs and shadow lifting seems to be a necessity ....I won't pack the K7 if I ever go!

You're still getting good detail even with the crops, so it's impressive technical output plus good steady shooting!

Thanks for the replies guys. ..."Interesting" yes Derek. But you wait for my next set, "Crystal Palace Wildlife" !

Ha, Chris, the whites ... Just shows how easy it is in photography to see things in such different ways. One main point of the set was that the whites were correctly exposed .... It's up for grabs now!

Right in the middle of Crystal Palace Park is this enormous complex, the grandly titled 'National Sports Centre' …. Perhaps on a dull day, and given the surrounds, it has more of the atmosphere from a provincial backwater in the Ukraine but there's no doubting the impressive scale … here's a wider view of the front ….





I saw potential for some zoomed in abstracts, and the light was quite favourable for that sort of thing …

Pentax K7 : D FA 28-105






























I should probably try some mono conversions also, what do you think....?

[quote:3496ace15f="Pentaxophile"]It does, yes! It's the high contrast caused by direct sun and it's angle that can really screw up opportunities for good portraits in beautiful places.

Thanks also Stuart ..... What do we all think so far about wireless radio TTL? It's been taken for granted for some time now by users of the other main DSLR brands, but is a more recent luxury for us. I personally find it very handy, in the situations and subjects I'm shooting the automatic flash exposure control and stop based compensations are really intuitive and quick.

I thought it was interesting that the difference was there to see, another distinction between the light sources. I wonder if these days a little use ot the sponge tool might even things out quite easily....?

I'm glad to see I must have sounded convincing over at PF Peter!

I picked the two photos out because they show the distinct light sources quite clearly (you can see the smoother effect from the umbrella, and the more dappled sunlight as having different qualities ..... There's even a small extra warmth to the sun-lit side and a slightly cooler tone from the flashes).

I wish photography mixing flash, sun and kids was a fully precise and predictable affair ......alas not, it's more hit and miss, considering the amount of moving around going on! But a careful approach to the highlight metering and then bringing in the flash exposure to balance that at least will yield consistent exposures with restrained contrast

Here are some ideas for dealing with contrast and light challenges when outdoors and wanting some quality people shots ….

We often face a double dilemma in these situations:

1) Do we move the subject into total shade? .... (Risks dull light, colour casts from tree, brighter backgrounds causing distractions)

2) Try to use the sunlight to provide illumination, without having the subject squinting and the whole face in harsh light .... (Risks blown highlights, too dark exposure on non lit parts of face, excessive contrast across the face)

No 2 here is invariably the better one to try, as the play of sun on a subject will provide better looking light and 'modelling', rather than dull shade. The problem now is that if we expose for the sun highlights, then the other parts of the subject will go far too dark, and in fact not really be lit at all. High ISO performance is no help here at all, because your exposure is limited by the upper end of the sun highlights.

A good solution to the dilemma of No 2 is to introduce flash onto the "off-sun side", and position the subject so that the sun lights the other side, sort of like a free rim / hair / kicker light!

Here's couple of recent examples ..... I turned the subject sideways from the sun, trying to keep the sun playing nicely over her hair and left side, then I got her to turn her face to the camera. By metering for the sun highlights I ended up with a mostly darkened face ...... so I used two Cactus Rf60 flashes in tandem on a reflective umbrella positioned to the subjects right and slightly in front, pointing downwards. I used the Cactus V6II trigger in P-TTL mode, with +0.5 flash compensation, and this brought the nice soft light on to the "off-sun side", balancing the illumination from the sun on the other side.











The result is, I believe, more interesting and dynamic looking lighting than could be achieved either in shade or with only the sun!

Let us know what you think, and I hope you might be encouraged to try this out also .....

Nigel

Ah, yes I see …. (I had always wondered what a TS lens actually did, thanks now I know )

Good to see the Samyang 24mm TS being experimented with, and I particularly like your close up of the lily, very nice!

Beautiful copper tones and crisp clarity! I like the depth of focus effect on the first one, honing in on the gauge. Is that the new 50mm lens? (guess we're going to see lots more shots at 50mm than we're used to!)