Weekly Competition # 58 - Sweet Tooth
Right, just did it again. So all you see is the winner pic, right? Under the heading "Kid in a Gelato Store" there is a path. When you click on "weekly competition" you get to the same competition but now with the comments.
Hope that works,
Prieni
G
Hence the much sought after second place
Mike
I have some sympathy with the lack of C+C - the quality of the judging and comments has been progressively raised week on week for some time. I'd feel a bit reticent to offer critiques of such high quality work. I wouldn't object to the time it takes but would feel wary of the presumption that I could actually offer much in the way of positive input.
One of the most marvellous things about photography, is that the impact of a picture is largely subjective. If you like or dislike something about a picture, for whatever reason, then you have every right to your view.
There are things that are objectively true or untrue about a picture, and there's lots to discuss, agree and disagree about, but that has nothing to do with whether someone's entitled to like it, and say so, and why.
If you're the judge, you've earned your right to set the criteria by which the competition is judged, and it's perfectly fine for those criteria to be your own. The only thing I would expect from a competition judge is the ability and willingness to articulate why they like or dislike the pictures in question.
And this has absolutely nothing at all to do with whether those reasons fit some imagined level of photographic level of 'educatedness', whatever that might be.
The day we get to the point that we're so collectively up ourselves here that only the so-called experts feel able to offer an opinion, is the day I'll be out of here.
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I have some sympathy with the lack of C+C - the quality of the judging and comments has been progressively raised week on week for some time. I'd feel a bit reticent to offer critiques of such high quality work. I wouldn't object to the time it takes but would feel wary of the presumption that I could actually offer much in the way of positive input.
One of the most marvellous things about photography, is that the impact of a picture is largely subjective. If you like or dislike something about a picture, for whatever reason, then you have every right to your view.
There are things that are objectively true or untrue about a picture, and there's lots to discuss, agree and disagree about, but that has nothing to do with whether someone's entitled to like it, and say so, and why.
If you're the judge, you've earned your right to set the criteria by which the competition is judged, and it's perfectly fine for those criteria to be your own. The only thing I would expect from a competition judge is the ability and willingness to articulate why they like or dislike the pictures in question.
And this has absolutely nothing at all to do with whether those reasons fit some imagined level of photographic level of 'educatedness', whatever that might be.
The day we get to the point that we're so collectively up ourselves here that only the so-called experts feel able to offer an opinion, is the day I'll be out of here.
It is challenging I agree when you are first faced with the task, but the prize (not just being FIRST!) is the amount of knowledge you gain from pulling folks pics to pieces! and of course acknowledging the good ones! I love it!
What I am trying to say is HAVE A GO and here on this forum everyone is so very amiable and helpful that it should not be seen as an intimidating task.
Hear, hear! C&C is the whole point of this competiton and without it, it is valueless IMHO.
It is challenging I agree when you are first faced with the task, but the prize (not just being FIRST!) is the amount of knowledge you gain from pulling folks pics to pieces! and of course acknowledging the good ones! I love it!
What I am trying to say is HAVE A GO and here on this forum everyone is so very amiable and helpful that it should not be seen as an intimidating task.
IMO there should be one rule extra. Everyone that enters a competition accepts the fact that he or she can win.( how small the chance might be)
And by entering you therefore will take the trouble to judge every entrie. Everyone who enters deserves a few words at least.
And no inexperience or language barrier should be used as an excuse. Put simple: Don't want to judge, don't enter. Judging other peoples photos is learning. And therefore of great value.
This is the only way to keep our competitions worth while entering and of the high standards we are used to.
Just my 2 cnts.
Martin.
I wholeheartedly agree with Chris' post!
“We must avoid however, snapping away, shooting quickly and without thought, overloading ourselves with unnecessary images that clutter our memory and diminish the clarity of the whole.” - Henri Cartier-Bresson -
Stephen, perhaps you could fill in some blanks with your C&Cs?
It can be hard to start if you haven't done so before. I'm not great at C&C either, but it is a great way to learn about your own photography as well.
Just in case you don't know where to begin, take mine...
"Kid in a Gelato store;
Love the colors! The lone child staring at the window, you can just imagine his mouth wide open awaiting the delights inside.
Although I feel the entire scene is a bit busy and cluttered which distracts a bit from the central idea. Perhaps cropping in to remove some of the clutter, or a different angle might help."
I would draw a slight distinction between, as a judge, giving a reason for why I might like or dislike a picture, and offering suggestions for how to improve it.
How to improve it might be obvious, of course. If I didn't like a picture because of a distracting element on one edge, I might suggest cropping.
But even if I can explain why a picture doesn't quite appeal, it might not be at all obvious (to me) how to improve it. In this situation, I would quite understand if someone didn't feel able to suggest such improvements.
An example would be portrait lighting. I can usually see effects of light that I don't like, and I'm capable of describing what I see, and why I don't like it. But I have virtually no experience of studio work, and I'm completely unqualified to suggest how to go about setting up the lights to eliminate the aspect that I don't like.
So if I was judging such a picture, I might comment on the element that detracted from the picture for me, but I wouldn't try to say how to fix it, because it would be beyond my competence to do so.
What I don't like, is when the judge doesn't go to the trouble of saying why.
"It doesn't quite work for me" doesn't work for me.
Pentax K-3, DA18-135, DA35 F2.4, DA17-70, DA55-300, FA28-200, A50 F1.7, A100 F4 Macro, A400 F5.6, Sigma 10-20 EXDC, 50-500 F4.5-6.3 APO DG OS Samsung flash SEF-54PZF(x2)
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I hate to gang up on Stephen but I have to agree as well.
Chris' and Lilly were trying to encourage critique from people who might think they are not expert enough to voice an opinion (at least that's how I read it). (BTW: If critics were experts they wouldn't need to make a living out of criticising other peoples work...)
As for Martin's suggestion of the "extra rule": I'm not sure we need to introduce new rules. So far it has worked fine and this thread will be a "warning" to future judges that a lot of fuss is created by not doing your homework. So I'm sure it will continue to work fine in general and an exception here or there doesn't hurt.
Prieni
Prieni's PPG page
As for Martin's suggestion of the "extra rule": I'm not sure we need to introduce new rules.
Prieni
Martin.
As for Martin's suggestion of the "extra rule": I'm not sure we need to introduce new rules.
Prieni
Martin.
Prieni
Prieni's PPG page
There are two kinds of light--the glow that illuminates, and the glare that obscures.
- James Thurber
Martin.
Blimey O'Reilly this is gonna be a hard one in MONO!
mono Lil'
I see no reason why not at all, with effective use of selection, hue and saturation, curves adjustment with a few Lilly tweeks here an' there.
I shall keep my shutter release at the ready for the next opportunity and 'ave a go'
Terry
K20D, Optio I10, DA 18-55 1:3.5-5.6 AL II, A 1:1.7/50, D FA 1:2.8/100 Macro, Sigma 70-300 1:4-5.6 APO DG Macro, Pentax AF 360FGZ
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6724 posts
20 years
Glasgow,
Scotland
Right, just did it again. So all you see is the winner pic, right? Under the heading "Kid in a Gelato Store" there is a path. When you click on "weekly competition" you get to the same competition but now with the comments.
Hope that works,
Prieni
“We must avoid however, snapping away, shooting quickly and without thought, overloading ourselves with unnecessary images that clutter our memory and diminish the clarity of the whole.” - Henri Cartier-Bresson -