Teguise Monos - Image Heavy
Posted 28/11/2015 - 17:49
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I love this set. Full of detail and with terrific contrast.
Best wishes,
Andrew
"These places mean something and it's the job of a photographer to figure-out what the hell it is."
Robert Adams
"The camera doesn't make a bit of difference. All of them can record what you are seeing. But, you have to SEE."
Ernst Hass
My website: http://www.ephotozine.com/user/bwlchmawr-199050
http://s927.photobucket.com/home/ADC3440/index
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Andrew
"These places mean something and it's the job of a photographer to figure-out what the hell it is."
Robert Adams
"The camera doesn't make a bit of difference. All of them can record what you are seeing. But, you have to SEE."
Ernst Hass
My website: http://www.ephotozine.com/user/bwlchmawr-199050
http://s927.photobucket.com/home/ADC3440/index
https://www.flickr.com/photos/78898196@N05
Posted 28/11/2015 - 18:27
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A very enjoyable set...so much variation and as Andrew says "full of detail and with terrific contrast".
Karlo
Karlo
Posted 28/11/2015 - 19:21
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These are very nice Drew, love the processing.
Regards
George
Regards
George
Posted 28/11/2015 - 20:38
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I particularly like the deliberate use of the building's whiteness to increase the contrast of the subject(s)
Super set
Super set
Posted 28/11/2015 - 22:40
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The mono treatment suits these well, a tremendous set of images.
Regards
David
Regards
David
Posted 29/11/2015 - 11:14
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Great shots and they do look well in mono. The Spanish do make some fantastic doors!
Posted 29/11/2015 - 16:14
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Can't fault any of them. Really great photos.
Posted 29/11/2015 - 17:17
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Really good work. No. 3 is my pick but all very good.
Best regards
Best regards
Too far from a shore.
Posted 29/11/2015 - 22:40
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Fabulous set of mono images, super detail.
Posted 30/11/2015 - 08:21
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Lovely set... There's a real precision to these, strong and accurate compositions...
Best
Best
Posted 30/11/2015 - 09:38
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Wonderful to look at, thanks Andrew.
Are they taken as in camera B&W?
Are they taken as in camera B&W?
Barrie - Too Old To Die Young
https://pentaxphotogallery.com/artists/barrieforbes
https://www.flickr.com/photos/189482630@N03/
https://pentaxphotogallery.com/artists/barrieforbes
https://www.flickr.com/photos/189482630@N03/
Posted 30/11/2015 - 09:50
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This is first class mono work with lovely contrast. I'm with Gary, #3 is my favourite.
David
David
Posted 30/11/2015 - 13:12
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These are indeed lovely images, Andrew. What I like most about the PU forum is that it's so frequently inspirational - I went to Lanzarote (and Teguise) last February, took loads of photos and it never occurred to me to try any mono shots. I certainly will next time! Coincidentally, we had a session on B&W photography at my local group last week which made me appreciate more how B&W makes you look at images in a totally different way.
Thanks for posting these, Andrew.
Thanks for posting these, Andrew.
John
Posted 30/11/2015 - 13:33
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I've never been able to ' visualise' in mono (I find the squinting thing hurts my eyes) , but I can appreciate how the toning is revealing with these images .... As all said before it brings out the textures and contrasts, which become more abrupt, sort of graphical blocks beside each other. And you've kept just the right amount of highlight detail that gives the feel of the surface but with the starkness of brutal light as well.
Do we have to ' think' in mono now anyway. .... ? The sensor doesn't, and everything we take has to be ' converted' from its colour original form. Does that not mean that we can have both .... Don't think about it when taking them (no need for squinting), but just decide on the computer later ..... ?
Do we have to ' think' in mono now anyway. .... ? The sensor doesn't, and everything we take has to be ' converted' from its colour original form. Does that not mean that we can have both .... Don't think about it when taking them (no need for squinting), but just decide on the computer later ..... ?
My Guides to the Pentax Digital Camera Flash Lighting System : Download here from the PentaxForums Homepage Article .... link
Pentax K7 with BG-4 Grip / Samyang 14mm f2.8 ED AS IF UMC / DA18-55mm f3.5-5.6 AL WR / SMC A28mm f2.8 / D FA 28-105mm / SMC F35-70 f3.5-4.5 / SMC A50mm f1.7 / Tamron AF70-300mm f4-5.6 Di LD macro / SMC M75-150mm f4.0 / Tamron Adaptall (CT-135) 135mm f2.8 / Asahi Takumar-A 2X tele-converter / Pentax AF-540FGZ (I & II) Flashes / Cactus RF60/X Flashes & V6/V6II Transceiver
Pentax K7 with BG-4 Grip / Samyang 14mm f2.8 ED AS IF UMC / DA18-55mm f3.5-5.6 AL WR / SMC A28mm f2.8 / D FA 28-105mm / SMC F35-70 f3.5-4.5 / SMC A50mm f1.7 / Tamron AF70-300mm f4-5.6 Di LD macro / SMC M75-150mm f4.0 / Tamron Adaptall (CT-135) 135mm f2.8 / Asahi Takumar-A 2X tele-converter / Pentax AF-540FGZ (I & II) Flashes / Cactus RF60/X Flashes & V6/V6II Transceiver
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