Pentax Full Frame, Will it ever happen.
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Posted 20/05/2013 - 14:53
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[quote:3496ace15f="Horst]Why should that be rubbish. On the contrary. My example was to show, that to get the same resolution as the current Pentax APS-C A 37mP are required.
Regards, Horst[/quote]The pixel density is much lower than that of the 36.3 MP Nikon D800 as the 645D sensor is 44 x 33mm as opposed to 35.9 x 24mm
John
Regards, Horst[/quote]The pixel density is much lower than that of the 36.3 MP Nikon D800 as the 645D sensor is 44 x 33mm as opposed to 35.9 x 24mm
John
Posted 20/05/2013 - 14:56
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Horst wrote:
Regards, Horst
Hi Horst, I was saying the 645D is not 'rubbish' because it's sensor is a mere 40 megapixels. It is certainly vastly superior to my K5. As long as a replacement sensor for the K5 is low noise I welcome the extra pixels (for cropping) I just don't think you need 37 mp to achieve an improvement. The limits on the glass are a point well made though.
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On that logic the very full frame 645D is rubbish at 40 mp, which it clearly is not.
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Why should that be rubbish. On the contrary. My example was to show, that to get the same resolution as the current Pentax APS-C A 37mP are required.On that logic the very full frame 645D is rubbish at 40 mp, which it clearly is not.
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Regards, Horst
Posted 20/05/2013 - 15:43
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Horst wrote:
Regards, Horst
I don't understand this. Are you talking about if you crop your FF sensor to APSC size, and hope to maintain the same resolution as the K5? Otherwise maintaining the pixel density but enlarging the sensor seems like a big resolution 'win' to me.
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On that logic the very full frame 645D is rubbish at 40 mp, which it clearly is not.
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Why should that be rubbish. On the contrary. My example was to show, that to get the same resolution as the current Pentax APS-C A 37mP are required.On that logic the very full frame 645D is rubbish at 40 mp, which it clearly is not.
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Regards, Horst
Posted 20/05/2013 - 15:52
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To avoid implict assumptions in the poll could you change the option from "Will not upgrade" to simply "Do not want?". For me at least, in these days of improving sensors, an unnecessary change going to the increased bulk of 35mm sensor bodies would be a downgrade rather than an upgrade.
Four or five years ago with the state of the sensor art as it was then I might have considered sacrificing portability for that extra sensor area but not now. And with every year that goes by my desire for a 35mm sensor reduces, even if one was cheaper than APSC I wouldn't want it today let alone tomorrow.
Four or five years ago with the state of the sensor art as it was then I might have considered sacrificing portability for that extra sensor area but not now. And with every year that goes by my desire for a 35mm sensor reduces, even if one was cheaper than APSC I wouldn't want it today let alone tomorrow.
Posted 20/05/2013 - 16:35
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Horst wrote:
There is really no reason why it should be somewhat larger, if at all then say the K5 is. All it needs is a larger sensor and a larger mirror.
But this should fit in to the existing body size. The Film cameras had the full 35mm size and a larger mirror and Pentax often had very small bodies.
You also have to scale up the sensor movement shake reduction mechanism. This may or may not scale up easily - the 645D does not have it.There is really no reason why it should be somewhat larger, if at all then say the K5 is. All it needs is a larger sensor and a larger mirror.
But this should fit in to the existing body size. The Film cameras had the full 35mm size and a larger mirror and Pentax often had very small bodies.
You could save quite a bit of space inside the camera by not having the inbuilt flash - the flash capacitor takes up a fair bit of room - but I suspect that the marketing people would be in uproar if the designers suggested that.
Posted 20/05/2013 - 17:22
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The inbuilt flash is often pretty useless; its light often suffers with a shadow caused by the lens! Given the high ISO's obtainable now just how often is a flash a necessity, and with the reduced noise from a sensible FF sensor (probably not 37mp) no doubt even less.
John K
John K
John K
Posted 20/05/2013 - 17:39
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Funnily enough I found myself using the inbuilt flash recently (on my K10D) - I was photographing from beneath some metal steps onto a sunlit garden, and wanted some detail in the underside of the steps to come through.
In general though, I agree the inbuilt flash is expendable. If I want flash, generally I want it off camera. My solution would be an inbuilt radio controller and some matching off camera flashes with built in receivers.
I'm not sure how vitally important SR is for a FF camera either, to be honest... a lot of third party lenses have inbuilt OS anyway these days, but the higher ISO offsets the need for SR anyway.
In general though, I agree the inbuilt flash is expendable. If I want flash, generally I want it off camera. My solution would be an inbuilt radio controller and some matching off camera flashes with built in receivers.
I'm not sure how vitally important SR is for a FF camera either, to be honest... a lot of third party lenses have inbuilt OS anyway these days, but the higher ISO offsets the need for SR anyway.
Posted 20/05/2013 - 17:53
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gwing wrote:
........ an unnecessary change going to the increased bulk of 35mm sensor bodies would be a downgrade rather than an upgrade.
Four or five years ago with the state of the sensor art as it was then I might have considered sacrificing portability for that extra sensor area but not now. And with every year that goes by my desire for a 35mm sensor reduces, even if one was cheaper than APSC I wouldn't want it today let alone tomorrow.
I gave the weight / dimensions earlier in the thread, of the K5II and D600 (FF) - they are, for all intensive purposes the same.
........ an unnecessary change going to the increased bulk of 35mm sensor bodies would be a downgrade rather than an upgrade.
Four or five years ago with the state of the sensor art as it was then I might have considered sacrificing portability for that extra sensor area but not now. And with every year that goes by my desire for a 35mm sensor reduces, even if one was cheaper than APSC I wouldn't want it today let alone tomorrow.
http://frogfish.smugmug.com/ Pentax. Pentax DA*300/4, Cosina 55/1.2, Lens Baby Composer Pro & Edge 80, AFA x1.7, Metz 50 af1.
Nikon. D800. D600. Sigma 500/4.5, Nikon 300/2.8 VRII, Sigma 120-300/2.8, Zeiss Distagon ZF2 21/2.8, Zeiss Distagon ZF2 35/2.0, Sigma 50/1.4, Nikkor 85/1.8, Nikon TC20EIII, Nikon TC14EII, Kenko x1.4, Sigma 2.0
Nikon. D800. D600. Sigma 500/4.5, Nikon 300/2.8 VRII, Sigma 120-300/2.8, Zeiss Distagon ZF2 21/2.8, Zeiss Distagon ZF2 35/2.0, Sigma 50/1.4, Nikkor 85/1.8, Nikon TC20EIII, Nikon TC14EII, Kenko x1.4, Sigma 2.0
Posted 20/05/2013 - 17:54
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Not having a pop-up flash on a DSLR is traditionally one indicator that the body is a 'pro' model. But the makers did not think that the high iso performance would render flash unnessary, they figured that the pro user base would have their own flash guns, which are clearly much more versatile. But for these people, and still in many situations for all types of users, flash is a great 'get out of jail' card. Even our humble pop up can be very effective.
What is interesting in other brands is to see cameras with FF / 35mm sized sensors and other pro specs continue to be made with pop up flashes. Our own K7 / K5 ranges have many 'pro-spec' features, in particular the range of on body levers and switches to directly control many essential camera functions that other brands place onto electronic menus. Yet they still have a pop-up flash.
It seems the traditional distinctions between consumer / enthusiast cameras and the pro models is becoming less and less distinct. It will be a very important judgment for Pentax in deciding if they could dispense with the pop up in a new FF / 35mm body.
What is interesting in other brands is to see cameras with FF / 35mm sized sensors and other pro specs continue to be made with pop up flashes. Our own K7 / K5 ranges have many 'pro-spec' features, in particular the range of on body levers and switches to directly control many essential camera functions that other brands place onto electronic menus. Yet they still have a pop-up flash.
It seems the traditional distinctions between consumer / enthusiast cameras and the pro models is becoming less and less distinct. It will be a very important judgment for Pentax in deciding if they could dispense with the pop up in a new FF / 35mm body.
My Guides to the Pentax Digital Camera Flash Lighting System : Download here from the PentaxForums Homepage Article .... link
Pentax K7 with BG-4 Grip / Samyang 14mm f2.8 ED AS IF UMC / DA18-55mm f3.5-5.6 AL WR / SMC A28mm f2.8 / D FA 28-105mm / SMC F35-70 f3.5-4.5 / SMC A50mm f1.7 / Tamron AF70-300mm f4-5.6 Di LD macro / SMC M75-150mm f4.0 / Tamron Adaptall (CT-135) 135mm f2.8 / Asahi Takumar-A 2X tele-converter / Pentax AF-540FGZ (I & II) Flashes / Cactus RF60/X Flashes & V6/V6II Transceiver
Pentax K7 with BG-4 Grip / Samyang 14mm f2.8 ED AS IF UMC / DA18-55mm f3.5-5.6 AL WR / SMC A28mm f2.8 / D FA 28-105mm / SMC F35-70 f3.5-4.5 / SMC A50mm f1.7 / Tamron AF70-300mm f4-5.6 Di LD macro / SMC M75-150mm f4.0 / Tamron Adaptall (CT-135) 135mm f2.8 / Asahi Takumar-A 2X tele-converter / Pentax AF-540FGZ (I & II) Flashes / Cactus RF60/X Flashes & V6/V6II Transceiver
Posted 20/05/2013 - 17:56
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Pentaxophile wrote:
Funnily enough I found myself using the inbuilt flash recently (on my K10D) - I was photographing from beneath some metal steps onto a sunlit garden, and wanted some detail in the underside of the steps to come through.
In general though, I agree the inbuilt flash is expendable. If I want flash, generally I want it off camera. My solution would be an inbuilt radio controller and some matching off camera flashes with built in receivers.
I'm not sure how vitally important SR is for a FF camera either, to be honest... a lot of third party lenses have inbuilt OS anyway these days, but the higher ISO offsets the need for SR anyway.
And don't forget that under maybe 50mm IS/SR/OS/VR is of very limited use anyway. I don't remember a single shot taken with my 21mm or 35mm that has been spoilt by motion blur (mine) Funnily enough I found myself using the inbuilt flash recently (on my K10D) - I was photographing from beneath some metal steps onto a sunlit garden, and wanted some detail in the underside of the steps to come through.
In general though, I agree the inbuilt flash is expendable. If I want flash, generally I want it off camera. My solution would be an inbuilt radio controller and some matching off camera flashes with built in receivers.
I'm not sure how vitally important SR is for a FF camera either, to be honest... a lot of third party lenses have inbuilt OS anyway these days, but the higher ISO offsets the need for SR anyway.
However the higher ISO capability is just another aid to the SR and of course now doubles your chances of a blur/noise free image ! At least I hope Pentax continue to offer SR in camera - think of all those stabilised old lenses for starters !
http://frogfish.smugmug.com/ Pentax. Pentax DA*300/4, Cosina 55/1.2, Lens Baby Composer Pro & Edge 80, AFA x1.7, Metz 50 af1.
Nikon. D800. D600. Sigma 500/4.5, Nikon 300/2.8 VRII, Sigma 120-300/2.8, Zeiss Distagon ZF2 21/2.8, Zeiss Distagon ZF2 35/2.0, Sigma 50/1.4, Nikkor 85/1.8, Nikon TC20EIII, Nikon TC14EII, Kenko x1.4, Sigma 2.0
Nikon. D800. D600. Sigma 500/4.5, Nikon 300/2.8 VRII, Sigma 120-300/2.8, Zeiss Distagon ZF2 21/2.8, Zeiss Distagon ZF2 35/2.0, Sigma 50/1.4, Nikkor 85/1.8, Nikon TC20EIII, Nikon TC14EII, Kenko x1.4, Sigma 2.0
Posted 20/05/2013 - 17:59
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McGregNi wrote:
Not having a pop-up flash on a DSLR is traditionally one indicator that the body is a 'pro' model. But the makers did not think that the high iso performance would render flash unnessary, they figured that the pro user base would have their own flash guns, which are clearly much more versatile. But for these people, and still in many situations for all types of users, flash is a great 'get out of jail' card. Even our humble pop up can be very effective.
What is interesting in other brands is to see cameras with FF / 35mm sized sensors and other pro specs continue to be made with pop up flashes. Our own K7 / K5 ranges have many 'pro-spec' features, in particular the range of on body levers and switches to directly control many essential camera functions that other brands place onto electronic menus. Yet they still have a pop-up flash.
It seems the traditional distinctions between consumer / enthusiast cameras and the pro models is becoming less and less distinct. It will be a very important judgment for Pentax in deciding if they could dispense with the pop up in a new FF / 35mm body.
The humble pop-up can indeed be very effective. I have one on the D800 and use it now and again as fill - it is very effective (even when birding if I don't have the BEtter Beamer to hand, it is surprisingly powerful). It is a good thing that Pentax keep it on all their cameras and long may it continue.
Not having a pop-up flash on a DSLR is traditionally one indicator that the body is a 'pro' model. But the makers did not think that the high iso performance would render flash unnessary, they figured that the pro user base would have their own flash guns, which are clearly much more versatile. But for these people, and still in many situations for all types of users, flash is a great 'get out of jail' card. Even our humble pop up can be very effective.
What is interesting in other brands is to see cameras with FF / 35mm sized sensors and other pro specs continue to be made with pop up flashes. Our own K7 / K5 ranges have many 'pro-spec' features, in particular the range of on body levers and switches to directly control many essential camera functions that other brands place onto electronic menus. Yet they still have a pop-up flash.
It seems the traditional distinctions between consumer / enthusiast cameras and the pro models is becoming less and less distinct. It will be a very important judgment for Pentax in deciding if they could dispense with the pop up in a new FF / 35mm body.
http://frogfish.smugmug.com/ Pentax. Pentax DA*300/4, Cosina 55/1.2, Lens Baby Composer Pro & Edge 80, AFA x1.7, Metz 50 af1.
Nikon. D800. D600. Sigma 500/4.5, Nikon 300/2.8 VRII, Sigma 120-300/2.8, Zeiss Distagon ZF2 21/2.8, Zeiss Distagon ZF2 35/2.0, Sigma 50/1.4, Nikkor 85/1.8, Nikon TC20EIII, Nikon TC14EII, Kenko x1.4, Sigma 2.0
Nikon. D800. D600. Sigma 500/4.5, Nikon 300/2.8 VRII, Sigma 120-300/2.8, Zeiss Distagon ZF2 21/2.8, Zeiss Distagon ZF2 35/2.0, Sigma 50/1.4, Nikkor 85/1.8, Nikon TC20EIII, Nikon TC14EII, Kenko x1.4, Sigma 2.0
Posted 20/05/2013 - 18:54
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Frogfish wrote:
The humble pop-up can indeed be very effective. I have one on the D800 and use it now and again as fill - it is very effective (even when birding if I don't have the BEtter Beamer to hand, it is surprisingly powerful). It is a good thing that Pentax keep it on all their cameras and long may it continue.
I would suggest the inclusion or not on a new FF / 35mm sensor body may be an indicator as to the market positioning as seen by Pentax, and potential user base. As the lines between 'Pro' and 'Prosumer' models becomes more blurred this remains a clear distinction on other brands. The humble pop-up can indeed be very effective. I have one on the D800 and use it now and again as fill - it is very effective (even when birding if I don't have the BEtter Beamer to hand, it is surprisingly powerful). It is a good thing that Pentax keep it on all their cameras and long may it continue.
On Pentax our top of line models already have many 'Pro-Spec' features (the levers and switches I mentioned earlier) where other brands cameras of similar pricing would use electronic menus. With the additional space inside required for the bigger sensor, could it not be attractive to Pentax to remove the built-in flash in the interests of compactness? Only, I would say, if they believed the potential user base will be the type of photographer who would either have already, or be happy to invest in a flashgun / off camera setup, or who might have studio equipment.
Or could be they be expecting that it will be the same group of serious enthusiasts / semi pros / the odd pro etc who will be tempted?
My Guides to the Pentax Digital Camera Flash Lighting System : Download here from the PentaxForums Homepage Article .... link
Pentax K7 with BG-4 Grip / Samyang 14mm f2.8 ED AS IF UMC / DA18-55mm f3.5-5.6 AL WR / SMC A28mm f2.8 / D FA 28-105mm / SMC F35-70 f3.5-4.5 / SMC A50mm f1.7 / Tamron AF70-300mm f4-5.6 Di LD macro / SMC M75-150mm f4.0 / Tamron Adaptall (CT-135) 135mm f2.8 / Asahi Takumar-A 2X tele-converter / Pentax AF-540FGZ (I & II) Flashes / Cactus RF60/X Flashes & V6/V6II Transceiver
Pentax K7 with BG-4 Grip / Samyang 14mm f2.8 ED AS IF UMC / DA18-55mm f3.5-5.6 AL WR / SMC A28mm f2.8 / D FA 28-105mm / SMC F35-70 f3.5-4.5 / SMC A50mm f1.7 / Tamron AF70-300mm f4-5.6 Di LD macro / SMC M75-150mm f4.0 / Tamron Adaptall (CT-135) 135mm f2.8 / Asahi Takumar-A 2X tele-converter / Pentax AF-540FGZ (I & II) Flashes / Cactus RF60/X Flashes & V6/V6II Transceiver
Posted 20/05/2013 - 19:00
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Crikey all of a sudden everyone's stripping down the alleged Pentax FF of all features
Ahhh it's FF we don't need on-board flash
Ahhh it's FF we don't need SR
Ahhh it's FF we don't AF
Ahhh it's FF we don't need a shutter button!
Ahhh it's FF let's dispense with lenses. Oh and the read LCD and while we're at it we could save awful lot of space by not having a battery!!
Like Horst rightly says, 35mm film SLRs were very compact. I'm currently hold a Pentax Super A body next to my K-5. Same dimensions but the K-5 is slightly deeper to accommodate the electronics and LCD.
There's no reason why a FF Pentax should be anything more than marginally bigger
Ahhh it's FF we don't need on-board flash
Ahhh it's FF we don't need SR
Ahhh it's FF we don't AF
Ahhh it's FF we don't need a shutter button!
Ahhh it's FF let's dispense with lenses. Oh and the read LCD and while we're at it we could save awful lot of space by not having a battery!!
Like Horst rightly says, 35mm film SLRs were very compact. I'm currently hold a Pentax Super A body next to my K-5. Same dimensions but the K-5 is slightly deeper to accommodate the electronics and LCD.
There's no reason why a FF Pentax should be anything more than marginally bigger
[i]Bodies: 1x K-5IIs, 2x K-5, Sony TX-5, Nokia 808
Lenses: Pentax DA 10-17mm ED(IF) Fish Eye, Pentax DA 14mm f/2.8, Sigma 17-70mm f/2.8, Pentax-A 28mm f/2.8, Sigma 30mm F1.4 EX DC, Pentax-A 50mm f/1.2, Pentax-A 50mm f/1.4, Pentax-FA 50mm f/1.4, Pentax-A 50mm f/1.7, Pentax DA* 50-135mm f/2.8, Sigma 135-400mm APO DG, and more ..
Flash: AF-540FGZ, Vivitar 283
Lenses: Pentax DA 10-17mm ED(IF) Fish Eye, Pentax DA 14mm f/2.8, Sigma 17-70mm f/2.8, Pentax-A 28mm f/2.8, Sigma 30mm F1.4 EX DC, Pentax-A 50mm f/1.2, Pentax-A 50mm f/1.4, Pentax-FA 50mm f/1.4, Pentax-A 50mm f/1.7, Pentax DA* 50-135mm f/2.8, Sigma 135-400mm APO DG, and more ..
Flash: AF-540FGZ, Vivitar 283
Posted 20/05/2013 - 19:26
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Any space saving from removing items such as built-in flash (or shutter button :wink would have little appeal to me - I rather like a larger camera, in fact I use my K7 permanently with the BG4 grip for this reason. This grip can almost act as a tripod replacement at times (along with the SR).
No, I don't think its about removing items - from what I've read I believe FF shooting to be more unforgiving and challenging, so us mere 'enthusiasts' may need all the help we can get. I bought into Pentax exactly because it offers many more 'Pro' level features at a reasonable price.
I am just highlighting a relationship between features on offer and the targeted users - I am saying that on other brands the lack of built-in flash signifies the top line pro models. The question is would Pentax follow this distinction as well and target the pro base who would normaly use flashguns and wireless / studio setups, as a market positioning statement.
No, I don't think its about removing items - from what I've read I believe FF shooting to be more unforgiving and challenging, so us mere 'enthusiasts' may need all the help we can get. I bought into Pentax exactly because it offers many more 'Pro' level features at a reasonable price.
I am just highlighting a relationship between features on offer and the targeted users - I am saying that on other brands the lack of built-in flash signifies the top line pro models. The question is would Pentax follow this distinction as well and target the pro base who would normaly use flashguns and wireless / studio setups, as a market positioning statement.
My Guides to the Pentax Digital Camera Flash Lighting System : Download here from the PentaxForums Homepage Article .... link
Pentax K7 with BG-4 Grip / Samyang 14mm f2.8 ED AS IF UMC / DA18-55mm f3.5-5.6 AL WR / SMC A28mm f2.8 / D FA 28-105mm / SMC F35-70 f3.5-4.5 / SMC A50mm f1.7 / Tamron AF70-300mm f4-5.6 Di LD macro / SMC M75-150mm f4.0 / Tamron Adaptall (CT-135) 135mm f2.8 / Asahi Takumar-A 2X tele-converter / Pentax AF-540FGZ (I & II) Flashes / Cactus RF60/X Flashes & V6/V6II Transceiver
Pentax K7 with BG-4 Grip / Samyang 14mm f2.8 ED AS IF UMC / DA18-55mm f3.5-5.6 AL WR / SMC A28mm f2.8 / D FA 28-105mm / SMC F35-70 f3.5-4.5 / SMC A50mm f1.7 / Tamron AF70-300mm f4-5.6 Di LD macro / SMC M75-150mm f4.0 / Tamron Adaptall (CT-135) 135mm f2.8 / Asahi Takumar-A 2X tele-converter / Pentax AF-540FGZ (I & II) Flashes / Cactus RF60/X Flashes & V6/V6II Transceiver
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14 years
Melbourne,
Victoria
On that logic the very full frame 645D is rubbish at 40 mp, which it clearly is not.
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Regards, Horst