Consistent colour with in a studio environment
Posted 15/12/2009 - 21:51
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Hi Pink
If you are going to do some serious studio work then may I suggest that you do a grey card calibration at the commencement of your session. You will notice quite a difference and a grey card from a good suppler is pretty cheap. You can calibrate your colour in Adobe Camera Raw very easily if you are just doing a short quick studio session.
Good luck
Ian
If you are going to do some serious studio work then may I suggest that you do a grey card calibration at the commencement of your session. You will notice quite a difference and a grey card from a good suppler is pretty cheap. You can calibrate your colour in Adobe Camera Raw very easily if you are just doing a short quick studio session.
Good luck
Ian
Posted 15/12/2009 - 22:43
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£64.40 better? link
If you want colour accuracy then that's it.
When you want to have a good white balance then a greycard will do but colours within that can be not 99% right, if you're doing creative stuff though then a grey card will do you well.
You will probably play whit colours anyway.
If you want colour accuracy then that's it.
When you want to have a good white balance then a greycard will do but colours within that can be not 99% right, if you're doing creative stuff though then a grey card will do you well.
You will probably play whit colours anyway.
Posted 16/12/2009 - 08:25
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I just set the colour balance to 'flash' and the results have been perfect every time.
Its never occurred to me to try but how do actually take a colour balance from a grey card with flash?
Its never occurred to me to try but how do actually take a colour balance from a grey card with flash?
Ken
“We must avoid however, snapping away, shooting quickly and without thought, overloading ourselves with unnecessary images that clutter our memory and diminish the clarity of the whole.” - Henri Cartier-Bresson -
“We must avoid however, snapping away, shooting quickly and without thought, overloading ourselves with unnecessary images that clutter our memory and diminish the clarity of the whole.” - Henri Cartier-Bresson -
Posted 16/12/2009 - 08:29
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The same way as by ambient light I would presume, but with the flash lighting the card.
Best regards, John
Posted 16/12/2009 - 08:38
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I'd forgotten that you actually had to press the shutter release button on Pentax dslrs
Ken
“We must avoid however, snapping away, shooting quickly and without thought, overloading ourselves with unnecessary images that clutter our memory and diminish the clarity of the whole.” - Henri Cartier-Bresson -
“We must avoid however, snapping away, shooting quickly and without thought, overloading ourselves with unnecessary images that clutter our memory and diminish the clarity of the whole.” - Henri Cartier-Bresson -
Posted 16/12/2009 - 08:39
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pink wrote:
Dose or has anyone got tips on the above title with out spending £80.00 on a Gretag Macbeth colour checker link
ideas welcome but i think it's my only option
James
Ps what % is the grey checker in photoshop ?
You could just colour balance from your background if you were using white or grey paper rolls
Dose or has anyone got tips on the above title with out spending £80.00 on a Gretag Macbeth colour checker link
ideas welcome but i think it's my only option
James
Ps what % is the grey checker in photoshop ?
Ken
“We must avoid however, snapping away, shooting quickly and without thought, overloading ourselves with unnecessary images that clutter our memory and diminish the clarity of the whole.” - Henri Cartier-Bresson -
“We must avoid however, snapping away, shooting quickly and without thought, overloading ourselves with unnecessary images that clutter our memory and diminish the clarity of the whole.” - Henri Cartier-Bresson -
Posted 16/12/2009 - 09:20
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Do you mean accurate, or consistent?
If you mean consistent, then a sheet of A4 paper will do the job nicely. Just hold the paper where the subject would be and take a white balance reading. If you shoot RAW, then just take the image - you can pick a white balance off that and apply to all shots from the same session.
If you mean accurate, then a colour chart is the way to go. A GM chart is fine, but I've used the QPcard 201 (which is much cheaper, and smaller) and had very good results too. www.qpcard.com
(They are helpful as you can carry them around with you!)
HTH!
Matt
If you mean consistent, then a sheet of A4 paper will do the job nicely. Just hold the paper where the subject would be and take a white balance reading. If you shoot RAW, then just take the image - you can pick a white balance off that and apply to all shots from the same session.
If you mean accurate, then a colour chart is the way to go. A GM chart is fine, but I've used the QPcard 201 (which is much cheaper, and smaller) and had very good results too. www.qpcard.com
(They are helpful as you can carry them around with you!)
HTH!
Matt
http://www.mattmatic.co.uk
(For gallery, tips and links)
(For gallery, tips and links)
Posted 17/12/2009 - 15:42
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I use a grey card for my white balance witch is fine and work well
But I am finding people eye can change in colour from one shot to the next can any one explain why? (no alteration done to lighting or camera settings)
But the eye or camera change the colour
James
But I am finding people eye can change in colour from one shot to the next can any one explain why? (no alteration done to lighting or camera settings)
But the eye or camera change the colour
James
My Fluidr
"To see in colour is a delight for the eye, But to see in black and white is a delight for the soul" ANDRI HERY
"To see in colour is a delight for the eye, But to see in black and white is a delight for the soul" ANDRI HERY
Posted 17/12/2009 - 15:46
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what are you using for lighting?
Fired many shots. Didn't kill anything.
Posted 17/12/2009 - 15:54
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sorry Don
strobe lights with soft box's and strobe on back ground with umbrellas
all balanced ie the two rear strobe's are the same make and type and the soft boxes and strobes are the same make.
James
could the eye's be picking up light from a (window, house bulb ?)
I thought the strobes would cancel this out.
strobe lights with soft box's and strobe on back ground with umbrellas
all balanced ie the two rear strobe's are the same make and type and the soft boxes and strobes are the same make.
James
could the eye's be picking up light from a (window, house bulb ?)
I thought the strobes would cancel this out.
My Fluidr
"To see in colour is a delight for the eye, But to see in black and white is a delight for the soul" ANDRI HERY
"To see in colour is a delight for the eye, But to see in black and white is a delight for the soul" ANDRI HERY
Posted 17/12/2009 - 16:15
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pink wrote:
could the eye's be picking up light from a (window, house bulb ?)
I thought the strobes would cancel this out.
that could be it, strobes don't cancel it out because you use equipment to defuse the light, also the background can bounce the light of to objects in the room.
could the eye's be picking up light from a (window, house bulb ?)
I thought the strobes would cancel this out.
Posted 17/12/2009 - 16:41
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Your strobes (esp budget models) may not be maintaining color consistency from shot to shot, esp if they don't get time to fully recharge and cool between shots...
your modeling lamps may not maintain color consistency if they are dimmed or fluorescent..
ambient light could still be a factor... esp at high iso or if bright enough to affect exposure...
your modeling lamps may not maintain color consistency if they are dimmed or fluorescent..
ambient light could still be a factor... esp at high iso or if bright enough to affect exposure...
Fired many shots. Didn't kill anything.
Posted 17/12/2009 - 20:10
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Don what is esp ??
would a qpcard help or better strode's the strode's I use are one's from photodeals and here is the following spec for the strobe's
Flash Head 150W Specifications
Guide no (m 100 asa) GN38
Flash Duration 1/700th second
Trigger Voltage 3 Volts
Recycling time 2.5 secs at full power
Output error ± 1%
Modelling Bulb 150w Full/ Off/ Proportional
Colour Temperature 5500 ° K
hope that reads right
James
would a qpcard help or better strode's the strode's I use are one's from photodeals and here is the following spec for the strobe's
Flash Head 150W Specifications
Guide no (m 100 asa) GN38
Flash Duration 1/700th second
Trigger Voltage 3 Volts
Recycling time 2.5 secs at full power
Output error ± 1%
Modelling Bulb 150w Full/ Off/ Proportional
Colour Temperature 5500 ° K
hope that reads right
James
My Fluidr
"To see in colour is a delight for the eye, But to see in black and white is a delight for the soul" ANDRI HERY
"To see in colour is a delight for the eye, But to see in black and white is a delight for the soul" ANDRI HERY
Posted 17/12/2009 - 20:18
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especially
set your color balance to flash, use a white card and fire off a number of shots in a dark room, and check them for color balance do a series of tests with and without modelling lamps at various power settings... see if they all come out white, and with even exposures.
set your color balance to flash, use a white card and fire off a number of shots in a dark room, and check them for color balance do a series of tests with and without modelling lamps at various power settings... see if they all come out white, and with even exposures.
Fired many shots. Didn't kill anything.
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1249 posts
16 years
Warwickshire
ideas welcome but i think it's my only option
James
Ps what % is the grey checker in photoshop ?
"To see in colour is a delight for the eye, But to see in black and white is a delight for the soul" ANDRI HERY