Wish I'd known about this a few days ago

Now awaiting the arrival of a B+W one - a slight difference in price it has to be admitted

OH MY

That apple - that's truly scary , but great fun

Oh great

PP is NOT my speciality

Back to the drawing board [ AKA Aperture ] Great thing is I can take it back to the original every time and just totally re-work it.

Tomorrow morning for that - so I'm working in daylight .

Thanks for the help

Any better ?

1) original


And redone version

2)

I'm still struggling with the fact that it's not as wide as the 18-250 - I have to be far more careful - Yes I agree with the comments about #1 - as I got it it was too dark - since it's in RAW I'll just have another go at bringing it up a bit .

Yes indeed Gwyn - it brings back memories - folk lying at full stretch shooting daffodils etc

Again - could have done with a CPL - particularly for where the ducks were - real problems there [ which is why I haven't put any of them on ]

It certainly is a little beauty of a lens I'm glad you decided it was surplus to requirements Andrew

taken today - again just trying to get used to this . Some in AV , some in TV most are in P. The ducks were out having fun - but I needed a longer lens for them

ISO 200 f7.1 1/500



ISO 200 5.6 1/400 AV




ISO 200 f8 1/400



ISO 200 f7.1 1/500

That first one is a real cracker

I think I'm going to like this

AND there's no lens creep , which there is on the Tamron 18-250 !!

These are straight out of the camera I've done nothing to them other than look at them in Aperture.
ISO 200 Focal length 28mm Aperture 4.5 Shutter 1/160




ISO 200 Focal length 28mm Aperture 4 Shutter 1/160




ISO 200 Focal length 75mm Aperture 3.5 Shutter 1/250

Arrived beautifully and frustratingly well packed

It will go on later today

I hope there's something in the glass