All Forum Comments
Comment by piotro posted on Jessops expert at 26/04/2010 - 12:57
https://www.pentaxuser.com/forum/topic/k20d-continous-shooting-and-surprise----1...
Comment by piotro posted on New firmware updates today at 23/04/2010 - 20:20
It could be a young blackbird, but you said it was bigger (or maybe a big young one ).
Steve, use this nice tool to find out:
http://www.rspb.org.uk/wildlife/birdidentifier/
Comment by piotro posted on Help Identify this Bird at 03/01/2010 - 10:32
So, I got my subject in place, shutter pressed, got to the point where buffer has got full and camera slows down a bit, took few more pictures depressed shutter and pressed it again to take few more pictures after some 2 seconds (camera was still saving previous ones, and was taking pics on a slower speed (buffer full like).
Not suspecting problems, have moved pics on the PC and... Camera saved 18 PEFs (PEF was is use) all having sizes between 15.9MB to 16.5MB (so pretty good).
Tried to open them in Irfan and: 7 of them display only embedded thumbnail, tried to open them in pentax photo browser and ufraw, but only got message saying that file is corrupted or software was crashing. Another 3 pictures were showing only part of frame from 15% to 40% (ish) lines (from top to bottom). Remaining 8 seems to be ok.
Memory card was Extreme III SDHC, 1/400sec, 800ISO. I did one more test later one, but it was darker and shutter speed was slower and all pics were saved correctly.
Comment by piotro posted on K20D Continous shooting and surprise... at 19/12/2009 - 18:03
I seem to notice that (with my k10D) the noise in dark areas of scenes in poor light seems much worse than the equivalent in bright scenes, despite both having the 'correct' exposure (i.e. longer exposure time for lower lighting). If reciprocity applied, then this should, surely, not be the case. What is going on? It just doesn't seem possible to compensate by using extended exposure times in low light.
Problem you are seeing is related to noise-signal ratio.
Simply in dark conditions the number of photons hitting sensor produces lower number of eletrons (that in bright conditions) which is nearer to noise level, hence noise is more pronounced.
Simple example could be, imagine you are listening to quiet music (like: poor light), so lower level of energy (like: photons) hits your ears (like: sensor), at the same time you have some background noise (like: noise produced by sensor and electronics) which is only a bit quiter than music, obviously background music would be a bit distracting.
Turning volume up (like: good light) "covers" backgroud noise and it is no longer distracting (like: less noisy image).
There is no reciprocity in the way you describe it above, as properly exposed dark scene is darker than a scene in good light anyway, so it delivers (to the sensor) less light anyway than properly exposed bright scene. To get similar level of light on the sensor in poor conditions, you would have to boost exposure much more than dictated by "proper" exposure (what would produce other problems, related to veryyyy long exposure).
You can try something, on relatively low ISO (100, 200) take 3 pictures (raw) of the same scene, first underexposed by some 2 stops, second with correct exposure, third overexposed by 2 stops. Then develop all pictures, add 2 stops in your raw converter to the first picture, don't change exposure of the second image, lower exposure of the third image by 2 stops. So all pictures at the end should be exposed more-less at the same level, now compare noise on all pictures, diference should be clearly visible.
Comment by piotro posted on Reciprocity Failure at 08/11/2009 - 00:14
Last one shows how interesting air-to-air one could take from there.
I know that some of these images suffer from vignetting, I don't know if that is a result of the 18-250mm lens that I used or my surroundings.
Comment by piotro posted on London From The Air at 01/11/2009 - 18:19
Comment by piotro posted on Vulcan XH558 @ RIAT 2009 at 21/10/2009 - 16:07
Every RAW format is exclusive to a particular model, so all PEF files from different cameras will be different.
Of course file format for RAW files produced by cameras will differ from brand to brand.
* there may be different versions of the PEF format.
Comment by piotro posted on Photoshop Elements/Camera Raw and the K7 at 28/08/2009 - 16:16
However found some distributors for Eizo and NEC i India, you may try to ask them for some pricing, but I guess it may be rather expensive, check here:
http://www.necindia.in/m_local_dist.html
http://www.rsg.in/Directors.html
(look there at guy named Gulshan Pahwa), and here you have more contact details for them/him:
http://www.eizo.com/contact/index.asp
Again, you may find these to be quite expensive...
Comment by piotro posted on LCD Monitor at 28/08/2009 - 09:46
Lacie monitors are also worth looking at if you can find them. Not sure how they stand compared to Eizo and NEC but are definitely a step up from the usual.
Comment by piotro posted on LCD Monitor at 26/08/2009 - 23:59


On the other time I was bored enough to pop in to Jessops to have a look at filters over there, one of the older guys working there asked me what I need, told him I'm looking for graduated ones (gray one especially), they haven't got any of those of course and guy replied that these are no longer needed and manufactured because "all those effects you can get in photoshop" .
On some other day I walked into Jacobs, apart of their efforts to sell me some C, I keep asking for some Pentax stuff they had on display, that confused two of them enough to tell me they will call "Pentax expert", guy turned up confused not less than others, his expertise was looking through Pentax catalogue .