MrCynical

Joined: 12th June 2009

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MrCynical
Mannesty wrote:
You'll need to check if the license agreement allows to continue using the student edition afer you are no longer a student.
It does - in fact it even makes me eligible for the 'upgrade' price of future versions (I know this from Lightroom). It also allows for commercial use, whereas it didn't a few years ago.

Mannesty wrote:
PS CS5 is hugely powerful, especially the Extended version.

I think PS Elements in combination with Lightroom would satisfy 99.999% of the needs of most photographers.
That was my thinking: there's nothing I've particularly felt that I lack in the time I've been just using Lightroom with my K20D (2-and-a-bit years) so presumably my own photographic needs (or willingness to learn complicated image-processing ) don't need CS5. Just wanted to make sure there was no massively important feature I'd missed out on somehow before my discount eligibility expires. I might end up getting Elements since the content-aware healing tool seems quite capable even if it isn't quite the same as the one in Photoshop.

Comment by MrCynical posted on Photoshop CS5: worth it at student price? at 13/09/2011 - 03:57

MrCynical
To cut a long story short I'll no longer be a student on October 1st, so I'm currently in a dilemma as to whether I should buy Photoshop at the student price before then. Could anyone who has both tell me what I'm missing compared to Lightroom? (purely for photographic use rather than the graphic-art side of PS)

Comment by MrCynical posted on Photoshop CS5: worth it at student price? at 11/09/2011 - 02:45

MrCynical
simonkit wrote:
johnriley wrote:
It might be instructive to join an image library and find out what real rates are.
To save you the trouble of joining:

http://www.londonfreelance.org/feesguide/index.php?section=Photography

Simon
Not sure how much weight to put on that site: the design of it looks dated and it certainly isn't compatible with any web standard written this century.

Comment by MrCynical posted on Free use of a photograph at 23/08/2011 - 19:51

MrCynical
japers45 wrote:
12370- I wonder if SRS will want this info. for free delivery at some point?
No, you put your username in the 'other comments' box on the checkout page

Comment by MrCynical posted on I am not a number at 23/08/2011 - 19:46

MrCynical
johnriley wrote:
Quote:
I also think they need some sort of 70-200mm f2.8
They do, it's the 50-135mm f2.8 lens. Same as 70-200mm on film in terms of field of view.
But not the same as a 70-200 (which every APS-C manufacturer makes except Pentax) on digital, which the vast majority of Pentaxians shoot.

Comment by MrCynical posted on An open Letter to Ricoh at 19/08/2011 - 22:55

MrCynical
thoughton wrote:
I was reading that Wonderland blog earlier tonight. I hope she takes them to court for the five grand as some of her seemingly knowledgable commenters suggested!
According to the article her husband is Cory Doctorow, who knows a fair bit about copyright himself.

Comment by MrCynical posted on Image theft, amateurs and "public domain" at 19/08/2011 - 17:08

MrCynical
Dangermouse wrote:
A strident minority of ebay sellers seem to be forcing prices up with unrealistic buy it now listings. These convince other sellers that the market value of their items is higher and lead to such ridiculous items as an ME Super for £100. One particular seller who lists everything "best offer" but won't knock more than a couple of £s off is particularly to blame IMO, especially with their apparent monopoly on the supply of lens caps, etc...
One clown in particular had a used FA77 (in mint condition mind you :roll listed for more than the SRS new price for about six months. Still on sale (for less) but for some reason nobody is taking the plunge

Comment by MrCynical posted on grrrrrr eBay numpties at 13/08/2011 - 16:09

MrCynical
Since getting my DA35 I've used my DFA50 a lot less. It's a shame because it's a lovely lens. In fact of the two I'd say the 50 is definitely slightly sharper, wide open at least.

What sort of macro are you going to do with it? If it's for general close ups of stuff you see while out and about, then the DA35 would definitely be the better option. If it's for more traditional macro subjects (flowers etc.) 1:1 then the DFA50 or possibly something longer than that.

I've just noticed that you already have an A 50mm f1.7. That, in my opinion, weights the question slightly more towards the DA35: one of the plus points of the DFA50 is its utility for portraits as well as macro (it might 'only' be f2.8 but its bokeh is delicious). Since you already have a faster 50, you won't get that secondary benefit.

Comment by MrCynical posted on DFA 50 or DA35? at 13/08/2011 - 16:04

MrCynical
Don wrote:
we apple users generally don't think in terms of "have most of the RAW codes right" or not. We just plug it in and it works.
And then when the battery won't hold its charge Steve makes you throw the £1200 laptop in the bin and buy a new one. Whereas we Windows users just replace the battery

Comment by MrCynical posted on 64 bit Pentax Raw is here. at 09/08/2011 - 17:30

MrCynical
Other one to watch is "I don't really know about cameras, but to the best of my knowledge it's in full working order". This is on listings for things that people who "don't really know about cameras" might be expected to own: CZJ Flektogons, 50mm A 1.7s etc.

Comment by MrCynical posted on grrrrrr eBay numpties at 09/08/2011 - 17:28

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