All Forum Comments
Comment by MattMatic posted on A brief guide to monitor calibration at 15/05/2007 - 16:36
You shouldn't associate the MONITOR profile with the printer
What should happen is this:
* The monitor profile tells Photoshop how to display the current working profile (which should be AdobeRGB or sRGB generally)
* The image should be in the working profile, let's say AdobeRGB
* When you print, Photoshop will convert from the working profile to the printer profile (if you've checked "Let Photoshop determine colors", or the image will be sent in the working profile and you let the printer driver deal with it.
For Epson printers you should work 100% in AdobeRGB and choose this setting from within the Epson driver (because there is a further colour space transformation with regard to the paper you choose ).
I've covered most of the details in this sticky thread:
https://www.pentaxuser.com/forum/viewtopic.php?t=2533
Matt
Comment by MattMatic posted on A brief guide to monitor calibration at 15/05/2007 - 11:05
Normally, if you hold down MENU while turning the camera on it should display the firmware version number. If not - then you've got a broken K10D
Certainly not a general problem... but you need to get it looked at.
Matt
Comment by MattMatic posted on Pentax K10D LCD display at 14/05/2007 - 21:18
http://www.pbase.com/joele/sigma1020
and this is:
http://www.pbase.com/image/74563129
To be honest, there won't be much difference between a Canon 20D image with a 10-20mm and a K10D image. A lot depends on the skill of the photographer to (a) take the image, and (b) process it properly.
The Sigma 10-20 is liked by many, and it's a relatively cheap lens - especially compared with the Pentax 12-24. But then I wouldn't trade the Pentax in for the Sigma
Matt
Comment by MattMatic posted on Flowers & Light Image at 15/05/2007 - 21:28
Two minutes spent getting the exposure right and you'll get every shot right from then on. Easy
Matt
Comment by MattMatic posted on SMC-FA 50mm f/1.4 versus SMC-FA/F 50mm f/2.8 macro at 21/05/2007 - 10:13
But I wouldn't have this problem with a lens like the SMC M 1:1.4 50mm?
If you use a very wide aperture (like f/1.4) in low lighting then the depth of field is unbelievably narrow. So narrow that you can get the eyes in focus but not the nose! So focus is sooooo critical... and on a moving target it's impossible.
For capturing that kind of shot, golfdiesel has the right idea - a flash with an Omnibounce is good. If you have the K10D and AF360 or AF540 then wireless remote would be even better.
Matt
Comment by MattMatic posted on SMC-FA 50mm f/1.4 versus SMC-FA/F 50mm f/2.8 macro at 21/05/2007 - 09:34
The macro lenses were designed for macro work. I have the 100/2.8 macro and it is a superb lens. I have used it for portraiture - but mostly for flower macros. I think it was described as "brutally sharp" - which isn't necessarily what you want if you're going to please your other half! LOL!
The MTF data and reviews don't give the whole picture... it's the bokeh and "rendition" of the lens that's important - perhaps more so than sharpness.
If, as you say, you intend to take shots of family shots, then I'd go for the 50/1.4 Its rendition is astonishing. I couldn't do without mine
Matt
Comment by MattMatic posted on SMC-FA 50mm f/1.4 versus SMC-FA/F 50mm f/2.8 macro at 14/05/2007 - 11:59
Think that was the one! I'd suggest giving Chris a ring - he's probably tried it
Matt
Comment by MattMatic posted on Why do we put up with small viewfinders? at 14/05/2007 - 11:07
Matt
Comment by MattMatic posted on Why do we put up with small viewfinders? at 14/05/2007 - 09:21
Matt
Comment by MattMatic posted on Congrats Pete Smith at 14/05/2007 - 09:23


http://northscape.photium.com/page1314.html
Matt