Mannesty

Joined: 17th February 2005

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Mannesty
You can use the older TTL flashes on it too.

Comment by Mannesty posted on *ist-D. at 24/02/2009 - 23:23

Mannesty
Jboyde wrote:
When I use the wireless on both flashes, the preflash is so dim and I think its a split second before the shutter opens that it doesnt show up in the picture.
The preflash fires whilst the mirror is still down and before the shutter curtains start to move. You can see the preflash through the viewfinder.

The master/controller flash which follows, occurs when the shutter is open and triggers the wireless slave flash.

When set to master, the triggering flash contributes light to the scene. As a controller, it still fires and a very small amount of light illuminates the scene and depending on your flash to subject distance, may or may not have any real effect. It's quite possible that you'll see the controller flash as a catchlight in a subjects eyes though.

To prove this, take a shot with your camera and flash pointed at a mirror. Even when set as a controller, you'll see the flash in the image.

Comment by Mannesty posted on AUTO mode or manual for off-camera lighting? at 24/02/2009 - 23:18

Mannesty
Manual, every time.

In auto mode, take one model, dress him/her in a black suit/dress, take a shot. Change the black clothes for white, take another shot. Compare the skin tones on each, they'll be different because the flashes have adjusted the power settings.

Now repeat in manual mode, skin tones should be the same.

In manual, you have control.

Comment by Mannesty posted on AUTO mode or manual for off-camera lighting? at 23/02/2009 - 23:03

Mannesty
I think I would have a hard job getting approval from my financial advisor.

The conversation would go something like,

Me: "Darling, blah blah, blah the best Macro lens in the world"

My FA: "What's a Macro lens? You want to spend how much?, no way Jose" and I'm not even called Jose.

Comment by Mannesty posted on The ultimate macro lens? at 23/02/2009 - 16:59

Mannesty
comstadcity wrote:
It wasn't meant to be a criticism, I did say that all the pics were good and that number 4 was my favourite because of the softer less harsh lighting.
I didn't take it as a criticism, no offence taken, and none meant.

I was rather looking for tips/advice. Night time street photography of this sort is not something I do a lot of.

Comment by Mannesty posted on Carnival time in Spain at 23/02/2009 - 13:43

Mannesty
comstadcity wrote:
all good but the pick of the bunch is number 4 for me. The shadows are less harsh than on the direct flash shots. well done
Agreed, but what can you do? It was dark (mostly), and the street lighting was minimal.

I used 'bare' flash on very few shots, most were diffused with an Omnibounce. The Lumiquest SoftBox wouldn't have been an option in these crowds.

Comment by Mannesty posted on Carnival time in Spain at 22/02/2009 - 23:01

Mannesty
Hyram wrote:
The Gallery, as I understood it, was supposed to be for the very best photos with images being submitted for comment to the Your Photos section in the forum.

Unfortunately many people, who have never been anywhere near the forum, seem to use the Gallery as a form of hosting website.
One of the aims of this revamped website was to encourage subscribers to the PU magazine to post images, even if they didn't want to participate in the forums.

I preferred it when the two sites were separate. There is still a lot wrong with this site, and nothing seems to have changed in months to improve it.

For starters, the 'New Posts' function just does not work, and much of the rest is like an unfinished symphony. Ever tried guessing where the cursor goes when you add a smiley to a post?

Comment by Mannesty posted on new name for the gallery at 22/02/2009 - 22:53

Mannesty
Karl wrote:
I like the lady in the 3rd shot best.
The 5 o'clock shadow put me off. , good sports though. Some of the guys made better looking ladies than some of the ladies.

Comment by Mannesty posted on Carnival time in Spain at 22/02/2009 - 16:58

Mannesty
Just a few from yesterday. All taken with K20D + DA* 16-50mm + AF360FGZ + Stofen Omnibounce. Enjoy . . .

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Only available tungsten flood lighting used on this one, mounted to the back of the tractor pulling the float.
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Comment by Mannesty posted on Carnival time in Spain at 22/02/2009 - 16:43

Mannesty
The only technique I have is to use Pentax camera, lens, & flash. It sorts it all out for me.

I do tend to add 0.3 or 0.7 EV compensation to most shots.

Comment by Mannesty posted on Fill-in flash... What is your technique? at 22/02/2009 - 16:38

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