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johnriley

Joined: 19th March 2002

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johnriley
I'm not sure that the 150mm lens mentioned wasn't the f4 version, but I'd have to wade through a decade of "Photography" to check.

Comment by johnriley posted on SMC 135 f2.8 at 03/05/2009 - 12:21

johnriley
One of the problems with rules and regulations is that the only ones who take any notice are the conscientious people who would behave anyway.

The villains will ignore it all and carry on regardless.

Comment by johnriley posted on Code of conduct for nature photography at 03/05/2009 - 12:19

johnriley
The workflow you outline Dogpaws is fine.

We don't all do the same thingbut there are some good general principles. You have correctly identified that saving as a TIFF retains all the image data as this is a lossless save.

However, this is already changing and I mentioned elsewhere that fotoLibra are now insisting on JPEGs as that is what the book and magazine publishers who buy from them want.

Just do what you do and I'm sure it will work for you, but as mentioned above think about using Adobe's built in RAW converter.

Comment by johnriley posted on Raw conversion and workflow with the tools I have? at 03/05/2009 - 12:15

johnriley
Welcome, and we'll look forward to meeting you next week.

Keen novices are the future experts!

Comment by johnriley posted on New member from Lincoln at 03/05/2009 - 10:42

johnriley
No, it wouldn't be a problem. If you mount a lens with no A setting and don't activate the use of the aperture ring the lens will operate at full aperture all the time.

If there is an A setting just use that and the lens will behave like any of the current range with no aperture ring.

Comment by johnriley posted on Lens Contacts (electrical) at 03/05/2009 - 10:40

johnriley
Nice image though. Try to focus critically on the eyes. With any portrait the phrase "the eyes have it" is well worth remembering.

So he has an artistic temperament already?

Comment by johnriley posted on Another of Chris at 03/05/2009 - 10:16

johnriley
There's nothing wrong with a 135mm f2.8 being 4 elements. A good design will give excellent results. Some of the F3.5 Pentax designs were 5 elements, but were redesigned to 4, so Asahi must have been happy with the performance. Fewer elements does mean higher contrast, even with multi-coating.

The best of the 100-200mm telephotos though is reputed to be the 150mm, which is reported as having superb resolition and contrast from wide open all the way through the range. In this instance the aperture has no effect on quality, only on DOF. High praise indeed. (Source: Kevin MacDonnell)

Comment by johnriley posted on SMC 135 f2.8 at 03/05/2009 - 10:13

johnriley

Comment by johnriley posted on K200D Are they still being made? at 03/05/2009 - 07:55

johnriley
It's a pity the video maker (lens basher?) hadn't got all the tools of his trade to hand - that poor lens must have been shuddering in horror as it heard drawers being opened and searched.

By the way, that's not the recommended way to clean a Pentax lens!

Still, I wonder if it was on ebay later that day? "Mint, one careful owner."

Comment by johnriley posted on UV filters at 03/05/2009 - 07:53

johnriley
Coatings are effective at reducing flare, but may well be softer than the glass itself.

Lenses should be cleaned only when necessary and then very carefully.

Comment by johnriley posted on UV filters at 03/05/2009 - 00:19

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