Stefan,

Exposure Bracketing is on 163 - 166 in my copy of the English language K10D Manual.
It seems to suggest on p.164 that it is the Ev that ought to be changing as per the steps that are set by the user. No mention of aperture here?

Aside from the instruction booklet though, if the K10 is being used in Manual mode, it then uses the shutter and aperture combined to set the correct exposure value (Ev). While in Manual mode, we cannot access exposure compensation.

That tells us something - I expect that the only way the camera can do bracketing in Manual mode, is to change either the aperture or shutter speed.

I'm not sure this helps you though Stefan...

Good stuff - you should be pleased.

G'Day and welcome Tom.

Some just for fun

[IMG]http://i772.photobucket.com/albums/yy9/i_berg/Pentax%20User%20Forum%20Images/_IGP5775R.jpg[/IMG]

[IMG]http://i772.photobucket.com/albums/yy9/i_berg/Pentax%20User%20Forum%20Images/_IGP5538R.jpg[/IMG]

This one's a Wood Duck
[IMG]http://i772.photobucket.com/albums/yy9/i_berg/Pentax%20User%20Forum%20Images/_IGP5530R.jpg[/IMG]

[IMG]http://i772.photobucket.com/albums/yy9/i_berg/Pentax%20User%20Forum%20Images/_IGP5527R.jpg[/IMG]

[IMG]http://i772.photobucket.com/albums/yy9/i_berg/Pentax%20User%20Forum%20Images/_IGP5477R.jpg[/IMG]

All of these are free to roam and fly where-ever they like BTW.

Ken,

I'm sure with your background and experience, you'd have taken ones at least as good. Thanks for looking.

Did you blow its nose first?

The last one for me Ray - and while there is some noise in it, it isn't overly noticeable.

That'd probably go quite well with the oliebollen then...

I found this entry in his blog interesting:

"Drizzly conditions make for slick pavement, which is great for photos but dangerous for walking. While photographing this flower vendor on the streets here in Hanoi about an hour ago, I stepped on a wet curb, slipped and fell, dropping my Mark II with the 16-35 f2.8 as I went down.

I saw the camera leave my hand, and watched its trajectory in slow motion, then heard that nasty shattering sound and saw some glass flying out past the lens hood as it hit concrete. All the Vietnamese sidewalk vendors gasped and frankly I feared the worst too. Picking up my camera, which had landed with the lens facing away from me, I was thinking to my self; this could be expensive, As I turned the camera towards myself I noticed that it was only the UV filter that had been obliterated. The lens’ front element was intact. I did a quick examination of the camera body as I picked the last chunks of remaining glass out of the bent filter ring.

I snapped off 2 frames; one of the crowd that looked on in horror (above) and one of the noodle shop guy who was standing next to me (below). Everything seemed to be working fine, so I showed the noodle guy the back of my camera, he broke out in a huge smile, the crowd cheered and I breathed a sigh of relief, raised my camera up high, smiled back at everyone and went on shooting."