George Lazarette

Joined: 14th January 2004

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George Lazarette
I did read your post, Mer, and this is what you said:

"I just want the ultimate 1:1 macro lens"

Later you contradicted yourself and said you wanted more than 1:1.

It's difficult to give advice in situations like this.

G

Comment by George Lazarette posted on Macro-Sharpness:Pentax DFA 50mm vs 100mm vs Sigma/Tamron. at 21/12/2007 - 11:13

George Lazarette
Quote:


The 200mm lens sounds fine but I doubt it is any better in terms of sharpness than the 50mm and even if it is I am sure the difference is minimal .
The two 200mm lenses are certainly thought to be the sharpest Pentax lenses of all.

You stated that you want the ultimate macro lens. Look no further.

G

Comment by George Lazarette posted on Macro-Sharpness:Pentax DFA 50mm vs 100mm vs Sigma/Tamron. at 20/12/2007 - 23:06

George Lazarette
As Daniel said, the ultimate macro lenses are the two Pentax 200mm versions. The SMCP-A is manual focus, whilst the SMCP-FA is AF. Both are superb, and considered by some to be perhaps the best lenses ever made by Pentax (though others reckon the 77mm takes that crown, whilst the 85 1:1.4 lenses also have their supporters).

However, you'll only find the 200s second-hand now, and expect to pay over UKP 1000.

G

Comment by George Lazarette posted on Macro-Sharpness:Pentax DFA 50mm vs 100mm vs Sigma/Tamron. at 20/12/2007 - 11:37

George Lazarette
Quote:
I'm going to take a stab in the dark and say eventually?

not a shortening I have seen before but would make sense given the price of the 1.2
You're probably right. No doubt Linus will confirm.

Did you know that Westfalen (where Linus lives) has the same root, etymologically speaking, as the word "film"?

Nor did I.

G

Comment by George Lazarette posted on 50mm f/1.4, 35mm f/2.0, 40mm f/2.8 at 25/04/2007 - 22:22

George Lazarette
Quote:
SMC F(A) 35 f2

plus evtl.

SMC A 50 f1.2!

-Linus-
evtl?

G

Comment by George Lazarette posted on 50mm f/1.4, 35mm f/2.0, 40mm f/2.8 at 25/04/2007 - 19:36

George Lazarette
I wouldn't choose one!

And I wouldn't choose the 40mm. No point on digital.

The 35mm is a reasonable alternative to the 31mm if size and price are considerations, and the 50mm is a nice portrait lens and optically superb.

G

Comment by George Lazarette posted on 50mm f/1.4, 35mm f/2.0, 40mm f/2.8 at 25/04/2007 - 10:07

George Lazarette
Quote:
jps wrote:
Are they therefore automatically culpable
Yes
Not culpable, if they did it innocently.

But they're still liable to pay.

G

Comment by George Lazarette posted on Copyright issues at 24/04/2007 - 18:02

George Lazarette
I like the stark, rather menacing look of the gun. For me, it might look better with a tighter crop, so that the gun and the watch-tower are virtually all you see. But that's just me, there are other possibilities.
G

Comment by George Lazarette posted on couple of shots from Canada at 23/04/2007 - 22:05

George Lazarette
Yes.

But, it won't meter very well.

And, you really can't focus quickly enough on wild birds with a manual focus lens. AF is pretty much obligatory, so that cuts out older lenses with exposure complications.

If, despite that, you do buy a K or M lens, then you can use it at full aperture in AE mode, and the camera will set the correct shutter speed. I do that all the time with my old 400mm.

G

Comment by George Lazarette posted on Is there a definitive guide to Pentex Lenses at 23/04/2007 - 22:17

George Lazarette
I was trying to keep this simple, but Peter has reminded me that I should mention the stars.

A star lens (eg: SMC Pentax-F* 1:4.5 300mm) is, indeed, a star. With price to match.

Even more stellar are the Limited lenses (eg SMC Pentax-FA 1:1.8 77mm Limited). The original FA versions are best; the more modern ones are very compact, and relatively slow. Pentax should have given them a different designation, but they are still very well made and very good.

G

Comment by George Lazarette posted on Is there a definitive guide to Pentex Lenses at 23/04/2007 - 15:07

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