George Lazarette

Joined: 14th January 2004

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George Lazarette
Quote:
Just been checking the forum and Matts Guide before I downloaded, I have now realised C1 LE still only supports .pef format.
I have read that it is said .pef files are a lot larger in size than .dng, can anyone give me and idea as to how much bigger approx. they wd be?
At the moment my DNG import in at about 16MB and when edited and converted to TIF, 55MB.

Lilly
You've got it the wrong way round. PEF files are a lot smaller than DNG files. They are compressed, DNG are not.

The compression is lossless, so there is no pain, only gain.

G

Comment by George Lazarette posted on CAPTURE ONE LE - SanDisk Freebie at 29/07/2007 - 10:11

George Lazarette
Quote:
none its about as pointless as yours,get the point :
You don't seem to be a very happy bunny. Perhaps you would find solace within the pages of DPReview, where the contributors specialise in looking at the dark side of life.

Here, we tend to be more upbeat.

G

Comment by George Lazarette posted on If you think the K10D has bad banding... at 27/07/2007 - 10:33

George Lazarette
Quote:
Tyr wrote:

I'd post some pictures of the banding but I don't have his permission. Didn't think anything that bad could make it past QC.
So what is the point of this post??????????/
And what is the point of yours?

G

Comment by George Lazarette posted on If you think the K10D has bad banding... at 27/07/2007 - 09:59

George Lazarette
Quote:
Hi All,

I'm thinking of buying the Bowens Esprit Gemini Studio-in-a-Box 200 Studio.

I was wondering would the wireless flash option on my K10D work with these heads? They both have a built in slave cell.
No.

The wireless flash works by emitting a burst of brief flashes to tell the slave how much light to put out. Then it fires once more to trigger the slave.

The studio flash will be triggered by the initial burst, which is not what you want.

You can either put an old manual flash on the camera, and use that to trigger the Bowens, or use a radio trigger. You can get cheap one for a tenner, or good ones for a lot more.

G

Comment by George Lazarette posted on Bowens Esprit Gemini Studio-in-a-Box 200 Studio at 26/07/2007 - 17:54

George Lazarette
Quote:
I had my other half check them as I am a bit dyslexic (I'm so glad I have a spell checker in Firefox, though a lot of the time it won't pick up the kind of mistakes I make).

Thanks for the heads up though

Oh, and Lightroom doesn't check my spelling when I title them in the EXIF.
Ambitious, not ambicious.

G

Comment by George Lazarette posted on Online Gallery at 26/07/2007 - 11:35

George Lazarette
Quote:
Hi there,


I'm another newbie who's been lurking on this forum for a while now since buying the K10d and I'm over the moon with it.

I'm looking to buy an autofocus 50mm and I was wondering whether anyone has used the Sigma F2.8 50mm Macro? I'm stuck between this and the Pentax 50mm F1.4 everyone is raving about on the forums. I occasionally do some macro work which I'm using close up filters for with a Pentax-A 50mm and I'm pleased with the results but I know these are generally frowned upon for quality compared to extension tubes and a genuine macro.

Any input appreciated to help me make my mind up!

Cheers

Rob.
I strongly suggest you consider a 100mm macro if macro is what you want. 50mm is OK for copying documents, but for things like bugs the extra reach of a 100mm (or best of all, a 200mm) lens makes a big difference.

Macros from any manufacturer are likely to be pretty sharp, so just look out for the best deal you can get. The various flavours of the Tamron 90mm are well-regarded, and the Pentax F and FA 100mm macros are lovely.

G

Comment by George Lazarette posted on Sigma 50mm F2.8 Macro at 25/07/2007 - 10:23

George Lazarette
Quote:
johnriley wrote:
If the camera lets you set 6MP then it can only be interpolating the size downwards, Don't see the point of that.
At the risk of coming over all pedantic. "Interpolation" is the process of adding points and it more generally associated with making images larger. Reducing an image size is more correctly referred to as "sampling".

There. That's made me no friends.
You're right. If you are caught speeding in Europe by Interpol, they will add points to your licence.

G

Comment by George Lazarette posted on number of photos on a 2 gig card at 25/07/2007 - 18:00

George Lazarette
Quote:


Got it at last but can only do the smaller image not the large one.
Please try again. Looks rather interesting.

G

Comment by George Lazarette posted on Pentax UK looking for photos at 30/07/2007 - 20:37

George Lazarette
Quote:
George Lazarette wrote:
Brian,

I'm sorry to say this, but I think these are terrible.

You have taken what are basically quite nice shots, and then (IMO) destroyed them by over-processing.

The poor girl no longer looks human.

The images look as though they were produced using an air-brush. Now, this may be what you wanted to do, and if so, fair enough, but to me they have passed right out of the realm of photography.

I'm sure that if you started again and employed a much lighter touch with the smoothing you would get a far nicer result.

Sorry to be brutally frank, but unless I am very much out on a limb here, I think those people who have replied so far have been skirting the issue. Elephant in the room syndrome.

Best wishes

G
Not quite sure how to respond to this G, I see plenty of texture and detail left in both, especially #1 (both versions), I'll admit that #2 was processed over the top first time round, still can't quite see how these merit your scathing critism (or am I a sucker to a bit of revese logic

Anyway, the main thing is I like them and the client is over the moon with them.
Brian,

I think it is fair to say that what I don't like is the approach you have taken to processing, rather than to the pictures themselves (prior to post-processing).

I really hate the artifical look, unless a highly-stylised look is intended (as it is with Benjikan's pictures, for example).

As I said in my post, if that was the effect you were trying to create, then who am I to argue? But for pictures of a real person, I think this approach to presenting the image doesn't work at all. It's de-humanising - in my opinion.

But it's all subjective, so you can accord my views as much or as little weight as you wish. I was afraid you might be offended, but it was not my purpose to offend, just to give you my quite strongly-felt response.

Some people's pictures evoke no reaction at all!

G

Comment by George Lazarette posted on Couple of images from Sunday at 26/07/2007 - 17:49

George Lazarette
Brian,

I'm sorry to say this, but I think these are terrible.

You have taken what are basically quite nice shots, and then (IMO) destroyed them by over-processing.

The poor girl no longer looks human.

The images look as though they were produced using an air-brush. Now, this may be what you wanted to do, and if so, fair enough, but to me they have passed right out of the realm of photography.

I'm sure that if you started again and employed a much lighter touch with the smoothing you would get a far nicer result.

Sorry to be brutally frank, but unless I am very much out on a limb here, I think those people who have replied so far have been skirting the issue. Elephant in the room syndrome.

Best wishes

G

Comment by George Lazarette posted on Couple of images from Sunday at 26/07/2007 - 08:45

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