ChrisA

Joined: 4th January 2007

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ChrisA
Mike-P wrote:
Rear button/AF-C, best of all worlds.

Took me 4 tries before I finally got used to it and didn't switch back
You guys are definitely tempting me to give it another go.

I guess the only thing is that if you hit the release, it always fires?

Comment by ChrisA posted on Which AF method? Rear or shutter button? at 24/07/2012 - 15:41

ChrisA
Blythman wrote:
It does take a bit of getting used to. If after giving it a fair trial you don't like, then switch back
I had a go like that for a while. Possibly not a long enough go to get properly used to it.

One thing that made me give up sooner than I might have is that I look through the VF with my left eye, which means getting the thumb on the rear AF button in between the camera and my face.

Comment by ChrisA posted on Which AF method? Rear or shutter button? at 24/07/2012 - 13:50

ChrisA
JohnX wrote:
So, those of you that find yourselves in fast moving situations, which AF method do you use, please? Rear or shutter button?
It depends.

If the camera-to-subject distance is changing all the time, then shutter button.

If it isn't - the subjects are fast moving but in the same place - then rear AF button. That way you don't incur the AF delay after you've focused the first time.

Comment by ChrisA posted on Which AF method? Rear or shutter button? at 24/07/2012 - 13:00

ChrisA
gartmore wrote:
Fair point but if I have clients looking at an online gallery they are viewing at images around 800 pixels on the long side and no opportunity for close examination.
Sure - you want them to buy the prints which is fair enough.

Horses for courses, really.

Comment by ChrisA posted on On Screen V Prints at 24/07/2012 - 11:58

ChrisA
Nothing much wrong with these at all - very nice.

I'd be inclined to up the contrast a little on the Extra, and bring up the shadows and the mid-tone contrast on the Spitfire and the Stearman.

The Tornado is going a lot faster, so simply pointing the camera in the right direction is harder. You can get away with a much shorter exposure than you would have used for these, since there's no prop to look stupid if it's frozen.

Another vital bit of kit for photographing the Tornado is earplugs, IMO. The sheer noise level makes it a lot harder to concentrate on the physical coordination required otherwise.

Comment by ChrisA posted on My first Airshow at 24/07/2012 - 11:17

ChrisA
gartmore wrote:
... pictures taken with my K20d at 800 ISO in tricky theatre lighting conditions where high ISO noise was apparent in the shadows on screen is non-existent on a beautifully sharp print.

Pictures taken with a *istDS at 1600ISO in similar conditions are perfectly acceptable but were worrying on-screen.

Which just goes to show what a waste of time pixel peeping is.
This is only true if you print most of your work.

If mostly it's only ever seen on a computer screen, and for most people this is increasingly the case, then you have to do what you have to do.

It's no good saying to people that it looks Ok when printed, if it looks pants on the screen, and that's the only place they're going to look at it

Comment by ChrisA posted on On Screen V Prints at 24/07/2012 - 09:39

ChrisA
paulgee20 wrote:
There was IMHO no winding up by answering him absolutely correctly. If he had said could you please tell me what your doing? Then I would have answered him immediately by saying 'taking photos@
Well, this is where we'll have to agree to disagree.

'Correctly' is not the same as 'appropriately', and answering literally, as you did, I'd argue is not necessarily the 'correct' response to an initially polite approach.

I agree that based on your account, he overreacted, and I also agree that such overreactions should not occur, but I still think that your initial reply would be likely to be interpreted as a bit arsey.

Comment by ChrisA posted on photography is not a crime at 22/07/2012 - 11:30

ChrisA
judderman62 wrote:
Think you're kinda missing a point there Chris

Paul was there minding his own business just taking pictures. Why did the policeman ask him what he was doing ? Did he look suspicious ? Did he look like he was doing anything ilegal ?

Camera resting on car door with long lens - I suspect not, also if long lens I should imagine it was obvious to an imbecile what he was doing. WTF was the copper doing/thinking ?

If we don't live in a police state that conversation should never have occurred, copper should have just carried on,on his way.

If we're not doing anything wrong we shouldn't have to explain to anyone what we are doing, what we are thinking about or what we had for breakfast.
In general, I agree, but we do expect the police to investigate suspicious behaviour. And what may look suspicious to others can be very different from our view, in cases where we already know that we're not doing anything wrong.

From the copper's point of view, all he saw was someone sitting in a car for a period of time. Maybe he thought it was suspicious, for some reason neither Paul nor anyone else except the copper will ever know.

So he came over to check - I don't think that's unreasonable - and maybe Paul was a bit ill-advised to give an answer that though literally correct, was a bit pedantic that could easily have been perceived as lippy.

The copper seems then to have gone well OTT, which is inexcusable, but I don't think there's anything wrong with the initial approach.

Comment by ChrisA posted on photography is not a crime at 22/07/2012 - 09:33

ChrisA
paulgee20 wrote:
I was approached one day whilst sat in the car, (two summer ago), with my Camera rested on the door, I had the Siggy 150-500mm on and was sat taking photo's of Rooks on some grass about 10 yards away. The copper was in an un-marked car without standard uniform on, (unmarked motorway patrol). He pulled up alongside and asked me if I minded telling him what I was doing. I answered quite correctly and said 'No i dont mind you asking'
Not for a moment justifying all the swearing from him.

But if it went exactly the way you recount it, your initial answer was the sort of pedantry that winds people up.

For example,

"Excuse me, do you have the time?"
"Yes thanks"

... is the sort of juvenile reply that would irritate people.

And in your case,

"Excuse me sir, do you mind telling me what you're doing here?"
"Not at all officer, I'm photographing those rooks over there with this camera. I'm not in the way of anything with my car here am I?"

... would probably not have wound him up in the first place.

Not sure why the police seem to be on such hair triggers - they ought to be trained not to rise to the bait and to deal with situations properly and according to the law.

But I'd contend that it's best not to wind them up in the first place.

Comment by ChrisA posted on photography is not a crime at 22/07/2012 - 09:15

ChrisA
Oso wrote:
If anyone thinks that England is a police state, they should visit the 3rd world and emerging countries, then they will know what a police state is like.
If you can find this book, written by an English man "Once a Jolly Hangman" read it and if you can contact the writer, ask him what a police state is like.
Its plain common sense, if for some reason you are stopped, co-operate and you'll find that you will part with smiles on both sides.
I have lived in England for 8 years and I have the greatest respect and admiration for the ordinary Bobby

Oso
I don't think anyone *really* thinks that we live in a police state.

However, freedoms are being eroded, a little at a time, and it's not a good thing.

It's not the ordinary bobby that's the problem, incidentally. It's the minority of nasty ones that get the rest a bad name.

Also, it takes two people at least to cooperate. 'Doing what they tell you' is not the same thing.

Comment by ChrisA posted on photography is not a crime at 19/07/2012 - 14:06

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