It's good and I like the effect on the building but persoanlly I don't like the sky. Don't have any other comment since you're going the right way so I'll wait what you do next time

Personally Osprey never could cought my interest, the new packs looks better but there older models where just to heavy for my interest at the time.
I just had a look but those are open sidepockets Simon, what if it will rain or if you fall in the snow, no change of them coming out?
Also only 50liters...
I already have a lightweight 25liter pack from Mammut, I can fit in their everything for a weekend so long I don't need to sleep outside.

Martin suggested this one to me www.zenfolio.com
Not really an online storage but it can be used like that.
The only problem is that they only support JPEG, TIFF, PNG and GIF.

Thank you Martin,
I was indeed already busy to catch an inner reflection in a reflection.
Still need to make it perfect but that I can drop the optical reflection helps a lot with the composition of the shot but it's of course a challenge to get it all to work.

Thank you all once again for your comments.
Good shots Cabster, now atleast I got the idea and I will wait for your shots Jaco.

The 50-135 isn't faster then the DA40 I believe, simply need to try it in the shop how fast and accurate it is.
If the AF is good enough that would be the lens but if not the 55 will come. The combo 55 100 would preform better in my eyes then the 50-135.

Yes I believe so Karl but don't take my word for it.

How good is the focus on the 50-135, is it fast and acurate?
If it's usable as a "fast-action" lens with that range it would be more suited for others things as well. Musicians aren't the only creatures that live on the stage.

Thank you Martin, that was preciesly the thing I was aiming for.
Only need to think of a set up now...

Thank you once again everyone for making my head spin.
I'll begin with the latestcomment and go up.

George and pentaxian, the DA*55 even has a focus issue on the K10D but I hardly use autofocus and I'm also not quite sure it would preform at a gig. Since there still is enough light it will lock on I believe but still, most of the time I use the AF button to move the focus closer and do the last bit myself. Surely in studio work I never found any use for the autofocus, it's too lacking in creativity.
Still for a fast shot the 50-135 would be the better lens.

Nathan I totally see your point but I would probable also take with me the 100mm just for the tighter shots, so I do get some versatility becaues of a second lens. Still a zoom would be more versatile but the f/1.4 leaves you with other options like John said.

It's very much a battle and I probable get both in the end but only got money for one lens this year and for the 50-135 I would sell the 18-250 since I wouldn't use that anymore. The only thing is that I think I can cover that range just as good with two prime lenses the 55 and the 100 although I'm still not 100% convince of that.

Prieni, just hoping you do look or else I will send you a PM about it.

With the compition I only saw the optical one but there are some more relfections in the world then that one, so how broad can we take it?