All Forum Comments
Comment by Anvh posted on LumoPro LP160 vs Yongnuo YN460-II at 17/03/2010 - 20:44
If you want to use the graphics card to do GPGPU processing for Photoshop, go for an NVidia Geforce based card with as many Stream Processors as possible. The ATI/AMD cards can theoretically do GPGPU stuff but it's no where near as mature at this point.
From what I know the OpenCL is the most support standard and Nvidai and ATI both use that so the difference is small besides that Adobe premier CS5 wants Cuda/Nvidia for the mercury playback engine.
Comment by Anvh posted on new computer for photoshop at 17/03/2010 - 20:11
I might try and see what gadgetinfinity (cactus) will do for me because the Pentax AF540 isn't working on the Cactus v4
ps. Price for the YN460-II + P&P is € 45 from England, I think I'll do that because from gadgetinfinity you also have shipping cost from China + customs
How is the build quality???
Comment by Anvh posted on LumoPro LP160 vs Yongnuo YN460-II at 17/03/2010 - 19:47
The biggest problem with the Yongnuo YN460-II is that I can't get them in the Netherlands while I can get the LumoPro LP160 in the shop.
If I just can get the Yongnuo YN460-II then it would indeed have been simpler choice.
Comment by Anvh posted on LumoPro LP160 vs Yongnuo YN460-II at 17/03/2010 - 19:23
In 1952 Asahi Optical introduced its first camera, the Asahiflex (the first Japanese SLR using 35mm film). The name "Pentax" was actually created from "Pentaprism" and "Contax", this brand became a registered trademark of the East German VEB Zeiss Ikon, which later sold the name "Pentax" to Asahi Optical in 1957. Since then the company has been primarily known for its photographic products.
Comment by Anvh posted on Universal bayonet mount. at 17/03/2010 - 18:58
Most likely you don't have a Digital info contact.

The KAF mount features the same six electric contacts as the KA, and thus remains fully compatible with the older mounts. However, in addition to those (electric) contacts, it features a seventh — electronic one. Using a yet-unknown serial protocol, the body uses this contact to communicate with a digital chip contained inside the lens housing. The chip provides at least the following information:
- Focal length of the lens. This allows more efficient flash operation as well as calculating the longest hand-holdable shutter speed. In addition, it is also one of the parameters taken into account when the body is in one of the "smart" picture modes and has to choose a program curve. Prime lenses provide one fixed value, while zooms provide an approximate value that changes as the focal length changes. The focal length information is precise enough to distinguish between 35, 28 and 24 mm lenses, as evidenced by F-flashes that trigger a warning when they cannot cover the field of view of the lens.
- Lens-to-subject distance. This is used by the more advanced bodies for calculating if the flash is powerful enough to illuminate the subject that is in focus. In addition, this is one of the parameters taken into account when the body is in one of the "smart" picture modes and has to choose a program curve.
Exact selected aperture. The KA mount supports displaying the picture-taking aperture when the "A" aperture setting is engaged. The KAF mount supports displaying the aperture even when a numeric f-stop is selected. The displayed value is quantized by half-stops, but is correct even when a variable-aperture zoom lens is used.
- Lens dimensions. The lens also gives the body enough information for determining if the lens is going to cast a shadow on the subject when the camera's built-in flash is used. This parameter takes into account the size changes due to zooming and focusing too.
The lenses contain a ROM chip that holds the program curve (brightness/shutter speed/aperture) for prime lenses or up to three program curves for zooms at their different focal length settings. The distance information is hardwired on the lens barrel. A number of tiny parallel conducting/non-conducting strips are glued to the rotating part of the lens. The same number of contacts are attached to the fixed part of the lens. As the lens barrel turns during focusing, different combinations of the strips are detected by the contacts. There are four parallel strips in the F 50/1.7, resulting in at most 16 different distance settings. But for that particular lens not all combinations are used.
A similar technique must be used for the focal length.
Comment by Anvh posted on Macro tubes help please at 17/03/2010 - 18:49
I love what kind of control you've with smart sharpen but I haven't used it that much yet.
Martin, I'm using 64bit so I need to use the beta from that
Andrew.
Somehow I use unsharpen mask more then highpass, or even a combo of the two.
Comment by Anvh posted on Sharpening technique for photoshop CS2+ at 17/03/2010 - 18:00
What do you think is the best or do you've another option?
Yongnuo YN460-II, price € 49
Guide Number: 38 (at 35mm focal length, ISO 100 in meters);
Tilt swivel head
No zoom
No other connectors beside hotshoe.
LumoPro LP160, price € 119
GN 48 in meters at normal zoom
tilt swivel head
electronic zoom
a PC port, miniphone port
metal hotshoe mount
Comment by Anvh posted on LumoPro LP160 vs Yongnuo YN460-II at 17/03/2010 - 17:53
It highly depends on the photo which sharpening works the best so I'm hoping that some members know a sharpening technique besides unsharpen or highpass or use those in a special way.
Just trying to expand the tools that can be used
Comment by Anvh posted on Sharpening technique for photoshop CS2+ at 17/03/2010 - 17:00
Please tell me the sharpening technique you mostly use.
Most sharpen options are the same with CS2 and up so that's why I said CS2+ but any sharpening technique is welcome.
I'm currently looking in smart sharpening and that looks quite interesting.
Comment by Anvh posted on Sharpening technique for photoshop CS2+ at 17/03/2010 - 16:39

