some of my new favourites

ChrisA
Posted 15/03/2007 - 23:52 Link
Quote:
Try cloning out the figure on the left just above the dog, that light patch just in front of that figure, that white spot on the right of the tree trunk and that white spot in the lower right corner, and move the dog to the other side of the tree.
Couldn't agree more.

Although if the seventeenth twig up from the left was a bit darker it would be better too. And lose the bloke on the right's bald patch while you're about it...

... oh, and he should be wearing Gap jeans, not FCUK.

Joking apart, I do think this raises what must be a very old debate, but one that I'm only just coming to now that I'm firmly in the digital world.

Where does composition stop and painting begin?

Does competence with Photoshop negate incompetence with the camera?
fatspider
Posted 16/03/2007 - 01:14 Link
Quote:
Does competence with Photoshop negate incompetence with the camera
Excelent point Chris, but the stuff I suggested doesn't really come about from incompetance with a camera, and the OP has clearly demonstrated a capability that probably exceeds my own, (thats why I was having a go at his pics )

I agree totally though, relying on photoshop is not the way to go, getting it right in camera is. There are members of my camera club that will spend hours manipulating an image, and probably win competitions with the end result, but like you say, where will they stop?
I suppose its all a matter of preferance but the debate of how much manipulation constitutes "cheating" will rage for a long time to come.

We are allready seeing the "injustice" of it all in slide competitions, ie those that are straight transparancies competing alongside those that have obviously been made from digital negatives.

PS I must be losing my touch I missed the highlight on the guys head
My Names Alan, and I'm a lensaholic.
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lenscape
Posted 16/03/2007 - 10:19 Link
Quote:
I like them too, but I cant let it go without finding fault, well not really a fault but something I think will improve the tree image.

Try cloning out the figure on the left just above the dog, that light patch just in front of that figure, that white spot on the right of the tree trunk and that white spot in the lower right corner, and move the dog to the other side of the tree.

I know it sounds like nitpicking but just do it and see.
Nah! Too fussy. He needs to clone out the tree and that inconsiderate attention-seeker on the right. Then we're getting somewhere. Maybe the dog and the houses, too. But nothing else.

Nice moody picture, just as it is.
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George Lazarette
Posted 16/03/2007 - 10:58 Link
Quote:
impotentspider wrote:
I like them too, but I cant let it go without finding fault, well not really a fault but something I think will improve the tree image.

Try cloning out the figure on the left just above the dog, that light patch just in front of that figure, that white spot on the right of the tree trunk and that white spot in the lower right corner, and move the dog to the other side of the tree.

I know it sounds like nitpicking but just do it and see.
Nah! Too fussy. He needs to clone out the tree and that inconsiderate attention-seeker on the right. Then we're getting somewhere. Maybe the dog and the houses, too. But nothing else.

Nice moody picture, just as it is.
Spot on. I like nothing better than a nice blank page, myself. Cuts out all those silly arguments about soft JPEGs.

G
Keywords: Charming, polite, and generally agreeable.
justgetoutandride
Posted 16/03/2007 - 11:12 Link
My jpeg is soft,

But some kind person sent me an email telling me there is a solution!

But it costs money

But I'll be able to shoot like a porn star!

But I don't know what sort of pictures he takes.
Please call me aj,

I use a Pentax K10D, on a MacBook with LightRoom (vers 1.3 + beta 2)

http://www.ba-joseph.co.uk/gallery
LiamD
Posted 16/03/2007 - 17:28 Link
:
Liam


"Make your hands respond to what your mind demands." Jesse James

Best wide-angle lens? Two steps backward. Look for the 'ah-ha'. Ernst Haas
Lilly
Posted 17/03/2007 - 22:10 Link
I just love your mono shot AJ and have to agree the third figure is a must, to me it adds another dimension that is interesting to the image.

I adore Henri Cartier Bressons work and after getting a new book on his past portraits from the library it inspired me to start taking portraits with a space above the sitter.
It felt odd at first instead of going in an cropping tightly at the top of head as usual, but it works well I think.

Any comments gratefully received too, need all te help I can get I have not yet been calibrated so let me know if its a bit on the dark side
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Galoot
Posted 17/03/2007 - 22:43 Link
My type of pic . . . . . . . . . nice ! ! !
Galoot
Posted 17/03/2007 - 22:48 Link
Should have added, looks perfect on my screen, 20" Apple iMac.
Good colours, well defined black and whites, can even see shadow detail. Superb
Ammonyte
Posted 17/03/2007 - 23:40 Link
Quote:
I have not yet been calibrated
...must resist mucky joke...must resist...must resist

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justgetoutandride
Posted 18/03/2007 - 07:08 Link
Lilly, thanks for the comments.

The portrait looks good on my macbook. Detail is good too, but are the highlights in the forehead blown out?

The tall format works well. Does Cartier-Bresson always use a similar format for portraits? I'm not at all familiar with his work.
Please call me aj,

I use a Pentax K10D, on a MacBook with LightRoom (vers 1.3 + beta 2)

http://www.ba-joseph.co.uk/gallery
McBrian
Posted 18/03/2007 - 08:38 Link
Three very nice images, I like them all for differnt reasons.

Like George the Severn Bridge pic is nice and punchy, has a monolithic style, could be mistaken as an outake from an 70's SF movie.

The B&W one looks like a 50's smog pic, I wouldn't change a thing it's great as it is.

I'll echo Galoot's thoughts, Lilly's portrait is fantastic, exhibition quality.
Cheers
Brian.
LBA is good for you, a Lens a day helps you work, rest and play.
Lilly
Posted 18/03/2007 - 11:47 Link
Quote:
Lilly, thanks for the comments.

The portrait looks good on my macbook. Detail is good too, but are the highlights in the forehead blown out?

The tall format works well. Does Cartier-Bresson always use a similar format for portraits? I'm not at all familiar with his work.
Yes, the HL are blown, even on the original before I PP it, have tried every way to retrieve detail, but if it aint there? unless, anyone has the answer? Just wished I'd bracketed at the time, but it was one of those opportune moments and I grabbed it.

Yes, Cartier uses that format very much, check out this book, has wonderful ideas for portraits:
An Inner Silence: The Portraits of Henri Cartier-Bresson

thanks for your comments, good to know I am heading in the right direction and also that my TFT is displaying OK, but I must get calibrated!
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George Lazarette
Posted 18/03/2007 - 11:54 Link
Lilly,

Were you shooting RAW or JPEG?

It's too late now for this picture, but RAW captures a lot of highlight detail that would be blown out by a JPEG.

G
Keywords: Charming, polite, and generally agreeable.
Lilly
Posted 18/03/2007 - 12:12 Link
I was shooting jpeg George, so can't blame it on that.
I am going to set the default to RAW from now though, it's shots like this that could have been so much better ....if only.....I....Hmmm
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Pentax: K20D; FA50mm 1.4; FA135mm 2.8; FA 17-28mm; FA 80-320mm; AF360FGZ
Sigma: 30mm F1.4EXDC; 10-20mmEXDC ..... LENSBABY 'Composer' ,

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