pentax sheffield meet

gtis
Posted 21/02/2016 - 13:29 Link
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4
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thanks for looking
cheers Neil
pentax k3
DA* 300 f4 DA* 50-135 f 2.8 smc DA* 16-50 f2.8 50mm f1.7 pentax1.4xhd converter





Panasonic Dmc Fz200
pgweber
Posted 21/02/2016 - 13:42 Link
I like the colour and framing on #1 and the mono treatment on #4, which picks out the wet paving slabs particularly well. Good work Neil.
Peter

Pentax K5
Pentax DA 18-55 Mk1, 50-200 (Samsung), 16-45, 55-300 Mk1, 35 f/2.4
Pentax MZ6 + FA28-90, FA50 f/1.4, M 50 f/1.7
Tamron 80-210mm & 28mm
AndrewA
Posted 21/02/2016 - 13:49 Link
Nice set Neil, No:4 for me
Andrew

"I'm here because the whiskey is free" - Tyla

PPG link
Flickr link
gtis
Posted 21/02/2016 - 14:28 Link
pgweber wrote:
I like the colour and framing on #1 and the mono treatment on #4, which picks out the wet paving slabs particularly well. Good work Neil.
AndrewA wrote:
Nice set Neil, No:4 for me
Thanks Peter and Andrew
I like number 4 as well but just coudnt tone down the highlight
cheers Neil
pentax k3
DA* 300 f4 DA* 50-135 f 2.8 smc DA* 16-50 f2.8 50mm f1.7 pentax1.4xhd converter





Panasonic Dmc Fz200
McBrian
Posted 21/02/2016 - 14:55 Link
#4
Cheers
Brian.
LBA is good for you, a Lens a day helps you work, rest and play.
AndrewA
Posted 21/02/2016 - 14:57 Link
gtis wrote:
pgweber wrote:
I like the colour and framing on #1 and the mono treatment on #4, which picks out the wet paving slabs particularly well. Good work Neil.
AndrewA wrote:
Nice set Neil, No:4 for me
Thanks Peter and Andrew
I like number 4 as well but just coudnt tone down the highlight
Can you not just select the area and drop the brightness?
Andrew

"I'm here because the whiskey is free" - Tyla

PPG link
Flickr link
gtis
Posted 21/02/2016 - 15:13 Link
AndrewA wrote:
gtis wrote:
pgweber wrote:
I like the colour and framing on #1 and the mono treatment on #4, which picks out the wet paving slabs particularly well. Good work Neil.
AndrewA wrote:
Nice set Neil, No:4 for me
Thanks Peter and Andrew
I like number 4 as well but just coudnt tone down the highlight
Can you not just select the area and drop the brightness?
Andrew
Don't know Photoshop is still a mystery to me
cheers Neil
pentax k3
DA* 300 f4 DA* 50-135 f 2.8 smc DA* 16-50 f2.8 50mm f1.7 pentax1.4xhd converter





Panasonic Dmc Fz200
carmagw
Posted 21/02/2016 - 15:20 Link
Nice set Neil, number 4 for me as well.

Regards

George
gtis
Posted 21/02/2016 - 16:22 Link
carmagw wrote:
Nice set Neil, number 4 for me as well.

Regards

George
Thanks George
cheers Neil
pentax k3
DA* 300 f4 DA* 50-135 f 2.8 smc DA* 16-50 f2.8 50mm f1.7 pentax1.4xhd converter





Panasonic Dmc Fz200
davidstorm
Posted 21/02/2016 - 18:37 Link
Very nice set Neil, you spotted some things that I certainly didn't see. I also like number 4 the best, it's a really gritty and contrasty take which suits the scene perfectly.

Regards
David
Flickr

Nicola's Apartments, Kassiopi, Corfu

Some cameras, some lenses, some bits 'n' bobs
gtis
Posted 21/02/2016 - 18:44 Link
davidstorm wrote:
Very nice set Neil, you spotted some things that I certainly didn't see. I also like number 4 the best, it's a really gritty and contrasty take which suits the scene perfectly.

Regards
David
Thanks david
A really good day out
cheers Neil
pentax k3
DA* 300 f4 DA* 50-135 f 2.8 smc DA* 16-50 f2.8 50mm f1.7 pentax1.4xhd converter





Panasonic Dmc Fz200
autumnlight
Posted 22/02/2016 - 22:25 Link
Super interesting set, wish i could have joined you (health reasons won't allow)
davidtrout
Posted 23/02/2016 - 22:31 Link
It seems this was a very good meet up of Pentaxians. I almost came to join you but other engagements got in the way regrettably. I do have some Sheffield qualifications, my dad was born and brought up there and as a child I used visit grandparents and an aunt and uncle and cousin in Fulwood.
David.
davem
Posted 24/02/2016 - 09:00 Link
Hello Neil,

It was good to see you again. A good set of photos, I was also drawn to the street art or graffiti as it used to be called
Pictures like number 4 always fascinate me as having lived in an area of terraced house for 20 years I never see this type of scene as the gritty cliché often portrayed in exhibitions.

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