Pentax FF Dead, Maybe
Posted 17/10/2013 - 21:47
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richandfleur wrote:
With crop one can get one bird in viewfinder, but with FF... Whooping two birds with one shot!
michaelblue wrote:
....and will wildlife photographers want full frame....reducing the focal length of their long lenses? .....just a thought
Does it reduce the size of the bird, or just affect the field of view of the lens? - Meaning same sized bird, just more of the scene in the final picture on FF?....and will wildlife photographers want full frame....reducing the focal length of their long lenses? .....just a thought
Posted 17/10/2013 - 22:08
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MattyH wrote:
Now before I start, I know this is yet another thread of thousands that have been started before. But.
I work in marketing and happened to speak to someone in China last night who works for a firm who is contract out to another firm that works with Pentax/Ricoh in Far East marketing.
I was informed that Ricoh have pulled all the funding and the contract for the future Pentax FF camera from that contract and informed the said company they may require them again in the next 18-24 months.
Now I just thought Ricoh may have just wanted to change contracts to a different company, but as far as any of us can tell, no one else has had any other contact or info on why they have done this, except the whole FF project has either been pulled or put back due to other projects.
Please be aware this is third hand info, but it is from someone I have had dealings with for the past 10 years and who I trust.
Just thought I would share..
......so you heard this from someone in China who works for someone else who is contracted by someone else who works with (not for) Ricoh.....seems pretty reliable
Now before I start, I know this is yet another thread of thousands that have been started before. But.
I work in marketing and happened to speak to someone in China last night who works for a firm who is contract out to another firm that works with Pentax/Ricoh in Far East marketing.
I was informed that Ricoh have pulled all the funding and the contract for the future Pentax FF camera from that contract and informed the said company they may require them again in the next 18-24 months.
Now I just thought Ricoh may have just wanted to change contracts to a different company, but as far as any of us can tell, no one else has had any other contact or info on why they have done this, except the whole FF project has either been pulled or put back due to other projects.
Please be aware this is third hand info, but it is from someone I have had dealings with for the past 10 years and who I trust.
Just thought I would share..
Regards,
Michael
Michael
Posted 17/10/2013 - 22:34
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Vaards wrote:
That's what I thought, rather than the birds being any bigger. Crop factor vs enlargement.
richandfleur wrote:
With crop one can get one bird in viewfinder, but with FF... Whooping two birds with one shot! michaelblue wrote:
....and will wildlife photographers want full frame....reducing the focal length of their long lenses? .....just a thought
Does it reduce the size of the bird, or just affect the field of view of the lens? - Meaning same sized bird, just more of the scene in the final picture on FF?....and will wildlife photographers want full frame....reducing the focal length of their long lenses? .....just a thought
Posted 17/10/2013 - 23:25
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I don't understand why FF is so important. Yes I want an affordable FF option, but that's so that my existing lens collection can be used at their 'native' focal lengths and become interchangeable across film & digital bodies. An expensive FF body might be a top-of-the-range jewel in the crown - but how many of us would pay £2k for it? It would be more expensive than an equivalent Canikon simply because they don't have in-body SR and the R&D would be more expensive due to the smaller initial production numbers. Ricoh shouldn't be looking at FF as a 'me too' product simply because others do it and it's seen as some kind of holy grail.
The 135 format was never about top-quality IQ or super shallow DoF, the film/developer you used defined your spacial resolution and grain (I guess that's noise in DSLR terms). It was about being the smallest/most portable format that would provide acceptable/good results for general photography. If you wanted more than that then you could use medium or larger formats.
I'm sure that 24mp APS-C is going to better most (if not all 135 film) from a practical shooting point of view. I'm going to guess that most people wouldn't be able to tell the difference between a 24mp APS-C image and a 24mp FF image. To better it you probably need a very expensive 36mp FF body (or two if you want the option of AA/non-AA filters).
The biggest difference for me is that my wide-angles become wide-angles again (and I don't have to buy more lenses) and my tele-photos become much shorter (and I've never wished that). With the launch of the K-3, I'm thinking the previously unthinkable and considering selling a lot of my 135 format glass to help fund a set of DA Limiteds.
The 135 format was never about top-quality IQ or super shallow DoF, the film/developer you used defined your spacial resolution and grain (I guess that's noise in DSLR terms). It was about being the smallest/most portable format that would provide acceptable/good results for general photography. If you wanted more than that then you could use medium or larger formats.
I'm sure that 24mp APS-C is going to better most (if not all 135 film) from a practical shooting point of view. I'm going to guess that most people wouldn't be able to tell the difference between a 24mp APS-C image and a 24mp FF image. To better it you probably need a very expensive 36mp FF body (or two if you want the option of AA/non-AA filters).
The biggest difference for me is that my wide-angles become wide-angles again (and I don't have to buy more lenses) and my tele-photos become much shorter (and I've never wished that). With the launch of the K-3, I'm thinking the previously unthinkable and considering selling a lot of my 135 format glass to help fund a set of DA Limiteds.
Posted 17/10/2013 - 23:47
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johnha wrote:
my tele-photos become much shorter (and I've never wished that).
My telephotos don't change at all between camera formats. my tele-photos become much shorter (and I've never wished that).
Best regards
Too far from a shore.
Posted 18/10/2013 - 00:16
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johnha,
I completely understand your point.
But imagine - with FF your limited makes 1.5x times less chromatic aberration. Picture of that sharp detail becomes 1.5x times sharper. FA 31mm 1.8 limited skyrockets in price even more (gladly I have one) - because it is wide and bright. Taking portrait with it, makes subject closer and bokeh much more visible and adds extra space around subject, making wide angle dynamics...
...and so many advanced folks left Pentax just because there was no path of growth. They were/are true Pentax dealers - because people asked questions and theses persons sold them Pentax.
Now they use Canon/Nikon and sell these cameras to beginners. Ok, all this is talked uncountable times.
I completely understand your point.
But imagine - with FF your limited makes 1.5x times less chromatic aberration. Picture of that sharp detail becomes 1.5x times sharper. FA 31mm 1.8 limited skyrockets in price even more (gladly I have one) - because it is wide and bright. Taking portrait with it, makes subject closer and bokeh much more visible and adds extra space around subject, making wide angle dynamics...
...and so many advanced folks left Pentax just because there was no path of growth. They were/are true Pentax dealers - because people asked questions and theses persons sold them Pentax.
Now they use Canon/Nikon and sell these cameras to beginners. Ok, all this is talked uncountable times.
Posted 18/10/2013 - 02:37
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johnha wrote:
I don't understand why FF is so important. Yes I want an affordable FF option, but that's so that my existing lens collection can be used at their 'native' focal lengths and become interchangeable across film & digital bodies. An expensive FF body might be a top-of-the-range jewel in the crown - but how many of us would pay £2k for it? It would be more expensive than an equivalent Canikon simply because they don't have in-body SR and the R&D would be more expensive due to the smaller initial production numbers. Ricoh shouldn't be looking at FF as a 'me too' product simply because others do it and it's seen as some kind of holy grail.
The 135 format was never about top-quality IQ or super shallow DoF, the film/developer you used defined your spacial resolution and grain (I guess that's noise in DSLR terms). It was about being the smallest/most portable format that would provide acceptable/good results for general photography. If you wanted more than that then you could use medium or larger formats.
I'm sure that 24mp APS-C is going to better most (if not all 135 film) from a practical shooting point of view. I'm going to guess that most people wouldn't be able to tell the difference between a 24mp APS-C image and a 24mp FF image. To better it you probably need a very expensive 36mp FF body (or two if you want the option of AA/non-AA filters).
not really. the Nikon D4 is only 16mp but above ISO200 has nearly stops better dynamic range.I don't understand why FF is so important. Yes I want an affordable FF option, but that's so that my existing lens collection can be used at their 'native' focal lengths and become interchangeable across film & digital bodies. An expensive FF body might be a top-of-the-range jewel in the crown - but how many of us would pay £2k for it? It would be more expensive than an equivalent Canikon simply because they don't have in-body SR and the R&D would be more expensive due to the smaller initial production numbers. Ricoh shouldn't be looking at FF as a 'me too' product simply because others do it and it's seen as some kind of holy grail.
The 135 format was never about top-quality IQ or super shallow DoF, the film/developer you used defined your spacial resolution and grain (I guess that's noise in DSLR terms). It was about being the smallest/most portable format that would provide acceptable/good results for general photography. If you wanted more than that then you could use medium or larger formats.
I'm sure that 24mp APS-C is going to better most (if not all 135 film) from a practical shooting point of view. I'm going to guess that most people wouldn't be able to tell the difference between a 24mp APS-C image and a 24mp FF image. To better it you probably need a very expensive 36mp FF body (or two if you want the option of AA/non-AA filters).
DXO Mark K-5 v D-4
16MP FF pixels are much bigger than 16MP APS-C
[i]Bodies: 1x K-5IIs, 2x K-5, Sony TX-5, Nokia 808
Lenses: Pentax DA 10-17mm ED(IF) Fish Eye, Pentax DA 14mm f/2.8, Sigma 17-70mm f/2.8, Pentax-A 28mm f/2.8, Sigma 30mm F1.4 EX DC, Pentax-A 50mm f/1.2, Pentax-A 50mm f/1.4, Pentax-FA 50mm f/1.4, Pentax-A 50mm f/1.7, Pentax DA* 50-135mm f/2.8, Sigma 135-400mm APO DG, and more ..
Flash: AF-540FGZ, Vivitar 283
Lenses: Pentax DA 10-17mm ED(IF) Fish Eye, Pentax DA 14mm f/2.8, Sigma 17-70mm f/2.8, Pentax-A 28mm f/2.8, Sigma 30mm F1.4 EX DC, Pentax-A 50mm f/1.2, Pentax-A 50mm f/1.4, Pentax-FA 50mm f/1.4, Pentax-A 50mm f/1.7, Pentax DA* 50-135mm f/2.8, Sigma 135-400mm APO DG, and more ..
Flash: AF-540FGZ, Vivitar 283
Posted 18/10/2013 - 03:13
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Quote:
michaelblue wrote:
....and will wildlife photographers want full frame....reducing the focal length of their long lenses? .....just a thought
Here we go again. You do not reduce the focal length of your tele lens with FF. A 300mm lens is a 300mm lens no matter what the size of your sensor.michaelblue wrote:
....and will wildlife photographers want full frame....reducing the focal length of their long lenses? .....just a thought
All say APS-C does, is to give you in effect a cropped version of the FF.
Now If you take the picture with a FF sensor. (of course with the appropriate increase in pixel quantity) You can either crop it already in you camera or later in your software.
It seems everybody is only worried (unnecessary so) about birdwatchers and similar tele photographers. What about the wide angle people.
That's where the real problem starts by having APS-C .
With a given focal length, say 24mm You loose a fair bit of your image.
The to get back to the same as the 24mm lens You now have to invest in a 18mm lens and so on. You loose, no matter what on the wide angles.
No you may say:" just invest in the next smaller focal length" if you hace an APS-C
Fair enough, but at the same time don't forget to the say:" just invest in the next size Tele lens if you have a FF, if you don,t want to crop.
With FF you only gain, You don't loose.
Then we get the comment: "With the extra pixels required, we get more noise." Why should you? The pixel size is the same for APS-C or FF.
This means, the light sensitivity of each pixel is the same as before.
Not even taking in to account the advances in technology.
The Pentax APS-C cameras are really great, but don't knock the FF, they are even greater.
At least your beloved 50mm F-whatever Has still the same angle of view as on your Film camera and is not suddenly a 75mm.
Regards, Horst
Posted 18/10/2013 - 03:30
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johnha wrote:
Barnack decided on the 35mm format, because it was a relatively easy to come by and to develop type of film, which could be used in a pocketable and unobtrusive camera. also a bonus for news reporters.
However he used more of the available film area then the movie people which used it cross wise. Barnack used the film lengthwise.
Your correct in saying it was the smallest format to give acceptable results. That why 110 etc never became a standard.
However it of course was inferior to the Half-plates and 2-1/4 squares when used with the equivalent quality lenses and cameras
The same scenario is the FF with say 36MP compared to the APS with 16- or even 24MP.
Regards, Horst
Quote:
The 135 format was never about top-quality IQ or super shallow DoF, the film/developer you used defined your spacial resolution and grain (I guess that's noise in DSLR terms). It was about being the smallest/most portable format that would provide acceptable/good results for general photography. If you wanted more than that then you could use medium or larger formats.
This is not quite correct.The 135 format was never about top-quality IQ or super shallow DoF, the film/developer you used defined your spacial resolution and grain (I guess that's noise in DSLR terms). It was about being the smallest/most portable format that would provide acceptable/good results for general photography. If you wanted more than that then you could use medium or larger formats.
Barnack decided on the 35mm format, because it was a relatively easy to come by and to develop type of film, which could be used in a pocketable and unobtrusive camera. also a bonus for news reporters.
However he used more of the available film area then the movie people which used it cross wise. Barnack used the film lengthwise.
Your correct in saying it was the smallest format to give acceptable results. That why 110 etc never became a standard.
However it of course was inferior to the Half-plates and 2-1/4 squares when used with the equivalent quality lenses and cameras
The same scenario is the FF with say 36MP compared to the APS with 16- or even 24MP.
Regards, Horst
Posted 18/10/2013 - 03:36
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johnha wrote:
Camera manufacturers must do the same for a given type of camera. Be it compacts or SLR's They can and should not fall behind. If they do. they have a great uphill clime to get back on an even Kiel. See Pentax.
Regards, Horst
Quote:
Ricoh shouldn't be looking at FF as a 'me too' product simply because others do it and it's seen as some kind of holy grail.
Look at all the cars on the marked. They look all basically the same. They have all the same features. Ricoh shouldn't be looking at FF as a 'me too' product simply because others do it and it's seen as some kind of holy grail.
Camera manufacturers must do the same for a given type of camera. Be it compacts or SLR's They can and should not fall behind. If they do. they have a great uphill clime to get back on an even Kiel. See Pentax.
Regards, Horst
Posted 18/10/2013 - 07:41
Link
Vaards wrote:
johnha,
I completely understand your point.
But imagine - with FF your limited makes 1.5x times less chromatic aberration. Picture of that sharp detail becomes 1.5x times sharper. FA 31mm 1.8 limited skyrockets in price even more (gladly I have one) - because it is wide and bright. Taking portrait with it, makes subject closer and bokeh much more visible and adds extra space around subject, making wide angle dynamics...
...and so many advanced folks left Pentax just because there was no path of growth. They were/are true Pentax dealers - because people asked questions and theses persons sold them Pentax.
Now they use Canon/Nikon and sell these cameras to beginners. Ok, all this is talked uncountable times.
Yup.
johnha,
I completely understand your point.
But imagine - with FF your limited makes 1.5x times less chromatic aberration. Picture of that sharp detail becomes 1.5x times sharper. FA 31mm 1.8 limited skyrockets in price even more (gladly I have one) - because it is wide and bright. Taking portrait with it, makes subject closer and bokeh much more visible and adds extra space around subject, making wide angle dynamics...
...and so many advanced folks left Pentax just because there was no path of growth. They were/are true Pentax dealers - because people asked questions and theses persons sold them Pentax.
Now they use Canon/Nikon and sell these cameras to beginners. Ok, all this is talked uncountable times.
Posted 18/10/2013 - 07:45
Link
Horst wrote:
johnha wrote:
Camera manufacturers must do the same for a given type of camera. Be it compacts or SLR's They can and should not fall behind. If they do. they have a great uphill clime to get back on an even Kiel. See Pentax.
Regards, Horst
Yes and that's because the extensive surveys on product desires and requirements all give similar results.johnha wrote:
Quote:
Ricoh shouldn't be looking at FF as a 'me too' product simply because others do it and it's seen as some kind of holy grail.
Look at all the cars on the marked. They look all basically the same. They have all the same features. Ricoh shouldn't be looking at FF as a 'me too' product simply because others do it and it's seen as some kind of holy grail.
Camera manufacturers must do the same for a given type of camera. Be it compacts or SLR's They can and should not fall behind. If they do. they have a great uphill clime to get back on an even Kiel. See Pentax.
Regards, Horst
Its short sighted to say Ricoh/Pentax shouldn't release a FF becuase other companies do it. On the contrary it's the biggest reason to release a FF camera. Regardless of any technical reasons of FF v. APS-C there's plenty enough marketing desirability to make people buy FF and Pentax are missing out my not offering a product in this sector.
[i]Bodies: 1x K-5IIs, 2x K-5, Sony TX-5, Nokia 808
Lenses: Pentax DA 10-17mm ED(IF) Fish Eye, Pentax DA 14mm f/2.8, Sigma 17-70mm f/2.8, Pentax-A 28mm f/2.8, Sigma 30mm F1.4 EX DC, Pentax-A 50mm f/1.2, Pentax-A 50mm f/1.4, Pentax-FA 50mm f/1.4, Pentax-A 50mm f/1.7, Pentax DA* 50-135mm f/2.8, Sigma 135-400mm APO DG, and more ..
Flash: AF-540FGZ, Vivitar 283
Lenses: Pentax DA 10-17mm ED(IF) Fish Eye, Pentax DA 14mm f/2.8, Sigma 17-70mm f/2.8, Pentax-A 28mm f/2.8, Sigma 30mm F1.4 EX DC, Pentax-A 50mm f/1.2, Pentax-A 50mm f/1.4, Pentax-FA 50mm f/1.4, Pentax-A 50mm f/1.7, Pentax DA* 50-135mm f/2.8, Sigma 135-400mm APO DG, and more ..
Flash: AF-540FGZ, Vivitar 283
Posted 18/10/2013 - 08:48
Link
Ricehigh's just posted a link to some photos taken with
a Pentax K-5iiS + NEW 21mm HD. Looking at them I can't
imagine why anyone would need anything better
http://news.mapcamera.com/KASYAPA.php?itemid=22519
Some good samples of other Pentax/Ricoh gear...
http://news.mapcamera.com/KASYAPA.php?catid=281&blogid=64
You could take two shots and stitch them together to
make a FF shot
--
a Pentax K-5iiS + NEW 21mm HD. Looking at them I can't
imagine why anyone would need anything better
http://news.mapcamera.com/KASYAPA.php?itemid=22519
Some good samples of other Pentax/Ricoh gear...
http://news.mapcamera.com/KASYAPA.php?catid=281&blogid=64
You could take two shots and stitch them together to
make a FF shot
--
Half Man... Half Pentax ... Half Cucumber
Pentax K-1 + K-5 and some other stuff
Algi
Pentax K-1 + K-5 and some other stuff
Algi
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North Island - New Zealand
....and will wildlife photographers want full frame....reducing the focal length of their long lenses? .....just a thought