painting with light
Posted 04/01/2011 - 19:46
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Is the cave normally dark?
If so then set a long exposure and rush around the cave with your flash (or a torch) and set it off where you want the "painting". You should wear dark clothing and no your way around fairly well so you don't fall over things in the dark. the camera shouldn't record you - just the light.
If you do a Google you will even find some videos to tell you how to do it.
If so then set a long exposure and rush around the cave with your flash (or a torch) and set it off where you want the "painting". You should wear dark clothing and no your way around fairly well so you don't fall over things in the dark. the camera shouldn't record you - just the light.
If you do a Google you will even find some videos to tell you how to do it.
Posted 04/01/2011 - 19:46
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pitch dark cave : open shutter, wave torch about for a while, close shutter.
Edit: damn, Gwyn beat me to it...
Edit: damn, Gwyn beat me to it...
Still shooting in the dark (literally and metaphorically)...
Posted 04/01/2011 - 20:16
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flossie wrote:
pitch dark cave : open shutter, wave torch about for a while, close shutter.
Edit: damn, Gwyn beat me to it...
or any other light source... fireworks, glowsticks, lanterns... sparklers... etc etc...
pitch dark cave : open shutter, wave torch about for a while, close shutter.
Edit: damn, Gwyn beat me to it...
Fired many shots. Didn't kill anything.
Posted 04/01/2011 - 20:22
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In a suitably long exposure you have to stay still for a surprisingly long time to show up. I was messing around with a couple of friends last year (trying to make it look like one of them was being strangled by a ghostly figure) by the usual trick of a 30 second exposure and getting the "ghost" to stand in the frame for the right length of time then jump out. It took a couple of tries to make them show up at all!
Matt
Shooting the Welsh Wilderness with K-m, KX, MX, ME Super and assorted lenses.
Shooting the Welsh Wilderness with K-m, KX, MX, ME Super and assorted lenses.
Posted 04/01/2011 - 20:33
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Dangermouse wrote:
In a suitably long exposure you have to stay still for a surprisingly long time to show up. I was messing around with a couple of friends last year (trying to make it look like one of them was being strangled by a ghostly figure) by the usual trick of a 30 second exposure and getting the "ghost" to stand in the frame for the right length of time then jump out. It took a couple of tries to make them show up at all!
multi exposures work for shots like that as well as some painting with light shots.... you can get less noise overall if you use multi exposures instead of long exposures...
In a suitably long exposure you have to stay still for a surprisingly long time to show up. I was messing around with a couple of friends last year (trying to make it look like one of them was being strangled by a ghostly figure) by the usual trick of a 30 second exposure and getting the "ghost" to stand in the frame for the right length of time then jump out. It took a couple of tries to make them show up at all!
Fired many shots. Didn't kill anything.
Posted 04/01/2011 - 20:45
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Interesting - I did have something of a problem with noise but put it down to the shot being underexposed. I was using an M series lens and when stopped down to get the 30 second exposure the metering wasn't behaving (ok down to f11 or so but not at smaller apertures). Next time I'll insist they stay still for longer while I use digital preview to get it right!
Matt
Shooting the Welsh Wilderness with K-m, KX, MX, ME Super and assorted lenses.
Shooting the Welsh Wilderness with K-m, KX, MX, ME Super and assorted lenses.
Posted 04/01/2011 - 22:12
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Multiple flashes using B is one technique. The other is using an LED torch. Some of these are incredibly bright, but the light can be rather blue/green.
Best regards, John
Posted 04/01/2011 - 22:32
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Wowzers, those blue trees near the bottom are incredible!
Tim
AF - Pentax K5, Sigma 10-20/4-5.6, Tamron 17-50/2.8, Sigma 30/1.4, Sigma 70-200/2.8, Tamron 70-300/4-5.6
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Feel free to edit any of my posted photos! If I post a photo for critique, I want brutal honesty. If you don't like it, please say so and tell me why!
AF - Pentax K5, Sigma 10-20/4-5.6, Tamron 17-50/2.8, Sigma 30/1.4, Sigma 70-200/2.8, Tamron 70-300/4-5.6
MF - Vivitar CF 28/2.8, Tamron AD2 90/2.5, MTO 1000/11
Stuff - Metz 58 AF1, Cactus v4, Nikon SB24, Raynox 150, Sigma 1.4x TC, Sigma 2x TC, Kenko 2x macro TC, Redsnapper 283 tripod, iMac 27”, Macbook Pro 17”, iPad, iPhone 3G
Flickr • Fluidr • PPG • Street • Portfolio site
Feel free to edit any of my posted photos! If I post a photo for critique, I want brutal honesty. If you don't like it, please say so and tell me why!
Posted 05/01/2011 - 15:33
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Dave
I lit this by setting the camera on a tripod on a 30 second exposure (I didn't have a remote cable for B shots to hand) and discharging an old flash unit (by pressing the test button) two or three times. If I had had two flashes it would have been easier because I could have set them off in turn, getting round the recharge time!
I did a trial exposure without flash first until I was happy with the exposure of the sky and streetlights.

The camera settings are here: link (actually that's a slightly different shot but the settings are the same).
I lit this by setting the camera on a tripod on a 30 second exposure (I didn't have a remote cable for B shots to hand) and discharging an old flash unit (by pressing the test button) two or three times. If I had had two flashes it would have been easier because I could have set them off in turn, getting round the recharge time!
I did a trial exposure without flash first until I was happy with the exposure of the sky and streetlights.

The camera settings are here: link (actually that's a slightly different shot but the settings are the same).
Posted 05/01/2011 - 20:27
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Wow what a response with some really useful ideas. I think that I am go to have to experiment at home first before I venture out to the caves.
Thanks for the really arty link Gareth - very inspirational.
Will, your very practical example has probably helped me most as I can see the camera data from the link. This also shows that you don't need complete darkness. Why did you use an old flash?
John, are you suggesting LED torches as they generally have a clearer light?
Thanks for the really arty link Gareth - very inspirational.
Will, your very practical example has probably helped me most as I can see the camera data from the link. This also shows that you don't need complete darkness. Why did you use an old flash?
John, are you suggesting LED torches as they generally have a clearer light?
Posted 05/01/2011 - 21:10
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Quote:
John, are you suggesting LED torches as they generally have a clearer light?
The light is more consistent, it's brighter and batteries last a long time before fading. I have a Lenser LED with one high powered LED and it's very useful for shots in the pitch black. It can also be useful to aid the camera in focusing in very dark places.
John, are you suggesting LED torches as they generally have a clearer light?
Best regards, John
Posted 06/01/2011 - 10:11
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LED torches are far more directional than conventional torches, so you can be far more specific on the areas you are highlighting.
They have a very high colour temperature (which has the side-effect of appearing brighter to the eye), so things will end up much bluer/colder than they would with an "old fashioned" torch. If you do want the warm tungsten look, you can get bargain-basement torches for 49p or something like that in Tesco etc...
Flossie
Professional Torch Fetishist.
They have a very high colour temperature (which has the side-effect of appearing brighter to the eye), so things will end up much bluer/colder than they would with an "old fashioned" torch. If you do want the warm tungsten look, you can get bargain-basement torches for 49p or something like that in Tesco etc...
Flossie
Professional Torch Fetishist.
Still shooting in the dark (literally and metaphorically)...
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1366 posts
20 years
yorkshire
The one technique I have read that I can't afford is an array of flashes with people setting them off around the cave. Any suggestions for an alternative method? (The caves are not huge)
Dave