Ninja Moorhen
Posted 05/03/2011 - 09:05
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That's a great series
They were certainly intent on their 'discussion' and that gave you the chance to capture what you could . Well done
They were certainly intent on their 'discussion' and that gave you the chance to capture what you could . Well done
let the education continue
proud owner of a couple of cameras and a few bits and bobs
proud owner of a couple of cameras and a few bits and bobs
Posted 05/03/2011 - 10:19
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Love this series especially Banzai! I think any autofocus system would struggle and manual focusing on a set spot is probably the way to go.
K.
K.
Kris Lockyear
It is an illusion that photos are made with the camera… they are made with the eye, heart and head. Henri Cartier-Bresson
Lots of film bodies, a couple of digital ones, too many lenses (mainly older glass) and a Horseman LE 5x4.
It is an illusion that photos are made with the camera… they are made with the eye, heart and head. Henri Cartier-Bresson
Lots of film bodies, a couple of digital ones, too many lenses (mainly older glass) and a Horseman LE 5x4.
Posted 05/03/2011 - 10:55
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What a great series Mat. I only comment on bird pictures when I think they are exceptional because it's not my subject but these fall into that category.
I think I'll have to start saving for the DA*300mm lens.
David
I think I'll have to start saving for the DA*300mm lens.
David
Posted 05/03/2011 - 10:56
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Great set - really love these ! I didn't know Moorhens could be so aggressive.
I've just bought the DA*300 to go with my K5 and have just posted my first series on here, taken it on the 2nd day of ownership. Therefore I was particularly interested in your comments on focusing issues as I encountered the same with a flock of small birds that were flitting around all over the place - one or two sharpies but it is tough going at times even shooting at 1/800 !
I've just bought the DA*300 to go with my K5 and have just posted my first series on here, taken it on the 2nd day of ownership. Therefore I was particularly interested in your comments on focusing issues as I encountered the same with a flock of small birds that were flitting around all over the place - one or two sharpies but it is tough going at times even shooting at 1/800 !
http://frogfish.smugmug.com/ Pentax. Pentax DA*300/4, Cosina 55/1.2, Lens Baby Composer Pro & Edge 80, AFA x1.7, Metz 50 af1.
Nikon. D800. D600. Sigma 500/4.5, Nikon 300/2.8 VRII, Sigma 120-300/2.8, Zeiss Distagon ZF2 21/2.8, Zeiss Distagon ZF2 35/2.0, Sigma 50/1.4, Nikkor 85/1.8, Nikon TC20EIII, Nikon TC14EII, Kenko x1.4, Sigma 2.0
Nikon. D800. D600. Sigma 500/4.5, Nikon 300/2.8 VRII, Sigma 120-300/2.8, Zeiss Distagon ZF2 21/2.8, Zeiss Distagon ZF2 35/2.0, Sigma 50/1.4, Nikkor 85/1.8, Nikon TC20EIII, Nikon TC14EII, Kenko x1.4, Sigma 2.0
Posted 05/03/2011 - 11:12
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Focussing fast moving subjects with long lenses is a problem all action photographers have to tackle, particularly with subjects that are darting around in random directions. It's a skill sports photographers have to master, particulalry in sports like football and rugby. Its slightly easier in track events like athletics, cycling, motor sport etc as you can predict more acurately where to pre-focus. Perfection comes with a lot of practice, in other words you have to be match fit like the sportsmen being photographed. Great natural history photgraphers also develop this skill with lots of experience.
David
David
Posted 05/03/2011 - 11:52
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Fantastic set Matt, this is an amazing sequence which would not be out of place in a wildlife documentary or such like. Must be rare that this sort of behaviour is captured. Well taken
Great simplicity is only won by an intense moment or by years of intelligent effort. T.S Eliot
Gear Not enough!!
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Gear Not enough!!
PPG
Flickr
My not so new website
Posted 05/03/2011 - 12:05
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Amazing series of shots! I don't mind a bit of dynamic movement blur, but I think I agree - pushing the ISO would have allowed a little bit more depth of field... for this sort of thing, a K5 would really shine. Although in good light I might have been tempted to go to ISO 1250 even with the K7.
Posted 06/03/2011 - 18:51
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Many thanks everyone for such encouraging feedback. I was back in the park this morning and all the Moorhens were absolutely sweetness and light! couple of coots nipping at each other though. As David suggests, I think I am just going to get out there and practice, practice, practice (I do a fair bit already)
Regards
Regards
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1474 posts
17 years
West London,
UK
These were all taken with the DA* 300 on my K7. It was pretty early in the morning (8AM ish?) and whilst it was bright, I was still at ISO800 and f4 to get the shutter speed to creep over 1/300. Ideally I would have liked a little faster although I think I'll have to keep saving up for a K5 so I can push the ISO higher.
The real issue I had was focussing. The Moorhen were really zipping about, in all three dimensions, frequently flying into the air and then landing and racing around. I tried basic autofocus (AF-S) and continuous (AF-C) but found I had best results focussing manually, or fixing the focus at a known point and trying to catch the birds at that point. Suffice to say I took LOADS of shots and the vast majority were way OOF - including some with very cool poses, but overall I am quite pleased with the handful that I did get...
First up - a bit of a three way slanging match:
before the action kicks off:
One of the Moorhens seems to get a bit squished early on (ganged up on...):
The other two then get stuck in:
The defeated Moorhen feigns nonchalance whilst the other two fight on...
BANZAI!
Finally, the victor chases off his remaining rival:
I hope you like these. Any C&C welcome, and If any folk have any hints and tips for faster focussing I would be grateful to hear I think that if it had been a bit brighter so i could have used a smaller aperture with a greater DOF that would have helped a little - in fact I am sure a K5 with it's excellent high ISO capability would have helped here. I think any AF system would have strugled with these guys flitting about though.
Regards
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