My first attempt with a 'snoot'
Posted 27/10/2009 - 21:56
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I like the egg. The way the light is coming through the cracks. Looks like a thread to go down. Perhaps macro. It is just a normal egg?
Doug
Doug
Lurking is shirking.!
Posted 27/10/2009 - 22:30
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Yes, your average Tesco egg!
My intention was to drop it and try and catch the impact, well...that was a disaster. So I shot the aftermath instead.
My intention was to drop it and try and catch the impact, well...that was a disaster. So I shot the aftermath instead.
Posted 27/10/2009 - 22:54
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Yeah, the light coming through the cracks is very cool. Worth pursuing! It could become your thing, like Amin and his smoke
Tim
AF - Pentax K5, Sigma 10-20/4-5.6, Tamron 17-50/2.8, Sigma 30/1.4, Sigma 70-200/2.8, Tamron 70-300/4-5.6
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AF - Pentax K5, Sigma 10-20/4-5.6, Tamron 17-50/2.8, Sigma 30/1.4, Sigma 70-200/2.8, Tamron 70-300/4-5.6
MF - Vivitar CF 28/2.8, Tamron AD2 90/2.5, MTO 1000/11
Stuff - Metz 58 AF1, Cactus v4, Nikon SB24, Raynox 150, Sigma 1.4x TC, Sigma 2x TC, Kenko 2x macro TC, Redsnapper 283 tripod, iMac 27”, Macbook Pro 17”, iPad, iPhone 3G
Flickr • Fluidr • PPG • Street • Portfolio site
Feel free to edit any of my posted photos! If I post a photo for critique, I want brutal honesty. If you don't like it, please say so and tell me why!
Posted 27/10/2009 - 22:58
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thoughton wrote:
Yeah, the light coming through the cracks is very cool. Worth pursuing! It could become your thing, like Amin and his smoke
In that case, i'd better get myself a shed with a bar and fridge!Yeah, the light coming through the cracks is very cool. Worth pursuing! It could become your thing, like Amin and his smoke
Actually, speaking of Amin I did also take a shot of a Bacardi bottle which reminded me of his experiments:

Posted 28/10/2009 - 00:31
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Good shots Snootchies
I like all three of those.
Regards
PaulM
I like all three of those.
Quote:
Snootchies wrote:
I used the 18-55 MKII with a 2 sec delay and a 1 sec exposure - enough time to pick a new direction to shoot the light hand-held.
Excuse my ignorance in asking this, I take it the flash was off the camera to get the rear lighting effect? and did you mean the light was hand held? Snootchies wrote:
I used the 18-55 MKII with a 2 sec delay and a 1 sec exposure - enough time to pick a new direction to shoot the light hand-held.
Regards
PaulM
All cameras are equal but.....
Some are more equal than others
Some are more equal than others
Posted 28/10/2009 - 00:33
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Agreed, good shots and the egg shots really look good. Snoots can be so useful!
Steve B Photography
Email: [email protected]
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Current Kit: Pentax K20D, Pentax K10D, Pentax MZ-30, Sigma EF500 DG Plus Flash, Metz mecablitz 15 MS-1 Digital Ringflash, Pentax AF360 Flash, Pentax 18-55mm DA II lens, Pentax 18-55mm DA lens f3.5, Pentax SMC-A 50mm f2.0, Pentax MF 50mm f2.0, Macro Sigma 28-200 AF IF f3.5 and Pentax FA 100-300mm AF f4.5
Email: [email protected]
Web : http://stevebphotography.blinkweb.com
Current Kit: Pentax K20D, Pentax K10D, Pentax MZ-30, Sigma EF500 DG Plus Flash, Metz mecablitz 15 MS-1 Digital Ringflash, Pentax AF360 Flash, Pentax 18-55mm DA II lens, Pentax 18-55mm DA lens f3.5, Pentax SMC-A 50mm f2.0, Pentax MF 50mm f2.0, Macro Sigma 28-200 AF IF f3.5 and Pentax FA 100-300mm AF f4.5
Posted 28/10/2009 - 08:42
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pnjmcc wrote:
Excuse my ignorance in asking this, I take it the flash was off the camera to get the rear lighting effect? and did you mean the light was hand held?
Yes, I hand held the flashgun with my make-shift snoot. It's quite liberating to have such extensive control on the direction of light, and it's also facsinating how a seemingly small change in where you project the light has such a difference in the mood of the shot.Excuse my ignorance in asking this, I take it the flash was off the camera to get the rear lighting effect? and did you mean the light was hand held?
Try it, it's really good fun, and you don't need much space. I used a work surface in the kitchen. I bought an A1 sheet of black card, and bent it slighly in the middle so it curved around to cover the back wall and the surface itself.
Then just get your camera ready on it's tripod, already focused to your point of intrest - the 2 sec delay is quite essential not only to reduce movement, but it gives you time to 'strike a pose' with the flashgun.
And just see where it takes you...
Posted 28/10/2009 - 09:14
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Hi Bob
I really like that egg image, it came out looking pretty nice. Even the definition on the surface adds to the nice image.
I am not sure how you shot it but I tend to use the self timer when it comes to shots like these. Focus on the line of fall where approximately you think the egg will be when you shoot, then activate the shutter release and start counting. With practice you will start getting very accurate results. That way you are left with just concentrating with the counting and the release of the object. You have to take into account the weight of the object and the height from which you will release it. I find it easier to lay the object on a table or chair for example and then just push it horizontally to initiate the fall, that way there is no extra impulse given to it so the rate of fall is constant with every drop you try.
Practice practice and practice will definitely get you better results .
I have learnt for example that I can count precisely to 13 and the shutter releases when I use the timer mechanism with the K20
I really like that egg image, it came out looking pretty nice. Even the definition on the surface adds to the nice image.
I am not sure how you shot it but I tend to use the self timer when it comes to shots like these. Focus on the line of fall where approximately you think the egg will be when you shoot, then activate the shutter release and start counting. With practice you will start getting very accurate results. That way you are left with just concentrating with the counting and the release of the object. You have to take into account the weight of the object and the height from which you will release it. I find it easier to lay the object on a table or chair for example and then just push it horizontally to initiate the fall, that way there is no extra impulse given to it so the rate of fall is constant with every drop you try.
Practice practice and practice will definitely get you better results .
I have learnt for example that I can count precisely to 13 and the shutter releases when I use the timer mechanism with the K20
Amin Photo Gallery
Posted 28/10/2009 - 09:22
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The egg is the top one for me!
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Finally!! Sigma 10-20mm
God, grant me the serenity to accept the things I cannot change, courage to change the things I can, and wisdom to know the difference.
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Pentax 18-55mm,50-200mm,Macro 100mm
Takumar-A 28-80mm, Sigma 170-500mm, Soligor Teleconverter x2
Finally!! Sigma 10-20mm
God, grant me the serenity to accept the things I cannot change, courage to change the things I can, and wisdom to know the difference.
https://pentaxphotogallery.com/maliskaoosthuizen
Posted 28/10/2009 - 16:03
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Thanks for the comments and useful tips chaps!
Posted 29/10/2009 - 15:24
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Lol - that indeed is a very good question.....
I've been using the nickname Snootchies long before I got into photography.
It's a reference to the Kevin Smith films set in New Jersey which began in 1994 (Clerks, Mallrats, Chasing Amy, Jay and Silent Bob Strike Back, and Clerks 2).
I've been using the nickname Snootchies long before I got into photography.
It's a reference to the Kevin Smith films set in New Jersey which began in 1994 (Clerks, Mallrats, Chasing Amy, Jay and Silent Bob Strike Back, and Clerks 2).
Posted 29/10/2009 - 22:49
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This is a wow shot!
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1969 posts
17 years
Chester
Snoot is a term describing an extension (usually of cardboard) which you place over the head of a flashgun, directing the light very specifically - like an elongated neck.
Was great fun to do I must admit.
I used the 18-55 MKII with a 2 sec delay and a 1 sec exposure - enough time to pick a new direction to shoot the light hand-held.
My website (Hadfield Photography)
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