just purchased a pentax me super camera
Posted 02/12/2009 - 07:45
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Just point the camera at the grey card, excluding all else from the view, and take a reading. Make sure of course that the light falling on the grey card is the same as the light falling on the subject.
For most subjects this won't be necessary though as the camera meter is quite accurate on its own. You can apply compensation using the exposure compensation dial that sits round the rewind crank.
Welcome to the forum!
For most subjects this won't be necessary though as the camera meter is quite accurate on its own. You can apply compensation using the exposure compensation dial that sits round the rewind crank.
Welcome to the forum!
Best regards, John
Posted 02/12/2009 - 08:49
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Welcome to the forum, here is a manual for your new camera link
Ken
“We must avoid however, snapping away, shooting quickly and without thought, overloading ourselves with unnecessary images that clutter our memory and diminish the clarity of the whole.” - Henri Cartier-Bresson -
“We must avoid however, snapping away, shooting quickly and without thought, overloading ourselves with unnecessary images that clutter our memory and diminish the clarity of the whole.” - Henri Cartier-Bresson -
Posted 02/12/2009 - 13:40
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I used my ME Super on manual most of the time. For small objects etc. I would meter off a gray card. For landscapes I found that when using slide film "auto" was not accurate enough so I used manual and would meter excluding almost all sky, preferably off some grass which usually worked pretty well. For BW and print film most "normal" circumstances worked pretty well on auto. In fact, I think I spent less time fiddling with exposure on my ME Super than I do with my K10/K20 although, of course, I didn't have the luxury of the histogram to consult!
Enjoy the camera. They are lovely little beasts. I have four now!
Cheers, K.
Enjoy the camera. They are lovely little beasts. I have four now!
Cheers, K.
Kris Lockyear
It is an illusion that photos are made with the camera… they are made with the eye, heart and head. Henri Cartier-Bresson
Lots of film bodies, a couple of digital ones, too many lenses (mainly older glass) and a Horseman LE 5x4.
It is an illusion that photos are made with the camera… they are made with the eye, heart and head. Henri Cartier-Bresson
Lots of film bodies, a couple of digital ones, too many lenses (mainly older glass) and a Horseman LE 5x4.
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