Five in a row: Kris' (womble's) go
Posted 20/11/2014 - 09:43
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That's very good indeed, firstly because of the pathos of the image and secondly because of the expert handling of widely contrasting lighting conditions. Its a master class lesson in black and white photography.
David
PPG: http://www.pentaxphotogallery.com/artists/davidtrout
David
PPG: http://www.pentaxphotogallery.com/artists/davidtrout
Posted 20/11/2014 - 11:14
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Kris, no3 is an exceptional shot, technically excellent full of detail and emotionally powerful as others have already said.
Posted 20/11/2014 - 13:33
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No.1 is an absolute corker, had me looking all round it working out what was going on. Of the grave I like the warmth of the second version, As for the pony the detail is superb, the visible snow between is feet just adds to the overall cold feel of the shot.
Malc
Posted 20/11/2014 - 14:21
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Thanks all. I wasn't really intending to post No. 3 but I got home from work very late last night so it was a bit of a snap decision. I'm always surprised that images I really like often don't meet much acclaim, whereas other images I hardly think twice about are popular!
One advantage of shooting black and white film is that the response curve is S-shaped so it is much harder to completely blow-out hightlights or completely black-out shadows than it is with digital. I do like the rather forlorn aspect of that image, however.
Now to ponder No. 4.
Best wishes, Kris.
One advantage of shooting black and white film is that the response curve is S-shaped so it is much harder to completely blow-out hightlights or completely black-out shadows than it is with digital. I do like the rather forlorn aspect of that image, however.
Now to ponder No. 4.
Best wishes, Kris.
Kris Lockyear
It is an illusion that photos are made with the camera… they are made with the eye, heart and head. Henri Cartier-Bresson
Lots of film bodies, a couple of digital ones, too many lenses (mainly older glass) and a Horseman LE 5x4.
It is an illusion that photos are made with the camera… they are made with the eye, heart and head. Henri Cartier-Bresson
Lots of film bodies, a couple of digital ones, too many lenses (mainly older glass) and a Horseman LE 5x4.
Posted 20/11/2014 - 21:38
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Kris Lockyear
It is an illusion that photos are made with the camera… they are made with the eye, heart and head. Henri Cartier-Bresson
Lots of film bodies, a couple of digital ones, too many lenses (mainly older glass) and a Horseman LE 5x4.
It is an illusion that photos are made with the camera… they are made with the eye, heart and head. Henri Cartier-Bresson
Lots of film bodies, a couple of digital ones, too many lenses (mainly older glass) and a Horseman LE 5x4.
Posted 20/11/2014 - 22:08
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I think this suits the square format and I like the composition. With the bridge sweeping away from the corner and going away to nothing, it's a very strong shape. On my monitor it is very dark though.
Barrie - Too Old To Die Young
https://pentaxphotogallery.com/artists/barrieforbes
https://www.flickr.com/photos/189482630@N03/
https://pentaxphotogallery.com/artists/barrieforbes
https://www.flickr.com/photos/189482630@N03/
Posted 20/11/2014 - 22:37
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This just works in all the right areas.
The ripples suggest you were aboard a ferry?
The backdrop is simply splendid and offers comparison between natural giants and the manmade giant trying to stretch as high.
It basically shouts out "why would you ever shoot in colour".
Best regards
The ripples suggest you were aboard a ferry?
The backdrop is simply splendid and offers comparison between natural giants and the manmade giant trying to stretch as high.
It basically shouts out "why would you ever shoot in colour".
Best regards
Too far from a shore.
Posted 21/11/2014 - 05:52
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Interesting this one, at first I thought ah, another nice 'bridge disappearing into the distance' shot but as I scrolled down, the ripples suddenly elevated it above the usual shot of this type.
Not dark on my monitor by the way
Not dark on my monitor by the way
Regards,
Michael
Michael
Posted 21/11/2014 - 07:42
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michaelblue wrote:
Interesting this one, at first I thought ah, another nice 'bridge disappearing into the distance' shot but as I scrolled down, the ripples suddenly elevated it above the usual shot of this type.
Not dark on my monitor by the way
Yes a good bridge shot but then those ripples make it something special adding balance and interest.
Interesting this one, at first I thought ah, another nice 'bridge disappearing into the distance' shot but as I scrolled down, the ripples suddenly elevated it above the usual shot of this type.
Not dark on my monitor by the way
Best wishes,
Andrew
"These places mean something and it's the job of a photographer to figure-out what the hell it is."
Robert Adams
"The camera doesn't make a bit of difference. All of them can record what you are seeing. But, you have to SEE."
Ernst Hass
My website: http://www.ephotozine.com/user/bwlchmawr-199050
http://s927.photobucket.com/home/ADC3440/index
https://www.flickr.com/photos/78898196@N05
Andrew
"These places mean something and it's the job of a photographer to figure-out what the hell it is."
Robert Adams
"The camera doesn't make a bit of difference. All of them can record what you are seeing. But, you have to SEE."
Ernst Hass
My website: http://www.ephotozine.com/user/bwlchmawr-199050
http://s927.photobucket.com/home/ADC3440/index
https://www.flickr.com/photos/78898196@N05
Posted 21/11/2014 - 09:20
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Another great shot Kris. The square format works well with this and the contrast is good. As with the comments of others, the ripples, whether wanted or not, add extra interest.
Andy
Posted 21/11/2014 - 09:28
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x 2 to pretty much all the above.
Very atmospheric, Kris, and probably my favourite of your four shots to date.
Very atmospheric, Kris, and probably my favourite of your four shots to date.
Posted 21/11/2014 - 17:26
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Your last two are stunners - full of character, class and interest. Both scream "print me, large". I'd pay good money to have the third on a block mount. Looking forward to your final addition.
www.flickr.com/photos/kingalew/
Current - K3, Sigma 10-20mm, Tamron 70-300mm, Pentax DA 35mm f2.4, Pentax DA 18-55mm WR, Pentax DA 50-200mm WR, Pentax Da 50mm f1.8, Sigma manual 28mm, Pentax Ltd 40mm f2.8, Sigma 70mm f2.8 Macro.
Current - K3, Sigma 10-20mm, Tamron 70-300mm, Pentax DA 35mm f2.4, Pentax DA 18-55mm WR, Pentax DA 50-200mm WR, Pentax Da 50mm f1.8, Sigma manual 28mm, Pentax Ltd 40mm f2.8, Sigma 70mm f2.8 Macro.
Posted 21/11/2014 - 21:09
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Kris Lockyear
It is an illusion that photos are made with the camera… they are made with the eye, heart and head. Henri Cartier-Bresson
Lots of film bodies, a couple of digital ones, too many lenses (mainly older glass) and a Horseman LE 5x4.
It is an illusion that photos are made with the camera… they are made with the eye, heart and head. Henri Cartier-Bresson
Lots of film bodies, a couple of digital ones, too many lenses (mainly older glass) and a Horseman LE 5x4.
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3447 posts
16 years
Somerset
Andrew
"These places mean something and it's the job of a photographer to figure-out what the hell it is."
Robert Adams
"The camera doesn't make a bit of difference. All of them can record what you are seeing. But, you have to SEE."
Ernst Hass
My website: http://www.ephotozine.com/user/bwlchmawr-199050
http://s927.photobucket.com/home/ADC3440/index
https://www.flickr.com/photos/78898196@N05