Far North Abstracts
You clearly had a great trip and produced superb results once again - thanks for sharing
I do love abstracts derived from landscapes and nature...you don't have to 'sell' these to me.
Standout image for me is definitely No.9.
Also particularly like 2,13, 14, 17 and 19 in no particular order.
regards
Karlo
Impossible to pick favourites, partly because some remind me of similar pictures in my own collection! But if I was allowed to have just one with me on a desert island it would be No. 19 - a total abstract, a picture that has a lot to give and a reminder of happy hours looking downwards through a lens on a beach while keeping a close eye on the tide!
Steve
K.
It is an illusion that photos are made with the camera… they are made with the eye, heart and head. Henri Cartier-Bresson
Lots of film bodies, a couple of digital ones, too many lenses (mainly older glass) and a Horseman LE 5x4.
My website
I especially like 17 where the curve of the grass follows the ripples in the sand.
Me too.
....followed by the rest.
A request Bill, can you link to a larger image. I use a 2560*1440 display and these are tiny for me.
My Flickr page
They have a real Zen-like simplicity and calm.
Paul
DA16-45, Sigma 15mm f2.8. Cosina 100mm f3.5 macro
1 is graphically mesmerizing thanks to that blue corner inviting us outward.
3 evokes feelings of sheer loneliness, and of awe before what I can try to describe as 'emptiness-filled emptiness',
5 might be the 'cutest' of the set, yet that cuteness speaks strongly of life (I remember a geologist saying that, although we find it difficult to understand, the mineral world is alive - even beyond the obviousness of volcanoes, for example - rocks get compressed together, they get disintegrated to small particles of sand... over very long periods, yes, but still).
I really like 6, for how much you have expressed with such a limited colour palette (and the blue sky seems to be pointing that out), and for the scythe shaped shadow which gives its dynamics to the image.
8 is in the cuteness category again, as I immediately saw some kind of alligatoresque creature lurking in the snow (its eyes and nose the clumps of grass). Can't unsee that now...
14 is pure abstraction, yet somehow hints at something familiar, a coastal region viewed from on high perhaps? Really grand.
Great stuff at the end too - 18 is so beautifully framed, and contrasts with the strangeness emanating from the last two.
I really appreciate how you transmit sensation through your art.
Steve: yes, I often forget to do the looking down thing... have read a lot of David Ward (who's work I love), and seen him talk too, who is very big on the subject... one of those things I tend to have to remind myself to do every now and again (a bit like remembering to look behind you)... but very rewarding when you do...
Peter: yes, gd point you make re size... am a bit of a luddite on the tech front, and don't have a flickr account (where I think you can do the full size thing?), so I'm afraid this is probably as big as it gets for me, outside of the originals (although they're a bit bigger on my website I think)... do let me know any tips/suggestions you may have on the subject...
John, Karlo, Kris, John, Paul, Serge, Nigel... thanks as ever for observations and favourites... always useful, partic in terms of what they may/may not communicate (if anything)... really enjoyed taking/making them, partic on the seeking/finding front...
Cheers all...
Best
Website: www.ethereallightphotography.com
Instagram: www.instagram.com/ethereallightphoto/
YouTube: www.youtube.com/@EtherealLightPhotography
Flickr:www.flickr.com/people/184597407@N04
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