Commercial shoot in Doha

aliengrove
Posted 14/09/2013 - 20:35 Link
I've just completed a commercial shoot for a large construction company in Doha. The K5 has once again proved what an amazing camera it is, dealing with a huge amount of dynamic range. All the shots were taken with the Sigma 8-16mm or Sigma 24-16mm f2.8. There is very little room around the site to work in, with a dual carriageway in front and building sites in the back. Most of the exterior shots were taken from a mobile access platform. I'm doing the whole shoot again when the landscaping around the buildings is completed, along with some shots from a helicopter (or perhaps a drone, I'm looking at buying one).

The contract stipulates I can only use the pictures myself to publicise my services (part of the contract was that they retain copyright), so I can't post them here, but here's a link to some of the shots on my website if anyone is interested.
Edited by aliengrove: 14/09/2013 - 20:37
Gwyn
Posted 14/09/2013 - 21:26 Link
Impressively large buildings, well captured.

There is a typo on your website btw. Aerial is missing it's "a" under commercial portfolio
Posted 14/09/2013 - 21:32 Link
Impressive what the K-5 can do ....
Would like to see the k-5IIs would do in this light
col55555ine
Posted 14/09/2013 - 21:33 Link
Nice Set .... So who needs Full Frame then .....
k-5 IIs, Pentax 60-250, 17-70, 100macro WR, 50mm F2,
AF50 F1.4, Siggy 10-20, Siggy 100-300 F4, ..Pentax Af 160 ring flash
McGregNi
Posted 14/09/2013 - 21:55 Link
Compositionally and technically excellent! Love the tones and white balance control also.

col55555ine wrote:
Nice Set .... So who needs Full Frame then .....
For any output where you need extra resolution or dynamic range, or you need to print bigger than the total image data from an APS-C sensor would allow at your required resolution. Plenty of people then I guess. But no, you don't need FF to be able to take excellent images for web display.
My Guides to the Pentax Digital Camera Flash Lighting System : Download here from the PentaxForums Homepage Article .... link
Pentax K7 with BG-4 Grip / Samyang 14mm f2.8 ED AS IF UMC / DA18-55mm f3.5-5.6 AL WR / SMC A28mm f2.8 / D FA 28-105mm / SMC F35-70 f3.5-4.5 / SMC A50mm f1.7 / Tamron AF70-300mm f4-5.6 Di LD macro / SMC M75-150mm f4.0 / Tamron Adaptall (CT-135) 135mm f2.8 / Asahi Takumar-A 2X tele-converter / Pentax AF-540FGZ (I & II) Flashes / Cactus RF60/X Flashes & V6/V6II Transceiver
bforbes
Posted 14/09/2013 - 22:00 Link
Along with your thread about drones and tethering, I find this really interesting. I hope you keep us up to date.
aliengrove
Posted 15/09/2013 - 05:36 Link
Thanks for the comments! I can't see that typo, Gwyn, there isn't the word "aerial" where you pointed out a typo?

There was another typo in the text that someone very kindly PM'ed me about. Thanks!

McGregNi wrote:
Compositionally and technically excellent! Love the tones and white balance control also.

col55555ine wrote:
Nice Set .... So who needs Full Frame then .....
For any output where you need extra resolution or dynamic range, or you need to print bigger than the total image data from an APS-C sensor would allow at your required resolution. Plenty of people then I guess. But no, you don't need FF to be able to take excellent images for web display.
You don't need FF to print large images: I am regularly getting 30 inch prints (with interpolation) from both the K5 and my Sony Nex.

These images are intended for promotional printed material as well as web use, up to A2 size.

bforbes wrote:
Along with your thread about drones and tethering, I find this really interesting. I hope you keep us up to date.
Thanks, Barrie, will do!
Edited by aliengrove: 15/09/2013 - 05:36
bwlchmawr
Posted 15/09/2013 - 08:00 Link
I couldn't agree more about the dynamic range of the K5, Jon. I recently returned from the Mediterranean with hundreds of shots, none much good artistically, but only two or three had to be discarded with blown highlights. The few I shot in RAW were even more impressive in this respect.

I hope that the K3 or whatever the next DSLR is called, will be at least as forgiving in contrasty light. More pixels we do not need (although I expect we'll get them!)
Best wishes,

Andrew

"These places mean something and it's the job of a photographer to figure-out what the hell it is."
Robert Adams
"The camera doesn't make a bit of difference.  All of them can record what you are seeing.  But, you have to SEE."
Ernst Hass
My website: http://www.ephotozine.com/user/bwlchmawr-199050
http://s927.photobucket.com/home/ADC3440/index
https://www.flickr.com/photos/78898196@N05
DrOrloff
Posted 15/09/2013 - 08:01 Link
I've noticed an error - the fourth word of your biography.

Good shots Jon and good looking site.
Algernon
Posted 15/09/2013 - 11:16 Link
Very nice shots of some interesting architecture.

-
Half Man... Half Pentax ... Half Cucumber

Pentax K-1 + K-5 and some other stuff

Algi
Algernon
Posted 15/09/2013 - 11:19 Link
Blueforever wrote:
Impressive what the K-5 can do ....
Would like to see the k-5IIs would do in this light
The K-5iiS isn't suitable for large prints of buildings due
to the jaggies (moire) it produces. The K-5 is fine.

--
Half Man... Half Pentax ... Half Cucumber

Pentax K-1 + K-5 and some other stuff

Algi
Edited by Algernon: 15/09/2013 - 11:20
johnriley
Posted 15/09/2013 - 11:25 Link
I don't think that's right Algi, and moire and jaggies are different things by the way. You would need much finer detail than those images to make moire a problem. It's actually quite difficult to get moire with either the K-5 IIs or the Ricoh GR, unless we go out of our way to generate it.
Best regards, John
Algernon
Posted 15/09/2013 - 14:06 Link
Basically they are both the same. At least one grid is required
which is always there with the sensor. Several lines or a single
line will produce jagged lines. Dots can also produce moire as
can mathematically produced shapes...
http://lspwww.epfl.ch//books/moire/kit.html

Lots of K-5iiS photos posted even on this site have shown unacceptable
aliasing. I wouldn't risk using the K-5iiS for important shots of
buildings. It can actually change features. The K-5 can also produce
moire but not as bad.

http://www.neocamera.com/article/moire_pentax_k5ii_k5iis

--
Half Man... Half Pentax ... Half Cucumber

Pentax K-1 + K-5 and some other stuff

Algi
johnriley
Posted 15/09/2013 - 14:18 Link
The second link provides this conclusion:

Quote:
The bottom line is that the Pentax K-5 IIs delivers a clear advantage in resolution at the expense of occasional moire. Unless you regularly work with fine-patterns such as textiles, it the Pentax K-5 IIs is really worth its price.
I would agree with that conclusion and it doesn't support the idea that architecture would be out as well.
Best regards, John
Algernon
Posted 15/09/2013 - 16:10 Link
I've posted this before. Comparison K-5 v K-5iiS

http://dc.watch.impress.co.jp/docs/review/longterm/20130426_597538.html
The two photos to look at are (both f/8 ) ...

K-5
http://dc.watch.impress.co.jp/docs/review/longterm/20130426_597538.html

K-5iiS
http://dc.watch.impress.co.jp/img/dcw/docs/597/538/023.jpg

If you look at them full size (100% or 1:1 whatever) Looking at
the top of the photos about 1/3rd in from the left there is
some blue cladding.. then white cladding running vertically right
down to the trees. Next there is some sort of architectural
feature which has been destroyed and turned into MOIRE on the
K5iiS shot. This can't be recovered and wouldn't be acceptable
to the architect.

Also considering big prints might be required if you zoom to
400% the window cills on the K5iiS are very jagged

Just for the hell of it I produced the best sharpened shot I
could at 1280 pixels wide with slight tweaking of the colours
and they were identical. So between the K-5 and K-5iiS I would
chose the K-5 for architectural work.

The K5iiS might be better for focusing in low light
but it doesn't offer anything else over the K5.

--
Half Man... Half Pentax ... Half Cucumber

Pentax K-1 + K-5 and some other stuff

Algi
Edited by Algernon: 15/09/2013 - 16:22

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