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Comment by McGregNi posted on "What goes round, comes around" - it must be F8 at 15/04/2013 - 20:58
So are you implying I'm not serious about my photography?
By my definition, you are serious, because I am assuming that you have considered the technical limitations of the equipment, weighed up the priorities and compromises involved, and based on your intended use of the photo, accepted these limitations and compromises. All serious stuff
Comment by McGregNi posted on "What goes round, comes around" - it must be F8 at 15/04/2013 - 20:43
So finally, after all the discussion above, today I put the K-r back onto 'P' !!!Peter
The other options for program line on my camera are Speed and DOF I think, so would prioritise apertures to suit scenes that need those. Personally I am rather sceptical that for standard zooms the differences would be the much really, depending on the focal length - maybe at longest zoom you'd see something, but at the widest end I'm not so sure??
Comment by McGregNi posted on "What goes round, comes around" - it must be F8 at 14/04/2013 - 20:38
Are you seriously suggesting how much someone worries about noise is proportional to how serious a photographer they are?
... not something that is just 'each to their own'. It imposes very real technical limitations on us and can obviously affect the choice of modes and camera settings we must consider.
This is why the questions about modes and other settings are of interest here - I mean, we're all pretty serious photographers, right?
Comment by McGregNi posted on "What goes round, comes around" - it must be F8 at 14/04/2013 - 20:22
Comment by McGregNi posted on In the Turbine Hall at 14/04/2013 - 20:02
I wouldn't mind at all seeing your Rasta Alien shot again, I think its somehting of an objerct lesson on the capabilities of current Pentax cameras. It can also be a reminder that that photography is primarily about images and not about ISO/noise/settings and so on. When I look at photographs I really couldn't care less what the camera make or settings were.
If the photographer sensibly uses a shallow depth of field or, indeed a deep one, then it enhances the image. In truly great images none of the techy stuff need matter.
The good choice of which one would be optimal in differing situations is something that should be shouted out loud, not least to inform those (like me) relatively new to the brand; to inspire those who have used the cameras for much longer to try out different things, and of course to hopefully persuade new buyers that Pentax offers more than the rest!
I hope that the discussions about MTF, Program Line, Tav, Sv, colour noise etc will go some way to meeting such objectives. I don't think that everything should just be dismissed as of no importance so long as the image is 'great'.
Comment by McGregNi posted on "What goes round, comes around" - it must be F8 at 14/04/2013 - 19:49
Comment by McGregNi posted on "What goes round, comes around" - it must be F8 at 14/04/2013 - 19:11
There is a great sense of realism with visible detail throughout as you scan around.
Out of interest (and considering the recent 'f8.0' thread about noise control, ISO settings, modes etc) - what sort of settings were used, and did you need some camera support in order to use them? And mode (I'm guessing Av would be standard for this type of shooting?)
Comment by McGregNi posted on In the Turbine Hall at 14/04/2013 - 17:59
Comment by McGregNi posted on "What goes round, comes around" - it must be F8 at 14/04/2013 - 17:44
As usual, my own interest in this is to provoke responses that are Pentax specific, for the benefit of all levels of photographer who might be looking. So, thinking about Tav mode, and the Program Line settings are useful I think. On our Pentax DSLRs we are spoiled for choice in which automatic exposure mode to use - yes, they can all end up giving us the same result, but some are plainly more intuitive to use or more suited to certain situations than others.
My own personal feeling is that having a firm grip on ISO, and consequently noise and other IQ aspects, is a priority. But I fully accept the points made that when there is no other way of getting a useable image, and the shot is not going to subject to critical gaze at an enlarged size, then let rip and take what ISO is thrown at you.
Interestingly, Smeggy, I recall you have often placed at the top of your Pentax 'wish list' a desire for better low light / high ISO performance - that has been your priority - yet here you appear not to be at all concerned about colour noise
Actually, I am thinking there needs to be much stricter controls on it - in fact, along with tripods and flash it should be banned from the underground on the basis of misrepresenting true black, and any Pentax user should be prohibited from using Tav mode on any platform.
On the subject of noise, I'm not going to annoy everyone by posting my Rasta Alien shot again - hehe -
Comment by McGregNi posted on "What goes round, comes around" - it must be F8 at 14/04/2013 - 17:40


By focusing so exclusively on selected technical desiderata, there's risk of overlooking or downgrading potentially more important inputs -- composition, DoF, perspective etc -- and ending up with a good record of a scene (with low noise etc) that is none the less aesthetically underwhelming. This thread may even demonstrate that for some readers.
My shot ( which I described as 'just a tree and some houses') was posted to demonstrate a situation where, to produce a very large print with no noticable technical compromises and edge to edge sharpness, you would need to apply the very technical 'ideals' we were discussing. This I contend it has achieved in demonstrating.
Just to add some balance