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Comment by johnriley posted on Excessive perfection? at 21/05/2014 - 08:47
By over-critical I'm thinking of the quest for perfection, for there being no defects in an image and asking if many defects are actually defects. For example, a twig out of place in an image. Should we seek to remove it or should we just accept that nature put it there?
Robby Robinson, Frankie Valli's music director, was asked what happened to a rumoured Four Seasons album. He put the delay down to "excessive perfectionism" which so far has meant it hasn't appeared. Can this be true of our images too? Are camera club judges excessive perfectionists when it comes to our images? And yet their own can be full of the defects they see in ours?
So the question is, should we leave more of nature in as it is? Or should we really try to eliminate everything that is out of place?
Comment by johnriley posted on Excessive perfection? at 21/05/2014 - 00:38
Comment by johnriley posted on 300 DA* .. also an excellent lens for macro photographing at 21/05/2014 - 00:31
You seem to have taken it the wrong way.
Comment by johnriley posted on 300 DA* .. also an excellent lens for macro photographing at 21/05/2014 - 00:20
Comment by johnriley posted on 300 DA* .. also an excellent lens for macro photographing at 20/05/2014 - 23:52
Comment by johnriley posted on 300 DA* .. also an excellent lens for macro photographing at 20/05/2014 - 17:56
You could combine images in Photomatix, or even use the in-camera HDR, and I think you'd get a more natural appearance.
Comment by johnriley posted on Stained glass windows and HDR at 20/05/2014 - 17:06
Wandering around with camera hoping something will leap out at us may work a couple of times in a lifetime.
Planning works almost all the time. It is unfortunate that the best images are often to be found at the top of the tallest mountains, at the furthest points from the car park and at the oddest times of day.
I understand that times before 5am also exist. We got up at 2am once to drive to Shropshire for a dawn photo walk.
Comment by johnriley posted on Brand Switching at 20/05/2014 - 10:39
Comment by johnriley posted on What has happened? at 20/05/2014 - 09:43
Sue's cousin John and myself made the dawn trip to the shores of Loch Awe, armed with camera gear and bacon butties and flasks of coffee. The getting up was quite tough, but the sitting on the shore watching the sunrise, with tasty sandwich and hot coffee, was as pleasant as shooting the images.
Obviously it was Pentax bacon and coffee....
I came to Pentax after Halina, Konica, Zenith, Rollei, Nikon, Mamiya and Fuji by the way, FWIW. Actually quite a few more now I really think about it as I did a project where I learned to use every camera type that ever existed. The objective was to be able to pick up any camera and suss it out fairly quickly, right from early wooden stand cameras onwards.
Because this is Pentax User I don't write here about all those things, but I do sometimes on my EPZ Blog.
Comment by johnriley posted on Brand Switching at 20/05/2014 - 09:05


Personally. I've thrown away airbrush style techniques for portraits and moved to a more naturalistic feel, making more hopefully of the character of people rather than creating plastic replicas. I've also tended to clone out things from cityscapes and landscapes, leaning more towards a realistic acceptance of what is there. Obviously there will always be exceptions, but I mean just as a general trend of thought.
An example of a grittier portrait:
It's harsh, the lighting makes it more so, but it does I hope show the true grit of her personality. I don't think it could be softened without making it pointless, and the background, for me, adds context.