George Lazarette

Joined: 14th January 2004

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George Lazarette
Quote:
Sorry if this has been posted before, but does the SDHC compatible K10 have the technology to take advantage of the Class 6 data transfer speeds of SDHC or is it not necessary to buy anything more than Class 4? This would equated to the Sandisk Ultra II (which I currently use) but I will be buying an HC card for the greater capacity and would but the Extreme III if the K10 could use the speed.

Unfortunately I cannot get this info from the manual.
Years ago, if you asked how much power the engine in a Rolls Royce could produce, the standard answer was "enough".

For me, it's now like that with memory cards. Even the cheap ones are fast enough. They're no longer a limiting factor, except perhaps when downloading, and that's not usually much of a problem.

So, as with hard drives, when buying I just compare the cost per gigabyte, knowing that any difference is unlikely to matter very much.

And I always buy 2GB cards. Larger capacities are likely to cost more per GB, though that may change soon, if it hasn't already.

G

Comment by George Lazarette posted on Which SDHC card? at 21/07/2007 - 23:12

George Lazarette
Quote:
Thanks George. So, basically use any particular flashring, but in manual mode?

Presumably it would be a good idea to use a Wein Safe-Sync to protect a digital camera (GX10) if going that route, from what I've read?
Yes (any flash in manual), and no (Wein).

There is an awful lot of unnecessary worrying about flash voltages, much of which emanates from the copier-cam camp. Those bricks have an Achilles' heel - they can't stand a voltage higher than about 6. Pentaxes have always been much more tolerant of high voltages, and anyway, all new or under, say, fifteen years-old flashguns have very low voltages.

If you are worried, measure the voltage across the contacts of the charged flashgun. It will almost certainly be under 10 volts and perfectly safe.

G

Comment by George Lazarette posted on Sigma EM-140 Ring Flash at 22/07/2007 - 23:06

George Lazarette
Here's another:

http://tinyurl.com/2tenbb

G

Comment by George Lazarette posted on Sigma EM-140 Ring Flash at 22/07/2007 - 08:37

George Lazarette
Quote:
Does anyone know if this has (Sigma EM-140) been released yet (or an ETA) for the Pentax P-TTL system? I've searched high and low and not found it or something similar. I'm interested in it for macro work.
I should be very wary about using automated flash for macro. It's quite unnecessary, and liable to give you too many bad exposures.

Vivitar do a ring flash, or Pentax have a couple that come up on Ebay from time to time.

If you are on a budget, try this:

http://tinyurl.com/25znph

G

Comment by George Lazarette posted on Sigma EM-140 Ring Flash at 21/07/2007 - 20:28

George Lazarette
Quote:
George Lazarette wrote:
Loads more money. That's the reason we have smaller sensors. The cheapest camera with a 24x36 sensor costs over £4,000. Compare that to a K10D.G
just being picky, but an eos 5D is about £1500 and is full frame. Whether i'ts any better is another matter.
Gosh, prices are falling quckly.

G

Comment by George Lazarette posted on Portraits at 02/08/2007 - 22:36

George Lazarette
Quote:
Is it possible that it has high resolution but slightly lower contrast?

Many lenses are designed to be quite contrasty and this gives a harsh but punchy result - quite unsuited to portraiture.

Maybe the 77mm just has a different balance of properties, a more subtle mix.
I'm sure you are right. Subtle is the word for this lens.

G

Comment by George Lazarette posted on Portraits at 02/08/2007 - 09:58

George Lazarette
Quote:
The FA 50 1:1.4 is noticeably softer wide open than the 77mm. Often a benefit in portrait pics. The effect can be induced later of course.
The funny thing about the 77mm is that although it is a very sharp lens, it is also kind to skin. Don't ask me how or why, but it's not cruelly sharp, as some lenses are.

It's that quality above all that makes it such a good portrait lens.

G

Comment by George Lazarette posted on Portraits at 02/08/2007 - 08:13

George Lazarette
Quote:
One question that is bothering me is actually almost then one that started this thread:

What do you think is the best portrait lens: FA 50mm 1.4 or FA 77mm 1.8?

I know the price difference between them is absurd (the 77mm is 2-3 times more expensive), but what is the best focal length? I have an A 50mm 1.4 wich I love, but I want an autofocus lens. Isn't the 77 too long on digital (for portraits)? Do you feel it works well inside a room, or do you keep touching a wall with your back when trying to frame a shot?

Thanks!
--
Flink
Actually, the 50mm is slightly below the bottom of the normally accepted range for portraits. Traditionally (on film), 85mm has been seen as ideal, with people using 100mm, 120mm or even 135mm quite happily.

50mm translates as 75mm on digital, and 77mm as 116mm. Personally, I prefer the slightly longer focal length, and anyway the image quality of the 77mm is materially superior to the 50mm. It's one of the few lenses in the world you can say that about.

As Tyr, I think, pointed out in another thread, the relationship of price to image quality is not linear. At the high end of the market, a smallish increase in IQ translates into a large increase in price.

I paid £375 for my 77mm on Ebay, and £100 for my 50mm. Both are worth every penny, and more.

And, no, the 77m is not too long for indoor portraits. Groups are another matter.

G

Comment by George Lazarette posted on Portraits at 30/07/2007 - 11:47

George Lazarette
Quote:
yes the sensor is smaller than the actual 24x36mm frame so this means that they are only using a portion of coverage of the actual lens? but there are full frame dslrs with no crop factor though as well. so therefore a bigger sensor in say the k10 would be more money or something?
Loads more money. That's the reason we have smaller sensors. The cheapest camera with a 24x36 sensor costs over £4,000. Compare that to a K10D.

Quote:
basically they call it a 1.5x simply in comparison to a full frame 35mm film camera. but in actuality isnt the coverage of a digital lens the entirety of the sensor?
Yes. It's just a reference point for people familiar with film cameras.

G

Comment by George Lazarette posted on Portraits at 22/07/2007 - 23:24

George Lazarette
Quote:
My thanks to all for the expert advice.

I wll go for the 50mm F1.4 I think

Lets see what happens

peter
A wise choice. When you want a change, the 77mm Ltd is the world's best portrait lens (ducks missiles hurled by 85mm f1.4 lovers).

G

Comment by George Lazarette posted on Portraits at 21/07/2007 - 20:30

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