ChrisA

Joined: 4th January 2007

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ChrisA
Waggy wrote:
In peoples opinion, would the sharpness of the Pentax-A 400mm F5.6 be significantly better than the Tamron SP 500mm ?. If so, it will give me the ability to use smaller aperture (and I don't mind sacrificing the extra 100mm and cropping more photo's if it means more in-focus shots).
I would expect so. I have a A400 F5.6, and it's quite a bit better than my Sigma mirror lens, especially stopped down a bit.

It's also quite a lot better than a (non APO) Sigma A400 F5.6 that I also have, if that helps any.

It's big and heavy though.

A thing of beauty, certainly, but if you're after something lightweight that you can hand-hold all day, you might consider a workout programme first.

Comment by ChrisA posted on Pentax-A 400mm F5.6 vs Tamron SP 500mm F8 Mirror at 16/01/2011 - 20:25

ChrisA
cjbromley wrote:
I do feel very restricted when trying to get decent aerial shots when aircraft are performing above the flight line - I just don't seem to be getting in there! Due to the safety restrictions distances from crowd to the action is quite restrictive.
Can you be a bit more specific? Where, when? Exactly what problems are you experiencing?

Typically it might be difficulty achieving sharpness and/or detail, and/or getting the exposure right against a bright sky.

Not quite sure what you mean by "flight line" - typically the aircraft orient themselves with respect to the runway in use, with which the front of the crowd is usually parallel. And of course the aircraft are always above that.

Of course, distance is key. Getting up really early and being right at the front is a major benefit. And of course there are limitations of having 300mm as the maximum focal length at your disposal.

As Mike says, the K10D isn't ideal, but with determination, it can produce good results.

I use it with the Pentax DA 55-300, and occasionally get some decent enough shots.

Comment by ChrisA posted on Aviation photography at 16/01/2011 - 00:44

ChrisA
sync1 wrote:
Sorry, I wrote it while I was thinking and talking with people.

When I said f/4 is out it's because of indoor photos, the tamron it's f/2.8, what's a 1 f-stop difference. The lens that I need it will be for start, and maybe in the future I will have both, as a wide, telezoom, prime lens...
When I said "it's a lens for a beginner" I was referring that the lens I will choice will be for a beginner, for start with a dSLR.
Now maybe the best option for me is the Tamron 17-50 for it's price (now I can get it for 230£).
Ah, I see. I understand what your'e getting at now.

Well in that case, you may as well get the 18-55 kit lens. F4 rather than F2.8 isn't all that much of a difference most of the time, and the high-ISO performance is so good that you probably won't need that extra stop.

If you need to take pictures when the ambient light is that low, you'd be better off putting the money towards a flash gun, or a tripod

Comment by ChrisA posted on 17-50 or 18-135 for beginner at 14/01/2011 - 23:18

ChrisA
sync1 wrote:
When I said f/4 is out I was thinking in interiors, it's 1 f-stop difference. It's a lens for beginner and I think in the future I will have both, as a wide and a telezoom lens.
But by now maybe the Tamron 17-50 is the best option, at least by her price (255£).
Er, Ok. I have no real idea what you're talking about, I'm afraid, but good luck with your K-5 anyway.

I do rather suspect that "it's a lens for a beginner" is a phrase that only a beginner would use.

Comment by ChrisA posted on 17-50 or 18-135 for beginner at 14/01/2011 - 19:46

ChrisA
By the way...

Checking the spec of the Canon G9, it appears that (ignoring the 4:3 sensor size), its zoom range gives an angle of view equivalent on 35mm to 35-210.

On the K5, a zoom range of about 23-140 will give you a comparable angle of view.

The OP may want to bear this in mind, if he hasn't already, when thinking about the zoom range he's interested in.

Comment by ChrisA posted on 17-50 or 18-135 for beginner at 14/01/2011 - 15:50

ChrisA
sync1 wrote:
Thanks for all answers
The 17-70 and 16-45 are F4, so they are out.
I thought about Tamron 17-50 because I think it will cover 80% (maybe more) of my needs with this zoom range and the f/2,8. The Pentax 18-135 will give me extra range with WR (which is good) but I will sacrifice IQ.
I'm thinking to buy more lens in the future, but I would like to keep it "budget".
With the greatest of respect, you've been using a bridge camera, and you've never owned an SLR.

To say that F4 'is out', and talk about 'sacrificing IQ' seems to be a little premature

Yes, you may sacrifice a little IQ with the 18-135 compared with the star lenses, but for most practical purposes the sacrifice is small.

And your desire to stick with 'budget' lenses is in any case at odds with getting the very best possible IQ.

If you want budget lenses, the 18-55 and 55-300 are probably your best bet, and as has been said, together cost less than the 18-135.

Comment by ChrisA posted on 17-50 or 18-135 for beginner at 14/01/2011 - 15:32

ChrisA
smudge wrote:
Personally I would order your K5 with the 18-55 kit lens which will cost you next to nothing and is surprisingly good, you may end up keeping it for a long time.
I wouldn't disagree with this.

The thing is, the OP is coming from a bridge camera with a substantial zoom range, so having only the 18-55 may feel like a retrograde step in that sense only, although of course there will be many other advantages.

So I still think that the 18-135 will be the single most useful one to get for now.

All this talk of FA50 and DA16-50, excellent though they are, is missing the point a little, I think.

For a beginner, coming from a bridge, all the benefits of a decent zoom range as well as the K-5 makes it a no-brainer for me, subject to funds available.

The 18-135 will also hold its value very well, so it's not as if there aren't plenty of options later on.

Comment by ChrisA posted on 17-50 or 18-135 for beginner at 14/01/2011 - 13:07

ChrisA
I have three lenses, covering the range 10-300, and I'd still love an 18-135 as a walkaround lens.

I take George's point about the 12-24 being good for buildings, but overall, I'd vote for the 18-135 with its extra reach.

You have to be very careful at close range with extreme wide angles, especially with people near the edges of the frame.

And given how the 18-250 was good, considering its ludicrous zoom range, I'd hope that the 18-135 would be better throughout its whole focal length range.

After all this time, it's still the 18-55 (with the 55-300 a close second) that's on my K10D the most, and I expect if I had the 18-135 it would be that instead - especially on the K-5 with its high ISO performance.

Comment by ChrisA posted on 17-50 or 18-135 for beginner at 14/01/2011 - 11:04

ChrisA
Fuzzfeast wrote:
... gave the sensor screen a few blasts with the Giotto rocket blower, then had another look. Unfortunately although the original mark had gone, a lot more had appeared elsewhere so I then had a go with the butterfly only to find that some of the new marks that I had thought were dust had been smudged by the brush, so I reckon it was put there by the blower and is more than simple dust. Has anyone else had a similar experience and if so how did you cure it?
Yes, I've had a similar experience.

Have a look at my post here, and in particular at the 'before and after' shots.

I don't use the blower any more, except on lenses, for exactly this reason - it makes things worse as often as it improves things.

As I said in my earlier post, you'll probably need a wet clean.

Bite the bullet, get the swabs and fluid (RTFM so that you get the right materials), do it yourself.

It's very easy. Barely harder than the butterfly, in fact.

Comment by ChrisA posted on Spots 'n stuff at 09/01/2011 - 13:50

ChrisA
thoughton wrote:
but any really sticky bits (e.g. flower pollen) will probably need something more direct like the arctic butterfly.
For sticky particles, a wet clean will almost certainly be needed.

Not only will the Arctic Butterfly not work for anything that is actually stuck, but it may smear what's there, and also contaminate the bristles with crap.

This will reduce its effectiveness for things it is good at, namely dust that is not adhered, and which therefore can be removed just by electrostatic attraction.

Sometimes it's hard to tell what sort of muck you have. It's just tough.. as the Visible Dust FAQ says:

[quote="visibledust.com"]
How can I tell if the contamination is dust or a stain?

Dust particles will come in many shapes and sizes such as specks and fibers. Stains will usually look fairly round and uniform, and sometimes cast a distinctive halo around the edges. Sometimes it is hard to differentiate between the two so the best course of action is to perform a dry cleaning. Best case scenario: clean, then you are finished. Worst case scenario: a smear is caused, a wet cleaning will need to be performed, followed by another dry cleaning (followed by cleaning your bristles).[/quote]

Comment by ChrisA posted on Spots 'n stuff at 09/01/2011 - 13:42

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