You're absolutely right and I cannot edit it now - it was indeed the 28mm! Not sure how I made that typo, especially as I don't own any 24mm...

Also, thanks! It's definitely the way to go (I won't dwell on a roll of Kodak Gold 200 slipping after the first frame in Sorrento... missed a good number of shots on the boat trip to Positano, too. Actually gutted about it! )

Thirding this comment. The Phone box/lighting combo could be Dr Who related, couldn't they?!

Thanks Rick! Next lot of film shots I go out and take might well be with a certain little 40mm f/2 lens...

It's a beauty - my colleague pointed out something that I think gives it the edge. My wife is facing in one direction, centrally, away from the camera and everyone else is walking towards it! Very happy with how it came out. Thanks for the kind words!

On part 2 of our honeymoon (really, part 2.5) we spent a week in Sorrento at the beginning of May.
I had the incredible foresight to take an ME Super that I received from this parish, along with my SMC-M 24mm f/3.5, SMC-M 35mm f/2.8, SMC-M 50mm f/1.7 and SMC-K 135mm f/2.5.

I thought I’d get a few photos up intermittently because, really, why take photos and not share them?!
The below taken on Kentmere 400, developed by Southsun labs and ‘scanned’ on my colleagues Nikon D3300 before being converted in Lightroom with Negative Lab Pro. I obviously did no dust removal.

Ardderchog! Lovely set and a beautiful setting. Ashamedly I don’t get there often enough despite it being a short drive from me…

Do you have indicative prices, Barrie?

Excellent results as per, Peter. Never in doubt that you'd squeeze some good results out of otherwise 'damaged' film!

I saw your description before clicking the link and wondered “Is he talking about grainydays?”

An excellent content creator.

This said, the images I’ve seen so far with it are very nice. It’s about the best IQ I think I’ve seen from the smaller format half frame cameras so far.

Easy now, Jon! These sorts of offers tend to be my kryptonite!