autumnlight

Joined: 10th November 2010

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autumnlight
A wonderful set, especially like No 1 also.

Comment by autumnlight posted on Few nighttime from my recent visit to Poland at 12/11/2016 - 17:16

autumnlight
JAK wrote:
autumnlight wrote:
Intentional Camera Movement John, not to everybody's taste, i suppose you could say the creative part of photography, some interesting results to those who find it interesting, a bit like Marmite
Yep, never been keen on Marmite sandwiches, yet my old friend at school relished them.
Perhaps you have to like Marmite to appreciate I C M (I C M = Intentional Camera Marmite?)
I'm not intending to sound rude, but I've had colour slides coming out like that and the best use I could find for them was to save the mount for something else! I'm positive had I entered any in a club photographic competition it would have been first to go with the comment, "Nothing's sharp, why did you enter it?"
Maybe times have changed but you can't unlearn the knowledge you picked up in the past. I can see the value of a blurry movement picture in a story sequence where perhaps a fugitive is running through the woods to escape capture, but not as a stand alone image.
I can also appreciate movement of trees in a photo may give the impression of a windy day, but at least the background and forest floor would have to be sharp. That might require combining several images to achieve. But a pure blurry photo just looks like it had the wrong exposure (I've had many of those) or the photo took itself accidentally between other intended shots (I can do that too) but I wouldn't normally like to embarrass myself publishing them to the world, other than to show things to avoid in a camera demonstration.
To me I C M is when one would do a panning shot of, say, a vehicle which itself may not be perfectly sharp if it was a slowish exposure but would have a definite blurry background. The blurriness tells the story of the vehicle speed. Another might be to zoom in on a vehicle coming towards you which achieves a similar, although different, result.
If I hadn't come from the 'old school' which says 'something has to be sharp in a photo' how would you sell me the idea of this new approach to I C M? I'm presuming this is now taught in art schools, or is it purely experimental?
Thanks for hearing me out.
I wouldn't try to sell you this, i think your mind has already been made up as for teaching it in college etc. i would have no idea, i can see where you are coming from though about the blur and all the hard work we put in to our photography to get our images as sharp as we can, as with most things i can only say to each their own, there are a few of us who have experimented and the results are interesting? i for one will still be having more of a crack at it, so maybe don't watch this space in the nicest possible way

Comment by autumnlight posted on Continuing my quest to better myself experimenting with I.C.M. all single images and hardly any treatment added except for the normal pp. at 09/11/2016 - 21:22

autumnlight
JAK wrote:
Don't get it. Can someone explain please?
Intentional Camera Movement John, not to everybody's taste, i suppose you could say the creative part of photography, some interesting results to those who find it interesting, a bit like Marmite

Comment by autumnlight posted on Continuing my quest to better myself experimenting with I.C.M. all single images and hardly any treatment added except for the normal pp. at 08/11/2016 - 23:04

autumnlight
Mag07 wrote:
Fantastic Maria. Especially 5,6,8 and 10. But the Washing Line...just brilliant
Ha ha Magdalena, this was my favourite at first!

Comment by autumnlight posted on Continuing my quest to better myself experimenting with I.C.M. all single images and hardly any treatment added except for the normal pp. at 08/11/2016 - 13:32

autumnlight
Thank you for all the interest and comments everyone, will try some more in the near future and hope to improve somewhat

Comment by autumnlight posted on Continuing my quest to better myself experimenting with I.C.M. all single images and hardly any treatment added except for the normal pp. at 08/11/2016 - 13:31

autumnlight
1
Palm
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2
Puddle
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3
washing line
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4
Shed
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5
Palm and red bucket
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6
Flowers
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7
Shed 2
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8
Could be under water, you may notice a face on the top right hand side.
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9
Pergola and Palm
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10
Palm
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Comment by autumnlight posted on Continuing my quest to better myself experimenting with I.C.M. all single images and hardly any treatment added except for the normal pp. at 07/11/2016 - 22:00

autumnlight
What a lovely set, i especially like 2 & 5

Comment by autumnlight posted on Burnham Beeches at 06/11/2016 - 15:44

autumnlight
Definitely the second one, you know i'm a lover of pp and shoot in RAW myself and process until my hearts content lol, the second one adds another dimension and allows the sea to shine, in my opinion it brings the photograph to life.

Comment by autumnlight posted on Same but Different? at 03/11/2016 - 22:55

autumnlight
What a fine set, the Autumn light when it appeared was a blessing, 7,8 & 9 are my choice

Comment by autumnlight posted on Ashdown Forest at 27/10/2016 - 22:40

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