It's strange to say but the AF540FGZ has more power then the Metz 58 but the Metz can reach a bit further.

focal lenght in mm | 24 | 28 | 35 | 50 | 70 | 85 | 105
Metz 85 -------- GN | 29 | 31 | 35 | 42 | 46 | 52 | 58
AF540FGZ ----- GN | 32 | 35 | 39 | 45 | 50 | 54 | x

Sorry it's quite hard to make a table here so hopefully you can read it.
The info comes from here link a must read btw!

Thank you for you comment John, very helpful.

I also have read about the pre-flash thing and it looks very handful to have.
It's good to know it's a well balanced set, will think about it though since it doesn't cost so much.

How does the controls work, are they straight forward?

Better then nothing link

DFA 100mm macro if I'm correct or the DA60-250 but don't think so.

Have you tried some with longer shutterspeed so that you see the motion, you could then freeze moments during the exposure with your flash you know.
I don't have the setup ready but I'm quite interesting how that will look.

How many of you really like a superzoom.
I sold my DA18-250 because it simply wasn't a lens for me and hardly got used.

About the law it says this in the begining
has the right in the circumstances
mentioned in this section not to have his work subjected to derogatory treatment.
So althose points stated there need to be follwed right so also point 2.
I do read it correct right?

Mhmm indeed George but can I help it that she is young and your not, maybe you're young inspirit but there are limits.
But really George like I've seen you in conversation I think you're a great guy and honest so I'm sure she would be safe and in good hands with you.
Didn't you work as doorman(?) at a pub or something like that or do I've someone else in mind now

Thank you for the Help Martin.

Amin stunning serie once agian.
Can you do something about the rim of the bowl(?) in the background, I found it a bit distracting sometimes.
Maybe filling it to the rim or making the drop fall more in the front would help since the edge would be father to the back.

section 80 says this
80. — (1) The author of a copyright literary, dramatic, musical or artistic work, and the director of a copyright film, has the right in the circumstances
mentioned in this section not to have his work subjected to derogatory treatment.

(2) For the purposes of this section—
(a)
“treatment" of a work means any addition to, deletion from or alteration to or adaptation of the work, other than—
(i) a translation of a literary or dramatic work, or
(ii) an arrangement or transcription of a musical work involving no more than a change of key or register; and
(b)
the treatment of a work is derogatory if it amounts to distortion or mutilation of the work or is otherwise prejudicial to the honour or reputation of the author or director;

Yeah she don't like auto racing.
About the entertaining part she is too young for you George and I think you will agree so if you want to spend the day with her go ahead you will do nothing so she will be in good hands with you.

The second one almost look like glass, very good Amin.
I'm very curious now how you brought the colour in it.

Amin do you've a pol?
You might want to use it to make it more brilliant.