All Forum Comments
Comment by andrewk posted on A revolution in nigh street photography at 14/11/2012 - 00:22
So the nest question is, did your grey card actually look like this second photo under the LED lights
It is very difficult to say exactly what the grey card really looks like under the LED lighting. I've just been out again and had another look. It does not look grey and is definitely orangey - but I cannot say for certain that it looked exactly like the first image above. The brain has a habit of applying processing that make things look like you expect them to look, whether they really do or not.
I remember many years ago spending an afternoon in the lighting laboratory at the Moorlight Electrical factory which was only a couple of miles from Oldham. They had a number of identical colour charts in separate cubicles, each lit by a different light source - warm white, daylight, northlight and colour matching fluorescent tubes and tungsten lamps. If you looked at any one colour chart in isolation, you could have sworn that the colours were correctly portrayed - yet moving from one to the next displayed huge differences.
On balance, I think I'd trust the camera (on daylight WB) rather than my eyes to tell it like it really is.
Andrew
Comment by andrewk posted on A revolution in nigh street photography at 13/11/2012 - 23:27
Andrew, could you post your shot with another preset selected, or a manual colour temperature that gives you the most accurate rendering of the scene you remember, and tell us the figure it requires.
I took the original as RAW and processed it with a Daylight WB in PSE8. The image below was reprocessed from the RAW in camera with a WB of tungsten:.

The histogram looks pretty good - so, tungsten it is then. If you check the histogram for the "Daylight" version above, you'll see that the spectrum is not continuous. It has very narrow red, green and blue peaks with little in between.
One point I really should make is that I have seen some reports of LED lamps which look blueish - so there may be a number of types in use with different colour temperatures.
Andrew
Comment by andrewk posted on A revolution in nigh street photography at 13/11/2012 - 22:27
This is a photo of an 18% grey card taken a few moments ago, directly under a new LED street lamp. It was taken with a K200D on Av, with WB set on daylight, at ISO 1600 f5.6 1/6 sec.

It doesn't look so neutral to me, but presumably you'd get a much better result on AWB or with manual WB. If you look at the histogram, there's a lot of red and it's way short on blue.
Andrew
Comment by andrewk posted on A revolution in nigh street photography at 13/11/2012 - 17:10
light actually white or does it have a strong blue bias?
Colour rendering is, though, much better than the old monochromatic low pressure sodium (SOX) lamps we had before. Blue,brown and green bins now look roughly the colour they should be rather than all being a dark orange/brown.
As an aside, at the present state of the art, I do not think that LED lamps are more efficient than the sodium lamps they replace. They typically produce 75 lumens/watt. High pressure sodium produce 80-100 lumens/watt and the very orange low pressure sodium lamps around 140 lumens/watt.
Andrew
Comment by andrewk posted on A revolution in nigh street photography at 13/11/2012 - 14:53
Are deer more active during the twilight
Andrew
Comment by andrewk posted on Autumn in the North West Highlands at 25/10/2012 - 21:55
I wonder if there is anywhere a bit further down closer to Glasgow that would be good place to try for red deer. Something like the argyll forest park or near Ben lomond or the trossachs.
Andrew
Comment by andrewk posted on Autumn in the North West Highlands at 25/10/2012 - 18:09
Have you tried photographing Suilven from the north - around Lochinver or the road north toward Clachtoll? There is a viewpoint/carpark 3 or 4 miles up the road towards Clachtoll. You'll need a clear day and a long lens.
Love the photos.
Andrew
Comment by andrewk posted on Autumn in the North West Highlands at 24/10/2012 - 23:06
Andrew
Comment by andrewk posted on Poll: AF Accuracy Adjustments at 23/10/2012 - 13:44
In pondering about that, I cannot help but wonder why the mist is still so purple towards the right of the photo when it is more in the shadow of the hill; why the side of the boat facing away from the setting sun is purple too; why the hill above the mist is purple and why there is more red in some of the stonework facing the viewer than you might imagine if it was lit mainly by the dusky blue sky behind the photographer.
With some trepidation, I am forced to admit that I think there is a possibility either that you used a FL-D or FL-W filter when you took the shot - or adjusted the colour balance in post-processing. Adding a little green readily restores the colour balance to how I imagine it might have really looked - but then again, I wasn't there.
Does it look natural? Maybe not. Does it matter - definitely not. It is an attractive photo.
Andrew
Comment by andrewk posted on Is It Natural? at 23/10/2012 - 00:57


I believe it's achieved by mixing LEDs emitting light at different wavelengths to give the temperature required.
It does seem odd to me that the new LED (?) fittings that have been installed here have a colour temperature around that of tungsten lamps (3300 degK), so odd in fact that I've just spawned an email to Oldham MBC street lighting department asking them to clarify what is (should have been?) installed.
Andrew